Halloween Horror Nights XXIX Full Review

You know it’s Halloween season when Universal Orlando’s Halloween Horror Nights opens! And this year, it opened earlier than ever. What a banner year it is! Opening weekend with my friends was an absolute blast. Over all, this was a solid year for the event that turns 30 next year. Although there lacks an official theme for HHN29, it is very clearly 80’s nostalgia, complete with the laser lights and electronica sounds that were such a quintessential part of the decade. The lineup of houses is outstanding; from fantastic original concepts to familiar and even historic licensed IPs, HHN29 has something for everyone. New for this year is the Halloween Marathon of Mayhem projection/water nighttime spectacular on the lagoon that has showings a few times a night. Don’t miss it! In addition to houses, the crowd favorite Twisted Tater is back; I remember all too well, last year, the iconic starchy snack was absent on opening weekend. Not this year! Although my friends and I had Express Passes, the general wait times were all mostly under an hour. That number will likely increase the closer we get to Halloween; but for right now, waits are reasonable.

If I was to sum up the experience of this year compared to years gone by, I would have to say that this year’s HHN is less scary than previous seasons. This sentiment appears to be shared by others as well. The trend to catering to younger (and by younger, I mean under 17) and their families began last year with the introduction of Stranger Things. Now, I don’t only go to HHN to be scared–that’s not really the point–yes, is that an added benefit? Sure! But when you watch horror movies on a regular basis and attend this most prestigious Halloween event each year, you’re naturally going to become desensitized to the scares. Therefore, it may become less scary over time, but I would have liked to have experienced more terrifying moments in some of the houses. While I am being negatively critical of the level of terror, I want to emphasize that this IS a solid year, and one that I’ve experienced three times this season and plan to attend more.

This year’s houses: Universal Monsters, Graveyard Games, Nightingales Blood Pit, House of a Thousand Corpses, Depths of Fear, Us, Yeti Terror of the Yukon, Ghostbusters, Stranger Things, and Killer Klowns from Outer Space

This year’s scare zones: Anarch-cade, Zombieland Double Tap, Rob Zombie Hellbilly Deluxe, Vikings Undead, Vanity Ball

Let’s start with my favorite house Universal Monsters! This was the house that I was most eager to experience even before the event began. And I am pleased to report that it exceeded my expectations. In a world of so many remakes and reboots of classic properties, this house delivered a fantastic experiential interpretation of the original monsters that started it all! You get The Hunchback, Creature from the Black Lagoon, Dracula, Phantom of the Opera, Frankenstein’s Monster, Bride of Frankenstein, The Mummy, and Wolfman. Every aspect of this house was planned and executed with detailed precision. We didn’t get some reimagination of these characters in such a way that the house sought to “improve” upon the source material, it was a beautiful display of Universal’s legacy of horror.

My pick for best original concept house is Graveyard Games! This house transports you to a beautiful gothic haunted cemetery that delivers the scares for which you’re searching at HHN. The level of detail in this house is truly outstanding. And it’s not just the undead that are hunting you down. It would have been all too easy to just have another cemetery filled with zombies or other minions of the undead, but here you find any and everything that goes bump in the night and more. This is a house that I could do over and over again, and never get tired of it. I love how much like a real gothic cemetery it feels and that the scares are some of the best at the event this year.

Nightingales Blood Pit is the sequel to Nightingales from several seasons ago. Here you will find yourself in the trenches and catacombs of ancient Rome where sinister, blood thirsty  birdlike creatures have taken over the city. Not even Rome’s famous gladiators are a match for these horrifying abominations. If there was an award given out for best facade, then this house would win! I absolutely love the production design on the outside of the house that (1) you can take pictures of and (2) it instantly begins to immerse you into the nightmarish world into which you are about to descend. All that was missing is the aroma from the scene where “the great library of Alexandria was burned” on Spaceship Earth at Epcot.

House of a Thousand Corpses (HOATC) is an outstanding translation from screen to attraction! This is another house with a great facade, and the best one I’ve seen on this building in years. HOATC delivers precisely what you desire to see in this house! Not only does it have some great hillbilly horror scares, but the casting is fantastic, especially the actors playing Captain Spaulding. The moment I walked into the lobby of the store and saw Captain Spaulding standing behind the desk, you could have told me that it was Sig Haig and I would have believed you. You get it all, blood, guts, the music of Rob Zombie and more.

Depths of Fear is likely the weakest house out of the lineup this year. And it’s not because the concept is weak as much as it is the execution. I get it. It was going for Aliens set underwater. But for most of the house, I wouldn’t tell if I was in outer space or in the depths of the ocean. If this was supposed to be a horror comedy house, then I think I would have liked it more, but I don’t think the comedy was intentional. Although the costuming, puppet design, and other effects were creative, they lacked anything truly scary. Maybe this was another house, much like Stranger Things, that was supposed to appeal to a younger audience.

You may find yourself in the US house at HHN29. Based on the popular Jordan Peele movie released earlier this year US takes a stab at adapting Peele’s movie into an attraction. And if you’re a fan of the movie, then you will most likely enjoy this house because it is virtually every major plot point from the movie. The design and attention to detail is right out of the movie. As I found the movie to be just okay, I also find this house to be just okay. I can certainly understand why it was chosen over Toothfairy (which was actually a better and scarier house concept, btw) because of the box office success.

Bring your parka if you want to survive the night in Yeti Terror of the Yukon. Universal Creative delivers another excellent original concept house, loosely inspired by last year’s Revenge of the Swamp Yeti in Slaughter Sinema. So much fun! Not only is this house full of traditional scares, but it is incredibly fun. Completely re-doable. Although you are inside a sound stage, you will feel as though you are braving the icy temperatures of the Yukon. One of my favorite scares is when a giant Yeti arm attempts to grab you from above. Completely unexpected! And the costuming is fantastic too.

Who’re you gonna call? GhostbustersFollowing Universal Monsters, this was the next house I was looking forward to most. And although I was pretty much able to predict what I was going to see in the house, it doesn’t take away from how much fun it was! Many people that are now fans of or regulars at Universal Orlando are unfamiliar with the former Ghostbusters special effects and stunt show that was located where Jimmy Fallon is now. After the house was announced, I was hoping that I would see the same optical effects that the movie and live show used to bring the world of Ghostbusters to a haunted house attraction. And you know what? Universal did just that! From the use of projections and mirrors to a giant StayPuff Marshmallow Man head that smelled of toasted marshmallows, the commitment to staying true to the movie (and even the previous live show) was outstanding.

Returning for a second year in a row is Stranger Things. This time, immerse yourselves in “a solute to all [seasons] but mostly [season two].” My followers who, are friends of Muppet Vision 3D at Disney’s Hollywood Studios will appreciate that reference. By all measurable accounts, season three of the hit Netflix series is the stronger one between 2 and 3; however, this house is three-quarters season two. In fact, Star Court Mall, for all intents and purposes,  comprises one room–disappointing. I’d say that’s the word that sums up my experience of the Stranger Things house this year. It’s unfortunate that it was disappointing to me because Season Three lended itself to horror so much that I thought for sure it would have been a more significant part of the house.

Continuing the pattern of a scare zone turned house, Killer Klowns from Outer Space (KKFOS) has lots of cotton candy and popcorn for you! As a scare zone this IP worked so incredibly well that I was cautiously optimistic for the house translation. The caution was because I felt that HHN28‘s Trick ‘r Treat worked better as a scare zone (HHN27) than house. I am pleased to report that as successful the scare zone for KKFOS was, it worked equally well if not even BETTER as a house! Everything about this house works incredibly well. From the campy costumes to most memorable moments from the movie, and even the sounds of popcorn and and aroma of cotton candy permeating every nook and cranny. If you suffer from a fear of clowns, then this is definitely a house where you can face your fears!

If there is an overall weak area of HHN28, it is the scare zones. Compared to year’s past, the scare zones seemed to not be as immersive as they usually are. I was told my a team member that some of the house facades and scare zone elements were removed when it was predicted that Hurricane Dorian was going to significantly impact Orlando. As I have only been to HHN opening weekend (Fri, Sat, and Sun), I have not been back to compare what is now there compared to opening weekend. Of all the scare zones, Rob Zombie’s Hellbilly Deluxe is the zone that offers guests the best experience. However, I would be remiss not to mention the brilliant laser and neon lights of Anarch-Cade! I loved the cabinet video games and all the lights that reminded me of an old-school arcade in a mall. The other zones are okay, so definitely don’t miss them. But the zones are the weakest part of the event this season. If for no other reason, they are lacking in scares.

Do not leave HHN29 without watching the Halloween Marathon of Mayhem nighttime spectacular on the lagoon. The nights I was there, it ran at 10, 11, and 12M. Although only about 10mins, it is a great way to pay tribute to Universal’s legacy of horror and each house that makes up HHN29. The music and lights are a direct extension of all the houses, full of 80s nostalgia and neon! If there is an area of improvement for the show, it would be to include some pyrotechnics. The water screens, fountains, and projections are great, but I would have liked to have seen some fireworks as well. Now I know that would be difficult with the show running multiple times, but I imagine that Universal Creative is innovative enough to develop a safe method for setting up the show to have pyro in each showing.

There you have it, folks! A complete review of Halloween Horror Nights XXIX!. As fantastic as this year is, I cannot wait to see what Universal has in store for HHN 30! Maybe we will see the return of past icons or even reimaginations of past houses. Horror Nights is running on select nights now through November 2nd. If you can afford to buy one of the frequent fear passes with express or just one night of express, then you will definitely increase your enjoyment level and minimize the negative stressors that come along with this annual event.

For my friend Dani’s review of HHN XXIX, please visit her blog too!

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com!

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Halloween Horror Nights XXVIII Full Review

What an opening weekend! This past weekend saw the grand opening of Universal Orlando’s Halloween Horror Nights 28, and it has got to be the busiest weekend that I can remember in the last several years. Headlining this year’s HHN is Stranger Things and Poltergeist followed by eight other licensed and original IP houses. Boasting more houses than ever, HHN28 has got to be one of the best years yet. Although there is some disagreement on whether Stranger Things or Poltergeist is the best IP house or Slaughter Sinema or Scary Tales is the best original house this year, there is little (if any) disagreement on the level of attendance reaching epic proportions! Wait times for Stranger Things reached 150mins, and many other houses also had extreme wait times. Often, opening weekend tends to be less busy than the following weekends, but HHN fans were turning out in droves to attend Friday and/or Saturday nights. The energy level was incredible! Fans from all different age groups were all excited to enter the gates as the theme music from Stranger Things, Halloween, and Poltergeist filled the air. Armed with my Express Pass for Friday night and Rush of Fear HHN ticket, I was excited to meet up with my annual HHN crew for a night of frights and fun set to the beat of 1980s music and horror. One might even go so far as to say that this year’s HHN is an entertaining love letter to everything we loved about the 80s.

Prior to arriving at the archway, I just had get to the park. A lot easier said than done. There were so many horror fiends heading to HHN that the exit ramp from the 4 to the park was backed up to the driving lane. Not to mention the 40mph traffic all along I-4EB for miles and miles that I drove through. Once I finally got to the auto toll plaza for parking, I thought everything would move a little more smoothly. Nope. Although each of the toll booth holds two team members, from what I could tell, each booth had ONE–yes one–team member. After I finally parked, I looked at my watch and realized that nearly 45mins past from the exit ramp to the parking spot. Tip to Universal: please fully staff the booths to move cars through the plaza more efficiently. Once I made it to the archway, I had to pickup my tickets from the will-call kiosk. And just like usual, at the kiosk, neither liked my QR code nor my confirmation number. I encounter this problem every year. Any tips from those of you who do not have problems with the kiosk would be appreciated!

Finally, I was at HHN! Phew, what a process. But it was all worth it! One of my favorite things to observe is the variety of horror graphic T’s. So many different horror movies and fandoms represented. There is truly a sense of community at HHN. Maybe you don’t think about that at first because of the long standby (and even Express) wait times this year; but for those of us who love horror, this is the time of year (and the event) that we feel that we are not weird as characterized by popular culture at large. Even before I arrived, I had many fellow #FilmTwitter #Tweeps who hoped to see me, and I them, at the event. Unfortunately, I didn’t run into any of my Twitter followers at HHN this year, but I had a lot of fun following them, and reading what they thought about the different houses. Even though I did not end up meeting up with any of those I follow (or follow me) on Twitter, I felt connected to them through exchanging comments as we were all experiencing HHN at the same time. What I would like to see emerge from the Twitter and blogging communities as well as the #PodernFamily (podcasters) is to make an effort to connect in person as much as digitally. Perhaps many of us are covering HHN for our various media outlets; but at the end of the day, we are all there to have fun and should exhibit that same sense of community in person as we do through social media. Be social in real life!

(Twisted Tater has sense been added to the event)

Before I get into my brief review of each house, there is one other item of mention that I greatly missed at this year’s HHN. Twisted Tater. Yes. That spirally, starchy, fried goodness that has been a staple of HHN for what seems like forever. It was nowhere to be found. At least, I never found it nor did I see anyone post about it. Thankfully, my friend Dani and I had Twited Tater back during Mardi Gras, but we were both saddened that it was not part of HHN this year. Speaking of food, I do not feel that the selection of HHN food was as strong this year as it has been in the past. Yes, that Stranger Things cookie-like treat was popular on social media, but most of the HHN food seemed to skew towards sweets moreso than savory or starchy. In the future, aside from Twisted Tater returning, a nice balance of foods for any fix that an HHN guest may have, should be added. Oh yeah, Pizza-dogs need to return too! The fries just don’t do it. Speaking of fries, fresh cut fries would be a great addition to the food lineup!

Although it’s the houses that typically get the most attention running up to and during the event, after last year’s success of the elaborately immersive Trick ‘r Treat scare zone, the scare zones have begun to get an increased level of attention. Like with last year’s Trick ‘r Treat, it stands to reason that scare zones can definitely be used as a testing ground for future houses. The concept of testing an IP or concept for a house in a scare zone the previous year is not new, but it seems to be becoming more of the case over the last couple years. Scare zones this year are: The Harvest, Vamp ’85, Killer Clowns from Outer Space, Twisted Traditions, Revenge of Chucky, and I also count the annual chainsaw wielding clowns in Springfield.

The Harvest: Here you’ll encounter all the horrors you have ever feared were in your grandparents’ barn. I feel that this scare zone was a little weak compared to what is typically in this same area, but still a fun scare zone to get you in the mood for your night of horror. One of the best parts of the scare zone are the variety and amount of jack-o-lanterns! They are everywhere. It feels very much like Halloween!

Vamp ’85: Ring in the new year with 1980s vampires and music! Loved the small stage show! With many of the houses having roots in the 80s, this zone worked extremely well to continue that immersive love letter to the 1980s. Make sure to stay for the countdown but watch out for big haired vampires in flashy clothes!

Killer Clowns from Outer Space: My pick for favorite scare zone! Absolutely loved this scare zone, and I know you will to. Based on the cult classic, this scare zone has the best costumes and atmosphere. It successfully strikes that balance between horror and comedy, and works as a fun way to cleanse the pallet from the much darker areas of the rest of the park.

Twisted Traditions: Best part of this scare zone is the creepy church building! I walked though this scare zone a couple times, but unfortunately, I never felt that it actually accomplished what it set out to do. Only the church building is memorable. Couldn’t name one unique costume.

Revenge of Chucky: I was pretty hyped for this scare zone because I like the movies so much, but it was a bit disappointing. However, the interactive Good Guys display with Chucky was great! And that man baby you’ve probably seen on Twitter of IG was truly disturbing. I think it could have used a little more scare factor. Maybe even a Chucky jumping out at guests or something. It was okay, just not quite what I expected.

Now for what you really want to know about–the houses!

GET THE EXPRESS PASS even if just for one night, which is what I did. It is definitely worth the cost.

Poltergeist: MY FAVORITE HOUSE at HHN28! Such a successful translation from screen to live experience. All the moments from the movie that you want to see and experience are there! I wonder if real skeletons were used in the HHN house like in the movie, hence the curse and lore that follows Hooper and Spielberg’s movie to this day. You start in the back of the house in the pool then make your way through the infamous suburban home. The scares are perfectly effective and the production design is right out of the movie.

Stranger Things: This is likely the house that you may be looking forward to experiencing the most, as it is the other headliner house this year. The demogorgon will chase you throughout the house. All the scenes and locations from the show that you want to see are in the HHN28 house. And the lighting and special effects are spot on. From the living room with the Christmas lights to the Upside Dows, you will feel completely immersed in the world of Hawkins! The only negative criticism I have is the lack of live cast members. Yes, much has to do with an inability to cast kids in a house, but the absence was noticeable.

Halloween 4: With the highly anticipated Halloween (2018) releasing next month, Michael Myers once again returns to HHN! This is the third Michael house in the last few years with Halloween 1 and 2 with 3 being skipped since Michael is not actually in it. It’s a fun house for sure! And you get lots and lots of Michael. It’s been a while since I’ve seen H4; but from what I remember, this house does capture many scenes and elements of the movie. However, ultimately I feel that this house feels like more of a Michael Myers tribute than a “Halloween 4” house. This may be the case because HHN will be going on a Michael break for a while.

Trick ‘r Treat: In short, it works better as a scare zone than a house. That being said, it’s still a solid house with many of the scenes you want to see recreated. You’ll encounter Sam several times and you’ll get to see some of your favorite kills from the movie.

The Horrors of Blumhouse: If you need to skip a house for the sake of time, skip this one. Better than last year, but still (and according to most polls and reviews I’ve seen on Twitter) the least liked house at HHN28. At this house, you walk through Happy Death Day and First Purge. HDD was repetitive. Yes, I realize that is the point because the movie is a twisted Groundhog Day, but as a house it gets old quickly. And then The Purge movies just don’t translate well to a house, with the exception of the first one, which was more of a home invasion.

Scary Tales: My pick for best original house! From the moment you enter the Wicked Witch’s castle as she flies overhead, you will be completely immersed in the absolutely impressive production design that works perfectly around every corner. Each and every fairy tale was twisted beautifully. The effects were fantastic and the attention to detail was unlike anything I’ve seen in an original house before. What I find most interesting about the experience is that this house actually gets back to the original idea behind these tales in that most fairy tales were darkly cautionary stories told to influence a child’s behavior. Many are quite scary! So, this feels like an exaggerated version of how these tales were received back when originally written.

Slaughter Sinema: Close runner up to Scary Tales. Ever wanted to visit the world of those schlocky horror films of the 1980s??? Now is your opportunity to get inside the screen. Such a great house! While waiting in queue, you’ll get to watch trailers of some terrible, great horror movies. My personal favorite is Attack of the Swamp Yeti. The movies are so bad that I want to see each of them. Too bad that they are completely made up for this event. You’ll enter this house through an old drive in movie theatre then walk through each of the movies. There are some excellent kills and the production design is impressive!

Seeds of Extinction: Life after people! Visit an Arizona that is overrun by predatory plants and see you as their next dinner. A post-apocalyptic house is not entirely new, but this is a new twist on a past concept. We are used to being chased by zombies or creatures, but now you must fear plants. Some will eat you whole and others will shoot you with poisonous darts like the plants in Jumanji.

Carnival Graveyard: What is more terrifying than an abandoned carnival inhabited by hillbillies and killer clowns? Not much, haha. This house successfully combines the best of circus and hillbilly horror for one nightmarish house. Of all the original houses, this one is probably the most detailed. Even more than Scary Tales. The scares are so good! I like how the characters are extensions of the setting itself instead of feeling like their are just stuck in there to frighten us.

Dead Exposure: Ehh. This is a concept that has been done before, and like before, it fails to ever be truly scary. The idea is that you have been given an inoculation to prevent you from turning into a zombie after an outbreak at a facility. This shot is said to have nasty side effects such as disorientation. And on that, the house delivers in spades. The lighting design and special effects were so disorienting that I legitimately had trouble walking around to the point that is was annoying and not playful.

I did not experience Academy of Villains. And that is by choice. I felt like Harry Potter talking to Snape when he exclaims “how dare you stand where he stood…” That is how I felt because it’s now located in the stadium where Bill & Ted used to be. A horror comedy show that is built upon satire and parody is missing from the HHN28 lineup. If for no other reason, this show served as a means to take a break from the macabre and cleanse the pallet for more frights! I hope to see a show along these lines return one day.

Well, there you have it folks! A comprehensive review of Universal Orlando’s Halloween Horror Nights XXVIII. You definitely need to get out to HHN while it is going on. Fortunately for you, it just opened so you have several more weeks of HHN on select nights. With a variety of tickets and passes to choose from, there is a ticket for nearly every budget. If you can only go one night, I highly recommend getting the Express Pass. Otherwise, you may only make it to 2-3 or at the most 4 houses during your night.

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Alfred Hitchcock: the Art of Making Movies (1990-2003)

Since we are gearing up for the highly anticipated Halloween events at theme parks around the country and with Halloween Horror Nights Orlando and Howl-O-Scream Tampa beginning soon, I thought it would be fun to take a look at one of my all-time favorite attractions at Universal Studios Florida that was built around the magic of movies and the macabre.

Alfred Hitchcock: the Art of Making Movies was an opening day attraction at Universal Studios Florida, and stood as tribute to the Master of Suspense and father of the modern horror film from 1990 to 2003. In addition to the attraction/show in Production Central near the front entrance of the park, the Bates Motel and house were located near E.T.. This set was used for the filming of Psycho IV: the Beginning, and welcomed guests from 1990 to 1998. The very heart of Universal Studios Florida was immersing the park guests into the magic of filmmaking and creating an experiential journey, placing you on the set of your favorite movies. Shifting away from the magic of movie making to completely immersing park guests into the movie worlds themselves, Universal Orlando replaced the Hitchcock attraction with Shrek 4D. Fortunately, the Horror Makeup Show and the seasonal Halloween Horror Nights event still keep the heritage of horror and suspense alive, as Universal essentially invented the American horror film. As I love exploring the past, present, and future of the parks, I thought it would be fun to hop in the wayback machine to analyze just why this attraction was popular then, and why there’s been a resurgence of interest and popularity. Perhaps we will see Hitchcock return to Universal Studios Florida in a move permanent way in the future with horror and suspense films being some of the biggest box office and critical success of recent years.

Prior to analyzing the former Florida attraction, it is important to head to the other side of the country to briefly visit the word famous studio tour at Universal Studios Hollywood! Believe it or not, the Universal Studios tour dates back to 1915. That’s right. It predates Walt Disney’s Disneyland. So, one could hypothesize that Disney appropriated the idea of turning a movie studio into a theme park from Carl Laemmle and Universal Studios. Starting as a walking tour that included a stunt show until “talkies” forced the studio to shutter the tour, until it reopened as the tram tour in the 1960s, one of the crowd favorite parts of the tour is driving past the infamous Bates Motel and Bates House. As the tram passes the iconic motel and house that set the bar against which all other horror films would be judged, an actor portraying Norman Bates charges toward the tram wielding the famous butcher’s knife (Murdy, 2002). Even though the audience knows this is a tour behind the scenes of the most utilized backlot and studio in the world (Milman, 2001), there is something uniquely special about this chance encounter on the tour. And, that something is what the designers of the guest experience on the studio tour use to bring about the successful convergence combining both the original movie and the live experience. In order to successfully complete the transposition from the movie to the live experience, the attraction designers tapped into the uncanny or unheimlich (Freud, 1919) of Psycho and utilized the elements of terror and shock to facilitate the aura of horror that exists just by looking upon the timeless motel and house. Uncanny, referring to that which is revealed that should remain hidden–the return of the repressed. For more on how Freud’s uncanny influences horror films, please see my article The Psychology of Horror. 

Central to Psycho and the single most famous moment in cinema history (Cosgrove, 2013) is the brilliantly perfect shower scene. And, it served as the main event at the former Universal Studios Florida Hitchcock attraction. Hitchcock: The Art of Making Movies. took park guests into the world of suspense and horror as meticulously crafted and defined by Alfred Hitchcock. For those who have seen Psycho, the very sight of the motel and house is enough to strike fear into the mind and bloodstream. It is representative of the very best that horror cinema is able to offer society. In no attraction, based off a work of horror, is there a better example of the very essence of the magic of creating horror films than in the synergistic experience of beholding the four-fold elemental process of Hitchcock: The Art of Making Movies. 

The aforementioned attraction was divided up into four distinct parts, with the famous shower scene being the central focus (ThePsychoMovies.com, 2014). According to an interview with one of the producers of the attraction, Susan Lustig describes the process of creating a horrific live experience from the horror of the iconic movie itself. Just like a horror movie is divided up into parts, or has a cinematic structure, so too did the Hitchcock attraction. There are many parallels between the famous shower scene and the live attraction. In the movie, the sequence leading up to the shower scene is very much a preshow in the same way the attraction contains a preshow area. The preshow in the movie is when Norman is gazing through the peephole into the room of Marion as she undresses. Just like Norman is visually gathering information about Marion, the park guests in the preshow area gather information about Hitchcock’s career and a glimpse into his masterful techniques. Thanks to “idrion,” you can watch the old preshow video below!

Next, the park guests sit through clips of 3D versions of Dial M for Murder and The Birds. Before 3D movies became commonplace in your local cinema, Hitchcock experimented with it back in the mid 20th century. Much like he was a pioneer of more traditional visual storytelling, he also experimented with color 3D films. On the note of his groundbreaking decisions as a film director, Hitch was also a pioneer in the early days of television with his show Alfred Hitchcock Presents. While sitting in the Hitchcock 3D theatre, park guests watched an entire scene from Dial M for Murder and select scene from The Birds. In a manner of speaking, this part of the attraction worked to assault the eye with suspense and terror; moreover, this presentation prepped the mind for experiencing the horror in the next room. Paralleling this element of the attraction to the film, is Norman’s actions after he spies on Marion and before “mother” takes over. Between the time Norman looked upon Marion through the peephole and puts on the wig and dress, he sits in the kitchen and presumably debates with mother on what to do. In a similar way, you were also faced with what to do with the information you gathered from the presentation. You could go onto the next room or exit the attraction. As we all know, following that scene, “mother” returns to the bathroom to save her son from Marion. And you, much like Normal/Mother, will soon head to the infamous Bates Motel bathroom. The old Hitchcock 3D theatre is the one currently used by Shrek 4D, an attraction that pales in comparison.

After the 3D movie, the park guests enter the Hitchcock Stage and look upon recreations of the motel, shower, and house. The main show at the attraction is the Hitchcock Stage where the infamous shower scene is reenacted before a live audience. A side note: if you experienced the Krampus HHN26 house, then you were in the old Hitchcock stage! In addition to the Bates House and Motel, there is a recreation of the tub/shower used by Hitchcock to film the scene. At this point in the movie, Marion is thoroughly enjoying her shower, cleansing herself from her transgression of stealing the money. Hitch constructs the scene in such a way that the audience gets both objective and subjective camera shots from inside and outside the shower. All of a sudden a shadowy figure approaches the opaque shower curtain and throws it open, wielding a knife. The sinister figure stabs Marion repeatedly; and through more than fifty cuts (editing cuts), the scene is played before the people in the dark. Likewise, this same scene is brought to life for the studio audience at Hitchcock: The Art of Making Movies. Through mechanical engineering and film production techniques, the cast of the show reveals how the master of suspense filmed this iconic scene. Whereas you may think that this reveal of the “man behind the curtain,” so to speak, may impact the brilliance of this scene, it actually gives audiences a greater appreciation of it. It’s attractions like this that I miss from the Universal Studios parks and resorts lineup. In order to experience the show for yourself, checkout the following video from SandhillDigger.

Following the show on the Hitchcock Stage, the park guests walk into a museum-like room revealing many of Hitchcock’s secrets and techniques in some of his most notable films. It parallels the end of Psycho when the psychiatrist is analyzing Norman and explaining how and why he did what he did. You could even peer through binoculars to the apartment building across the street just like in Vertigo. For the cinephile or film buff, this museum opened eyes and minds to the magic that was the films of Hitchcock. If there was any doubt that he was a pioneer ahead of his time, which may explain why he never won an Oscar but was nominated several times, then this exhibition puts those doubts to bed. Just like Norman was the forerunner to the classic slasher and father of cinematic psychopaths, Hitchcock is still the master of the art of suspense and horror cinema.

Horror has always been popular and bankable; however, in the last several years with arthouse horror making it big, classic franchises getting new installments, and horror television taking off with the debut of American Horror Story, there has been a resurgence in popularity among general audiences and younger millennials. Since horror is the best genre for creatively and viscerally exploring what it means to be human, social and institutional constructs, gender roles, religion, and more, the general public is drawn to it in order to provide a different perspective on social commentary. With this newfound interest in the macabre, Alfred Hitchcock is once again in the forefront of minds. When movies such as the recent Searching and others such as Get Out, A Cure for Wellness, and A Quiet Place being compared to Hitchcock–or at least elements of the respective films–those whom are developing their taste for cinema look to see why and how Hitch was influential. Interest in the Master of Suspense is once again growing. With such an interest and growing fanbase, perhaps Universal will once again look for a way to integrate Hitchcock into the park, even if just for HHN.

 

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Bibliography

Cosgrove, Ben, The Shower Scene in Psycho, Time Magazine, November 16, 2012

Davis, Susan, The Theme Park as a Global Industry, Media Culture and Society, Sage Publications, July 1996

Freud, Sigmund, The Uncanny, The Complete Psychological Works of Sigmund Freud, Hogarth Press, London, 1919

King, Geoff, Ride-Films and Films as Rides in the Contemporary Hollywood Cinema of Attractions. Cineaction, 2000

Milman, Andy, Future of Themed Entertainment, Journal of Travel Research, Sage Publications, 2001

Murdy, John, The World Famous Universal Studio Tour, The Park Insider Magazine, Summer 2002

Movie Massacre.com, Dismantling of Universal Studios: Bates Motel and House, June 21, 2010, Accessed from http://www.moviemassacre.com/blog/the-evolution-of-universal-studios-florida-part-1

Oliver, M., & Bartsch, A. (2010). Appreciation as Audience Response: Exploring Entertainment Gratifications Beyond Hedonism. Human Communication Research

Psycho, Directed by Alfred Hitchcock, Universal Studios, 1960

Singer, Matt, Jaws and the Changing Face of Movie Theme Parks, Independent Film Channel website, 2011

Universal Studios Florida Attraction, The Psycho Movies.com, Accessed from http://www.thepsychomovies.com/archive/floridaattraction.html

 

Universal Orlando’s Cinematic Celebration Nighttime Spectacular

Last night saw the first official Cinematic Celebration at Universal Orlando Resort. Although the show has been in technical rehearsals since the beginning of the month, the official debut was Monday evening. Fortunately, the biggest difference between the show in rehearsal and the official opening is the opening narration. An excellent touch! Replacing the previous version of this show, the new iteration focusses on intellectual properties that have a presence in the parks versus a tribute to Universal Pictures’ cinematic legacy. In terms of the show technology, water fountains, and special/pyro effects, the new show is a major win!

From the moment the show begins with an excellent narration setting the context for the show to the breathtaking dancing fountains, you will be awestruck by the sheer spectacle of it all! The combination of water, pyro, laser, and projection effects is outstanding. It truly feels like a cinematic experience! There is something for everyone in this show. My favorite parts were Jurassic World and E.T. the Extraterrestrial. You’ll also find clips and scenes from Trolls, Transformers (which includes scenes from the attraction), Fast and Furious, Despicable MeHarry PotterHow to Train Your Dragon, Sing, Secret Life of Pets, and Kung Fu Panda. In addition to the water screen projections, the buildings on the opposite side of the lagoon are also integrated into the show. Incredibly immersive. My sister was impressed! Which was important to me because we have been going to Universal since the early 90s, and like to experience new attractions and shows together whenever possible. She lives out of state, so we try to time it just right when new offerings open! Helps to create lasting #UniversalMoments.

Beginning with last year’s Magic of Hogwarts Castle show, Universal Orlando has been stepping up its game in the nighttime spectacular competition amongst Florida theme parks. For years, it has largely been thought, and accurately so, that Disney World was the king of nighttime shows. With the introduction of the Hogwarts Castle show and the new Cinematic Celebration, Universal shows that it is a formidable opponent in the arena of nighttime shows. Not only is the show impressive from a technological perspective, the music is fantastic and the combination of water screens, projections, and pyrotechnics is top notch. You will certainly be wowed by the dazzling array of lights, movie clips, water effects, and more. Whereas the previous nighttime show had some water effects (and of course the water screens), this show makes the famous one in front of the Bellagio in Las Vegas look like something you put together in your back yard. The water fountains beautifully dance along with the music and accompanying images from the film selections. Whereas some shows with many fantastical effects and elements can feel like many separate parts thrown together in a tossed salad, so to speak, this show seamlessly blends all the elements together to generate one show, one experience. The manner in which the show is designed allows for Universal Orlando to update it with different films as the interests of the park guests change.

Of all that this show has going for it–and it IS a great show–I cannot help but wonder why Universal fails to include any mention of its history, the fact that it essentially birthed the American horror film, and other iconic properties of the entertainment giant. Obviously, the goal was to connect the show to the in-park IPs, but the show like it was nearly all spectacle and little narrative to speak of. Thankfully, the narration at the beginning does help to add context, but the experience of watching the show leaves me wanting more. Leaves me wanting more, in that I was looking for something with more emotion behind it. In my opinion, she shows lacks a strong ability to make an emotional connection with the audience. This is often the result of a themed attraction or show that focuses so much on the spectacle of the show, that it falls short of containing a strong narrative. One of my favorite quotes is, “the greatest art is the art of storytelling” (C.B. DeMille); but unfortunately, the new Cinematic Spectacular does not live up to the art of storytelling, but instead concentrates on the spectacle of show.

Although I have highlighted some elements of the show that I am disappointed in, don’t get me wrong, it is a fun show that is well-worth the time to find a great place from which to watch. You should definitely make the time to see the show during your visit to Universal Orlando. The best place to view the show is from the Central Park area of Universal Studios. I watched it from the waterside behind the big boulders. Presently, the show begins at 9:45 in the evening and guests begin to select viewing locations about 30-45mins before showtime. As the show just officially began, you may want to allow for an hour to find a great spot from which to watch the show. Definitely a show that you don’t want to miss.

For some highlights from the show, please see our video!

Jurassic Park at Universal Parks: A Retrospective

It’s been 25 years since Dr. John Hammond so confidently and proudly stated “Welcome to Jurassic Park.” And in 1996 in California and 1999 in Florida, Universal Studios welcomed the world to visit John Hammond’s resort destination park. With the 25th anniversary of Jurassic Park today, I thought it would be fun to take a look at the real Jurassic Park that you can visit as part of your epic adventure at Universal Studios Hollywood (USH) and Islands of Adventure (IoA) in Orlando. As you have heard, the original Jurassic Park the Ride is closing in September in Hollywood to make way for a Jurassic World themed attraction and the one in Orlando will likely be rethemed as well (but we don’t have a date for that closure yet). Although there have been changes to Jurassic Park at IoA over the years, it has largely remained the same as is the case with the location in Hollywood. I was fortunate enough to get to preview IoA before it opened in the Spring of 1999, so I’ve been able to watch as it’s evolved over the years. And I was able to visit the USH location for the first time in 2012. Hoping to make it back before JP the Ride closes in Sept.

I can distinctly remember making my way through the IoA Port of Entry down to the lagoon. And there it was. The Jurassic Park Visitors Center across the water proudly standing to welcome you to an island “65 million years in the making.” After spending time with the whimsical characters of the world of Dr. Seuss and exploring the ruins of left behind on the Lost Continent including an AOL Internet Kiosk (no, really, that was a thing), we approached the trademark gateway to Jurassic Park complete with fire and that timeless trumpet fanfare from the Jurassic Park Main Theme written by John Williams. You felt instantly transported to that island off the coast of Costa Rica that Hammond “leased from the government to set up a kind of biological preserve–really spectacular–spared no expense.” And the attractions really did and still do “drive kids out of their minds.” My parents, sister, and I were completely awestruck at just how real everything felt. It was one of our favorite movies, as a family, and to experience the real thing (figuratively anyway), was an incredible feeling. The most noticeable difference between Jurassic Park at USH and IoA is size. Although the Jurassic Park area at USH was the original, it is mostly the ride itself and new Raptor Encounter whereas Jurassic Park is an entire land at IoA boasting more offerings. But there is a magic at USH that doesn’t exist at IoA. When at USH, you feel more of a connection to the film itself because you are mere steps from the sound stages where it came to life.

Before the photo stops were automated, there were Jurassic Park photogs to take your pictures at vignettes from Jurassic Park and The Lost World. So many park vehicles along the park’s pathways. You had the original Jungle Explorer, gas Jeep Wrangler, and customized Mercedes-Benz M320. A side note: I’m such a fan of the franchise that I owned a Ford Explorer and ML320. We never really spend anytime in the park aside from the basic tour, but I imagine the park must’ve looked similar to what we experiences walking through the jungle. Just like in the movie, our first stop was the Visitors Center (“Discovery” Center). So incredibly similar to the one from the film! It was nearly uncanny. Instead of walking into it from the main pathway, my family and I walked down to the lagoon so we could enter in from the front just like in the film. Ascending the stairs, the imposing structure was soon directly in front of us, with only a door left to be opened. Even the entry doors were nearly identical to the ones in the film. Since my parents knew how much I loved the movie, they opened the doors and I walked in!

Everything was there, the murals, giant T-Rex and Brachiosaurus skeletons, staircase, and more. So many educational exhibits around the perimeter of the main gallery. You could watch baby dinosaurs hatch, build your own dino with DNA, climb inside a dinosaur to look out of its eyes, and so much more. Even Mr. DNA was featured at one of the exhibits. The interior reminded me a little of Innoventions at Epcot, in that there were educational exhibits based on various parts of the movie. Not on this trip, but later after I moved to the area and became a passholder. I had the opportunity to adopt a baby raptor from the Visitors Center and I named it Barbra as I’m a fan of Streisand! Back to my first experience. It was lunchtime so we walked up the staircase rounding the trademark skeletons in the center of the gallery and dined at Burger Digs (at lease I think it was called Burger Digs back then–that is a little foggy at this point). On the upper level, I love coming across nods to the film in the paintings, wall art, and murals. Wish the dining room resembled the one from the movie a little more, bur I can understand how that could be problematic logistically with it being a quick service restaurant. Fortunately, there are lots of tables inside and out! Personally, I enjoy dining al fresco.

After we finished our dino-sized burgers at the restaurant, we exited and continued to stroll around the park. To our left was a big fossil of a triceratops at the entrance to the (former) Triceratops Encounter! Located where the Raptor Encounter is today, was an attraction that left a talking impression on me and my family. Unfortunately, the attraction did not last long but the memories are still there. I can still remember meandering the long pathway along the electric fence through the jungle. Through open gates and past open of the gas Jeeps. At the end of the pathway was an unassuming shed. But the magic happened on the inside! On the inside of that shed was a life-sized triceratops who was going into labor. For real! Or for all intents and purposes, real. Remember that scene from the movie where the park gusts stumble upon the sick Tric? That same feeling you got when you saw that majestic creature on screen? You got that same feeling at this attraction. It was so incredibly real–even to the touch. You even got to see the baby! The technology reminded me of how the dinosaur must’ve been built for the movie. I imagine the complex technology is what lead to the closure of the attraction. Once it broke, perhaps it was just not cost effective to repair (i.e. Disco Yeti at Expedition Everest at Animal Kingdom).

From a triceratops encounter to a river adventure, we made our way to the flagship attraction. The Jurassic Park River Adventure. Based on the Jurassic Park the Ride at USH, this attraction began with inspiration from the novel more so than the film. In the novel (and in the Jurassic Park video game in the 90s), there was an entire sequence of events and on the river. So instead of a replica of the basic tour, Spielberg desired to immerse the park guests into the river adventure from the novel because it’s something he wanted in the movie, but just didn’t work out that way. The queue for the attraction takes you through a series of switchbacks with models of the island and other information along the way. Overhead are park broadcasters who inform you about dinosaurs you will see. Just as if you are in THE Jurassic Park about to take a tour. It feels as if you are actually there. Even the park employees are in Jurassic Park uniforms. Eventually you make your way down to the river and board your raft boat.

For the most part, the attractions at USH and IoA are largely the same. There is a notable exception though. The original attraction in USH includes the wrecked Jungle Explorer falling over the retaining wall and crashing below–a crash with a big splash! Otherwise, the ride path is the same. Other minor differences exist as in the placement of dinosaurs in the lagoon and in the command center. Just like in the movie, your river tour is narrated! I remember floating along the river in the boat for the very first time. Amazed at everything! One of the most memorable parts is the beginning as the narrator welcomes you to Jurassic Park as the big gates open to reveal all the dinosaurs in the lagoon! With the growing trend of simulated reality, this attraction is still a testament to physical movement through an attraction that you can “see, feel, and touch.” You cannot replace the way real light bounces off real objects and into the human eye. Same can be said the filmmaking. That’s one of the things that I still love about the attraction–is the commitment to truly immersing you into the world of Jurassic Park without use of screens, glasses, or some other type of VR. As a kid, I almost thought the dinosaurs were real–like I was a guest at Jurassic Park taking the tour.

Everything seems to be going according to John Hammond’s plan until the raft is knocked off course–heading for the Raptor containment unit and command center/genetics lab. Something is definitely not right, as evident from the crashed watercraft and compys fighting over a JP uniform with the nametag Mickey on it. Love that touch! The first time we went underneath the raptor transport contained I remember screaming as it came crashing overhead. Nothing beats the first time on Jurassic Park River Adventure or Ride! I wish there was a little more to the command center/genetics lab than there is, but it’s still a lot of fun to go through. The first time has surprises around every corner. As soon as you go inside, you know that you’re about to be in trouble. As a kid, this moment was so incredibly tense. Especially coming face to face with velociraptors and dilophosaurus attacking your raft as it ascends to the top of the lab. I remember heading the iconic stomps of T-Rex and the tears through the walls. One of the scariest moments going up the ramp was the electric fence with the raptor lunging out of it. And just when you think it’s all over, you encounter a fog, and in that thick fog is THE dino herself T-Rex. Before the park operations eased up on the movement and fog, I distinctly recall the mouth of T-Rex coming into close proximity with the raft just before the steep plunge into the watery depths below. What a fall! Definitely steeper than Splash Mountain and Dudly Do Right Falls. Just as the characters in the movie narrowly evade being eaten by the dinosaurs, we too narrowly escape the jaws of T-Rex. When we exited through the gift shop, I recall looking at all the merchandise that you can actually find in the film. During the scene when Hammond and Ellie are debating about control and illusion. Some of that merchandise can still be found today in the shop, but most of it has sense been replaced by Jurassic World merch.

What wonderful memories have been had at Jurassic Park at Universal Parks! I am glad that I have been able to experience both parks but most of my memories are at the IoA location. Although parts of me will be sad to see the Jurassic Park branding and attractions change to Jurassic World, it’s all part of the evolutionary process a theme park goes through. I have hope that there will always be some uniquely Jurassic Park moments or locations because “life cannot be contained…does not adhere to park schedules…life finds a way.”

Checkout the linked videos to both the attractions at USH and IoA