“The Grudge” (2020) Horror Movie Mini Review

A begrudging start to 2020 horror. The Grudge is the second American remake of the 2002 Japanese movie by the same name, written and directed by Nicholas Pesce, known for Piercing and The Eyes of My Mother. Before I get into why this movie is simply not good, I want to point out what it did well, never mind that what it succeeded at couldn’t fill a post-it. What to make of this hot mess of a remake? From what I can tell, Pesce attempted to apply his brand of filmmaking–that has been championed by critics–to this post-modern horror staple property. Unfortunately, most of the movie was not executed well. With a couple of exceptions that I want to highlight. (1) Casting and (2) Atmosphere that were thoughtful.

The name Lin Shaye is no stranger to horror fans. And it’s not just because she is Producer Robert Shaye’s (of A Nightmare on Elm Street fame) sister, but she is a true horror queen! Appearing in dozens of horror movies, she is an utter delight in everything that she is in. She can be courageous and comforting (Insidious), hilariously campy (2001 Maniacs), or nightmarishly creepy (The Grudge). She delivered a fantastic performance in last year’s Room for Rent as well (which made my Top 10 Horror movies of 2019 list). She is little more than a bit part in The Grudge but she is truly frightening and unsettling. Completely committed to the character amidst a poorly written movie, she does everything in her power to save this ill-conceived remake. Even though I imagine she is aware of how bad this movie it, she gives it her all because she simply loves horror!

Secondly, the atmosphere in this movie actually works well. Perhaps this bright spot gets lost in the poor direction and abominable screenplay, but the production design, lighting, sound, and cinematography that creates the unnerving settings works very well. We spend most of our time in a few locations, so a lot of thought was put into the design of these settings. Not to the extent that any of these locations become characters in and of themselves, but the atmosphere of dread is something positive that this movie has it offer. Surprisingly, the premise of the movie isn’t bad; unfortunately, the execution is where things went array. Pesce appears to have strived for an anthological structure to the IP, but it just felt like a convoluted diegetic mess of timelines. Had he taken a page out of the Michael Dougherty handbook (Trick R Treat), then perhaps this approach would have worked much better.

The end result of the poor writing and direction is a boring, predictable horror movie. A most unfortunate way to start 2020.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

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Ryan’s Top 10 Films of 2019

Ryan's Top 10 Films of 2019 (1)Here it is! My Top 10 Films of 2019. Last week, I published my Top 10 Films of the Decade, but here is my selection for Best Films of 2019. It’s been quite the banner year for cinema, and it was so difficult to narrow my list down to 10 plus a handful of honorable mentions, but I am ready to share it with the world.

10. Last Christmas: Paul Feig’s Last Christmas, written by Emma Thompson, is a heartwarming Christmas movie that is surprisingly deep and thought-provoking. I appreciate the unconventional approach to Christmas movies this one takes. It doesn’t hold back on the cynicism that many people have about life or about the holiday season. The movie depicts true-to-life people that experience real struggles within the family unit and from the outside. 

9. Ready or Not: Outstanding! Ready or Not is a brilliant horror comedy from start to finish. Fantastic screenplay, cast, direction, effects, everything works flawlessly. Probably the most fun movie of the summer. It’s a no holds barred dark comedy full of entertaining, campy dialogue and gruesome kills. Not since the cult classic Clue, has there been such an excellent horror comedy heavily influenced by the concept of a game. Samara Weaving slays audiences as the wedding dress wearing Grace as she transforms into this movie’s answer to Kill Bill.

8. Bombshell: Explosive! Bombshell is a brilliantly orchestrated and riveting film that takes you behind the scenes at Fox News in the months leading up to the oust of news business mogul Roger Ailes. Follow Megyn Kelly, Gretchen Carlson, and (fictionalized) Kayla as they battle the courts of public opinion and the seemingly impenetrable fortress of Fox News to take down the repulsive Roger Ailes. I went into this film prepared for a snark-filled satire, but what I was presented with was a meticulously written and directed docudrama that struck a fantastic balance between feature news story, so to speak, and motion picture.

7. Knives Out: Spectacularly crafted Whodunit! The kind of movie that would make J.B. Fletcher proud. Written and directed by Rian Johnson, Knives Out is a sleek modern interpretation of the a classic murder-mystery movie. He pays homage to Agatha Christie’s Poirot mysteries in terms of premise, but subverts what audiences expect out of a Christie mystery with his original expression, told through an outstanding screenplay complete with everything you want to get out of a Whodunit. You get it all: virtually everyone has a strong motive, plenty of deception, and a fortune at stake.

6. Doctor Sleep: A brilliantly unsettling and crisp horror film! Mike Flanagan’s Doctor Sleep is both an adaptation of the Stephen King novel, by the same name, and a direct sequel to Stanley Kubrick’s The Shining. Although many unplanned sequels to iconic classics are challenged to justify their own existence, and often fail to live up to the magic of the original, Flanagan defies the fate that so often befalls sequels and delivers a compelling film worthy to be connected to Kubrick’s cinematic masterpiece. Whereas the storytelling could have taken the easy way out, knowing that you would blindly accept virtually everything as long as you get to check back into The Overlook, it still offers a compelling, challenging narrative that brilliantly sets up the showdown at the most infamous hotel in all literature.

5. Jojo Rabbit: A complex film about a complex subject, but finds a delicate balance between humor and respect for the subject matter. Taika Waititi is offering a new perspective through the mind of a child of Nazi Germany. If Cabaret depicted the age of innocence that ended with the rise of the Third Reich, then JoJo Rabbit depicts innocence and disillusionment in the final days of the war. On the surface, this film comments on how Jojo’s worldview of the Jews transforms; however, there are nods to other groups that were also seen as undesirables such as gays. The fact that is wasn’t only the Jews whom found themselves targets for annihilation is often forgotten by the masses. Though there are times that Waititi comes close to crossing the fine line that he is dancing, he never crosses it, which allows the film to be enjoyable and comment on coming of age in a rather provocative way.

4. Little Women: Familiar yet fresh! Greta Gerwig’s Little Women is modern story of the complex emotions, societal expectations, and ambitions of women masquerading around as a period drama. It feels both “of its time” and “today.” While to the casual observer, this may seem like a story for women, young and older alike, it is a powerful story for anyone that has dreams but feels trapped by whatever societal or familial forces. Little Women is incredibly heartfelt and uplifts the human spirit. There is something for everyone in this movie that remains committed to its literary roots, yet plants itself in a modern garden to be appreciated by and inspire all those whom choose to watch it. Greta Gerwig’s masterful storytelling is evident from beginning to end, and all the performances are excellent. You will undoubtedly fall in love with this story all over again, or will fall in love for the first time.

3. A Beautiful Day in the Neighborhood: Outstanding motion picture that celebrates the power of kindness in a real tangible way. Marielle Heller’s A Beautiful Day in the Neighborhood starring Tom Hanks as Fred Rogers and Matthew Rhys as the skeptical journalist Lloyd Vogel. While you may think that this is a movie about the beloved children’s television host, Mister Rogers is a supporting character in this move that is truly about Lloyd Vogel’s personal journey through grief, forgiveness, and learning kindness. It’s a portrait about being human, and all the struggles and obstacles that come with it. Perhaps there has been no greater (non-documentary/bio pic) motion picture that has so accurately captured the human kindness at its best. Mister Rogers was not only an influential children’s television host, but he left a powerful legacy for everyone.

2. Once Upon a Time in…Hollywood: “The Hollywood that never was, and always will be” in this QT film that subverts expectations and delivers in spades. The ninth film from writer-director Quentin Tarantino is a brilliant historical fiction inspired by real events and people in film/television and Hollywood history. If you’ve been to Disney’s Hollywood Studios, you’ll recognize the opening quote. For the cinephile or film/TV/Hollywood history geek, this film will sweep you up in the story and setting; however, general audiences may find it difficult to connect to the otherwise fantastic story. Thankfully, the performances from the three leads DiCaprio, Pitt, and Robbie and strong supporting cast will keep you entertained for the rather lengthy runtime regardless if historic Hollywood is of interest to you or not. Once Upon a Time in… Hollywood represents a brilliantly entertaining homage to what is largely considered the end of the Golden Age in Hollywood.

Before I reveal my No.1 pick, here are some honorable mentions:

And the No.1 film of the year is…Judy: A truly gripping motion picture that will bring you to tears during this somewhere over the rainbow redemption story. Bring tissues. Renee Zellweger is captivating as Judy Garland, and you’ll swear that you’re watching Garland on the big screen. Although we may be familiar with the broad strokes career of the legendary entertainer, this film goes beyond the headlines and tabloids to deliver a true life story that could ironically be titled A Star is Born, or perhaps reborn. Ironic in that this film shows the life of a movie star after the lights have faded and the offers stop coming in, much like the movie she starred in. It’s a rise and fall story, of sorts, but is more precisely a fall and rise story as the movie focusses in on the last year of Judy Garland’s life. Whether you are a fan of the iconic diva or not, if you love command performances, then you do not want to miss the uncanny performance of Zellweger as Judy. All the way down to the mannerisms, vocal inflections, and over all behavior, she IS Judy. Although we all know of the tragic ending, no mistaking it, this film is an inspirational story of redemption.

There you have it, folks! My Top 10 of 2019. It’s been a great year at the cinema, and I look forward to what 2020 has in store for us.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

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Ryan’s Top 10 Horror Films of 2019

From blockbuster sequels to art house cinema, 2019 has been a solid year for horror. Seems every month in 2019 had a horror (or horror-adjacent) movie or two hitting cinemas. For purposes of this list, I am not considering any direct-to-streaming movies (e.g. Velvet Buzzsaw). Furthermore, I am not considering any high drama that many (not including myself) consider horror (such as The Lighthouse or Parasite). I’ve done my best to curate a well-vetted list of new releases for purposes of ranking them based upon a comprehensive approach including factors such as entertainment value, technical achievement, originality, atmosphere, and provocativeness. Here we go!

10. Scary Stories to Tell in the Dark: Everyone loves a good ghost story, and Scary Stories to Tell in the Dark has several ones that remind me of Nickelodeon’s Are You Afraid of the Dark? on steroids! This is a surpassingly frightening horror movie! It takes the very practice of passing along scary stories generation to generation, and explores the far reaching effects that the power of story has in a manner that it as insightful as it is visually terrifying. Directed by Andre Ovredal with a superlative screenwriting and story team including Guillermo del Toro, Scary Stories to Tell in the Dark relies upon a more classical approach to a horror movie by building upon old fashioned ghost stories. You know, the kind that you sit around the camp fire or on the floor of your childhood sleepover and tell one another. These are stories that have been shared and passed down so prolifically that they feel alive.

9. Child’s Play: “Hi, I’m Chucky, wanna play?” It’s a fun horror movie, flaws and all. Let’s address the white elephant in the room. This is not as good as the original; however, instead of primarily focussing on what did not do right, I’d like to highlight what it did well. At the end of the day, this is a highly entertaining horror movie that brings Chucky’s origin into the 21st Century. Unlike the trajectory of the Child’s Play franchise after the original sequel that embraced the camp effect, 2019’s Child’s Play attempts to go full-on horror. Unfortunately, it should have gone the camp route, because I feel that would have been received more favorably. There are moments that you question whether or not they are supposed to be funny. And it’s that ambiguity that leaves us uncomfortably in the middle during many moments in the movie.

8. Us: The followup to the horror masterpiece Get Out ultimately falls short of the bar set by its predecessor. But don’t worry, there is still plenty to like in Us. Whereas Get Out was a horror film built upon compelling, thoughtful social-commentary on the uncredited, forced appropriation of one ethnic group by another, Us plays as a straight forward horror film, complete with all the thrills for which you hope to experience. There is certainly an attempt by Peele to comment on class, MAGA, and other important social topics, but the film tries to do too much, and winds up not accomplishing what it so desperately wants to do. Keep your eyes peeled for details, because you are going to need them in order to best appreciate the ending.

7. IT Chapter II: The larger, less terrifying chapter. Return to Derry, Maine with the Losers Club as they once again face the nightmarish clown Pennywise. With expectations set incredibly high from the critical and box office success of the first chapter, chapter 2 had some major clown shoes to fill. And was it successful? That is mostly up to the individual audience members; however, from a critical perspective, the second chapter falls short of the first one in both character and plot. While there are some scary moments (mostly driven by jump-scares) and some good character-driven moments, as a whole, the movie feels bloated for time, poorly paced, unintentionally campy, and not nearly as creepy as the first one. I appreciated the original for expertly crafting the atmosphere of dread and delivering terrifyingly creepy moments not primarily reliant upon jump-scares; but this second chapter seems to fall victim to sequelitis and revert to using jump-scares more than the art of crafting suspense with the camera.

6. Room for Rent: Lin Shaye would kill to find a decent man. Directed by Stuart Flack and written by Tommy Stovall, Room for Rent takes you on a journey into the twisted mind of a grieving widow and her delusional methods to cope with her loneliness. From the moment that Joyce Smith (Shaye) appears on screen, it is clear that Shaye is completely immersed in the character, much as we have come to expect from her more than 90 feature length films (many of which are horror).A tremendous amount of depth exists in this story if you look beyond the surface. Unlike many slasher or psychotic killer movies, in which the plot or characters are not realistic, the entire plot is stepped in realism and Joyce is a believable central character. Moreover, the tenants and neighbor are also believable. Perhaps what makes this movie frightening is the notion that this could very well happen. It will at least make you think twice before renting a room from an elderly woman off Craigslist or AirBnB.

5. Pet Sematary: “Sometimes dead is better.” Unless you’re back from the dead with a vengeance! Brace yourself for the spine-chilling, immensely terrifying 2019 adaptation of the best-selling novel Pet Sematary by the legendary Stephen King. Whereas many remakes/reboots of earlier horror films often suffer, this one emerges from the soured soil as a force to be reckoned with. Directors Kevin Kolsch and Dennis Widmyer deliver a heartpounding rollercoaster of a nightmarish experience as Pet Sematary opens everywhere this weekend. Instead of a direct from page to screen adaptation, much like the fantastic 1989 original version (and yes, it still holds up), this version takes some creative liberties; however, the soul of the novel and even the 1989 version is clearly there. This creative latitude enabled the film to deliver new, surprising scares that are sure to frighten you. If you haven’t seen the extended trailers–DON’T–cannot say that enough. It’s best to go into this film with only the name and the initial teaser trailer in your mind.

4. Crawl: So much fun! Crawl is that horror movie that comes out of nowhere to wow audiences! It’s so simple, yet incredibly clever, exciting, and rewatchable. When it seems that old-school creature-features are a thing of the past, Crawl emerges from the murky depths to prove that we love to see man-eating monster-like creatures on the big screen. This movie know that it is B-class, and totally rocks it! It delivers precisely what we want out of this sub-genre of horror in a brilliantly unapologetic fashion that is destined it make this a future classic. It possesses a delicate balance of seriousness and camp that is seldom struck–a great example of lightning in a bottle. Not since Lake Placid have I enjoyed a creature feature this much.

3. Midsommar: Ars gratia artis. The latin inscription around MGM’s Leo the Lion is the best way I can describe Ari Aster’s Midsommar. For fellow cinephiles, this is the type of film that reminds us of the power of the moving image and the art of visual design. Film is a visually driven medium, and Midsommar exhibits that in spades. Although it was predicted to be then confirmed by the director to be a companion piece to Hereditary there is little similarity except for one important point: the theme of grief. Furthermore, Midsommar also comments on relationship revenge and drug culture. I’ve heard this film described as one long acid trip by folks on Film Twitter, and that is not entirely inaccurate. From edibles to cocktails, many of the scenes are viewed through the lens of a drug-induced reality that creates a fever-dream-like state of being. Trippy, is putting this cinematic experience lightly. And it is that. A cinematic experience unlike any other that I have ever witnessed. Whereas, in my opinion, this film’s greatest flaw is the lack of a compelling plot–and that’s a big deal, no mistaking it–the film excels at typifying film as art.

2. Ready or Not: Outstanding! Ready or Not is a brilliant horror comedy from start to finish. Fantastic screenplay, cast, direction, effects, everything works flawlessly. Probably the most fun movie of the summer. It’s a no holds barred dark comedy full of entertaining, campy dialogue and gruesome kills. Not since the cult classic Clue, has there been such an excellent horror comedy heavily influenced by the concept of a game. Samara Weaving slays audiences as the wedding dress wearing Grace as she transforms into this movie’s answer to Kill Bill. Although most of the other characters are relatively flat, you forgive them because of the endless jokes about the insanely rich and the non-stop bloody comedy. Does the film have shortcomings? Sure does–the cinematography and lighting, for examples; however, this movie is so incredibly charismatic and it’s hilarious enough to more than makeup for the technical faults in this movie. When I state “everything works flawlessly,” I suppose it’s a bit hyperbole because it’s not a perfect film, but it knows its strengths, and those strengths support everything else to deliver a movie that will keep you highly entertained for the entire run time that is non-stop antics and action.

Honorable mentions before my pick for the No.1 horror film of 2019:

And the No. 1 of 2019 is… Doctor Sleep: A brilliantly unsettling and crisp horror film! Mike Flanagan’s Doctor Sleep is both an adaptation of the Stephen King novel, by the same name, and a direct sequel to Stanley Kubrick’s The Shining. This highly anticipated film had the unusual task to fit the Kubrick film and King’s novel The Shining, since it is well known that King was not happy with the Kubrick adaptation. Although many unplanned sequels to iconic classics are challenged to justify their own existence, and often fail to live up to the magic of the original, Flanagan defies the fate that so often befalls sequels and delivers a compelling film worthy to be connected to Kubrick’s cinematic masterpiece. There is something irresistible about returning to the infamous Overlook Hotel, and this film knows that you are mostly in the auditorium because of anticipating the trade mark carpet, Navajo-deco interior design, and bloody elevators, and holds that ace up its sleeve until the third act. Whereas the storytelling could have taken the easy way out, knowing that you would blindly accept virtually everything as long as you get to check back into The Overlook, it still offers a compelling, challenging narrative that brilliantly sets up the showdown at the most infamous hotel in all literature. Combining the best of the King novel with the haunting imagery and ominous atmosphere of Kubrick’s masterpiece, this film surpasses the expectations and apprehensions most of us had when we knew the legacy shoes this sequel had to fill.

Be sure to checkout my Top 10 Films of 2019 List as well!

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

Follow him!

Twitter: RLTerry1

Instagram: RL_Terry

“Little Women” (2019) Review

Authentic. If I had to sum up the experience of watching Greta Gerwig’s Little Women, then that’s the one word I would choose. Thankfully, I am not limited to simply one word to describe this brilliant adaptation of Louisa May Alcott’s best-selling, timeless novel. Being out of town visiting family for a couple of weeks, I do not have the same amount of time to watch movies at home or at the theatre, as my family isn’t nearly the film fan as I am. However, when my mom wanted to go to the movies, and asked me if I wanted to see Star Wars (again), I countered her idea with suggesting Little Women. She was utterly delighted to see the movie, and I am so glad that my mom and I got to watch this movie together. Just now, my mom walked through the living room (as my head is buried in my laptop) and exclaimed “I just loved that movie, the story is so familiar yet so fresh.” Sounds like something I would write. To my mom’s point, I feel strongly that the reason she feels that was is because this is modern story of the complex emotions, societal expectations, and ambitions of women masquerading around as a period drama. It feels both “of its time” and “today.” While to the casual observer, this may seem like a story for women, young and older alike, it is a powerful story for anyone that has dreams but feels trapped by whatever societal or familial forces. Little Women is incredibly heartfelt and uplifts the human spirit. Just the gift of the season we needed. There is something for everyone in this movie that remains committed to its literary roots, yet plants itself in a modern garden to be appreciated by and inspire all those whom choose to watch it. Greta Gerwig’s masterful storytelling is evident from beginning to end, and all the performances are excellent. You will undoubtedly fall in love with this story all over again, or will fall in love for the first time.

Following the lives of four sisters, Amy (Florence Pugh), Jo (Saoirse Ronan), Beth (Eliza Scanlen) and Meg (Emma Watson), as they come of age in America in the aftermath of the Civil War. Though all very different from each other, the March sisters stand by each other through difficult and changing times.

While the 1933 version starring Katherine Hepburn has long sense been seen as the gold standard, I will be so bold as to state that this may be regarded as the best adaptation of Alcott’s timeless novel. Ever since I saw Frances Ha, I’ve known that Gerwig is destined for cinematic greatness. Her trademark artistic expression and ability to disarm even the most hardhearted, is witnessed time and time again in this film. Furthermore, Gerwig possesses a unique gift that quickly establishes empathy from the audience and begins to develop a relationship between them and the central character(s) quickly and effectively. For those of you whom are familiar with Gerwig’s semi-autobiographcial debut of Frances Ha, you will undoubtedly pick up on hints of Frances in our central character of Jo March. Although Gerwig has demonstrated an uncanny ability to write and direct, the real power of this film comes form her knowing the novel from cover to cover; the only way to intertwine the original narrative with the journey of the author is to have known everything there was to know, and then some, about Little Women. Gerwig’s creative decision to meld the Jo’s struggles and joys of being our de facto Alcott with the original story allows the film to comfort audiences with the familiar while wowing them with a fresh, modern interpretation of the story.

I love the five primary archetypal characters we have in this film. Jo is the rebellious independent thinker but struggles with loneliness, Meg desires a more traditional life but has a strong will, Amy has a creative spirit but desires to be a kept woman, Beth is empathetic selfless and nurturing, and Laurie is a self-centered bachelor whom lacks direction and focus yet wants to love. These characters provide ample opportunity for the audience to connect with one or more of them. The relatively simple plot of the film paves the way for complex characters and prolific amounts of dramatic conflict. While the main plot is about Jo and her goal of publishing a novel, all the other character have their own respective goals that support the subplot and are the conduit through which the subtext flows. While the characters remark that domestic struggles and joys are not entertaining, the irony is that these are the very things that make for a strong film. Strength of character is witnessed in how a character responds to and is affected by conflict–we love to see the reactions. No two characters respond to the same stimulus in the same way, and they each speak with their own voice. Through these characters, we experience triumphs, struggles, love, and loss. No Mary Sues in this bunch, nothing comes easy for any of them; and they work diligently to achieve what they want, whether that is marriage or a career. Each and every goal is earned, the windup equals the payoff.

Before addressing the technical elements that worked flawlessly, I cannot ignore the one element that did not work for me, at least in the beginning. And even then, I merely got used to it as the film went on. The editing. There are times that I was taken out of the movie by the pacing and structure of the editing choices, but ultimately it did not greatly hinder my experience of watching this future classic. It took several scenes, before I realized that we had more then one concurrent timeline. As a matter of fact, I believe we had three (1) present day (2) seven years earlier and then (3) shortly before present day. I’ve read that there are only two timelines, but I truly feel that I was following three different ones. I wasn’t always sure where I was in the trifecta of timelines. Eventually, I realized that I could follow the color palette, hair styles, and costumes as my timeline token. If we were going to alternate between present day and the past, I would have preferred if Gerwig took a page out of the Fried Green Tomatoes handbook for two concurrent storylines.

Now that’s out of the way, I have to remark on how much I love the cinematography, costuming, and production design. The cinematography works in tandem with the tone of each scene; moreover, there are moments that the cinematography is snug and warm, and other times that it is distant and cold. The emotion of the scenes is communicated lowkey through the camera choices. Period dramas are known for great opportunity for costuming to shine, and this film is no exception. Much like one’s fashion choices, in real life, are often an expression of the soul, so are the costumes of the lead and supporting cast. The costumes are almost characters in and of themselves. We can read some into the personality of the characters by the choice in attire. Along those same lines, the production design is also an extension of these characters. The locations, sets, and set dressing communicate so much about where these characters are mentally and where they want to be. The various production design teams demonstrate a keen eye for even the smallest detail that communicates the right mood, texture, subtext, or atmosphere. Period dramas sometimes struggle with making the locations and settings feel like real places that the audience can smell, feel, and touch; but this isn’t true with this film.

Greta Gerwig’s Little Women is truly a wonderful Christmas gift this season. You will laugh and cry along with these endearing characters in this Civil War era world in which the story unfolds. Gerwig takes the timeless story and brings it into a modern world to entertain and inspire a whole new generation.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

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My Top 10 General and Horror Films of the Decade

As 2019 comes to a close, it’s time to outline my top 10 favorite films of the decade! To make it more fun, I am writing two lists (1) general cinema and (2) horror specific. Since I am known as Professor Horror on Twitter, I couldn’t disappoint everyone by not composing a horror specific list. That being said, in order to provide some sort of structure to selecting the films, I’ve decided to pick one film from each year. Furthermore, instead of simply listing them, I am writing a brief thought about each. The first list will be general cinema and the following list will be horror specifically. What does your decade list look like?

 

 

 

 

GENERAL CINEMA

2010: Black Swan-A brilliant horror adjacent adaptation of the famous ballet that is equally beautiful and terrifying all at the same time. Portman and Kunis deliver compelling performances and the art direction and production design are outstanding. Aronofsky’s direction is masterful in what is likely his greatest motion picture IMO.

2011: Hugo-A movie for cinephiles in the vein of Cinema Paradiso. Whereas Scorsese is often seen as an iconic film director of gangster movies, he also has a softer side that is largely unappreciated. His work in this film showcases his enthusiasm and love for cinema as a visual art form to tell great stories. It’s beautiful and thought-provoking.

2012: Silver Linings Playbook– Truly hits you in the feels. The thing about silver linings is that they cannot come without clouds. This gritty love story takes audiences on a tremendous journey, following both son and father as they respectively deal with their mental problems though that which they love. It’s an unapologetic look at the mountains and valleys of relationships.

2013: Blue Jasmine– Cate Blanchette’s award-winning and Sally Hawkins award-nominated performances are gripping and sharp. The dark comedy about the mental breakdown suffered when your entire world is ripped out from beneath you is compelling and powerful. This is an incredibly relatable film about identity crisis and self-centeredness. The hilarious comedy is matched and counterbalanced by the heavy drama in a film that is brilliantly layered with plenty of substance.

2014: Gone Girl– Such an incredibly, thrilling ride! This spellbinding crime/mystery drama will have you on the edge of your seats from the time acclaimed director David Fincher opens the film the time the credits roll. There are few directors who can visually capture the very essence of a novel cover to cover, and that is exactly what Fincher did. Aside from the brilliant direction of David Fincher, this movie benefits greatly from the screenplay written by Gillian Flynn, the author of the original best-selling novel. This proves to be an excellent move because the movie is so incredibly close to the book.

2015: The Big Short– Brilliantly casted and directed, this film will have your utmost attention the entire time. Screenwriters Adam McKay (also the director) and Charles Randolph create a movie with such realism and candor that you will be able to truly understand the foundational problems that aided in creating the mortgage-backed security crisis which led to the housing meltdown and the loss of millions of jobs. The scariest part is, at the end of the movie, you will read that starting in 2015 that big banks are once again engaging in similar behaviors under a new name. The utter greed, absurdity, and naivety on display in this movie will leave you astounded.

2016: La La Land– Simply dazzling! A beautifully produced motion picture musical that is sure to delight audiences around the world. Ryan Gosling (Sebastian) and Emma Stone (Mia) shine brightly in this self-reflexive modern romantic film set on the backdrop of a classically composed movie musical echoing the song and dance numbers that Busby Berkeley brought to the silver screen through Hollywood studio system powerhouse Warner Bros. Every aspiring professional who has the dream of a substantive career as an artist in the visual and performing arts–or just an artist in general–needs to watch this film.

2017: I, Tonya– Of skates and class. Margot Robbie stars as the first US woman to successfully land a triple axel at a national competition…also the most infamous woman in the history of US Figure Skating in what is likely one of the most difficult and controversial biographical films ever produced. This film provides audiences with an unapologetic glimpse into Harding’s early life through “the incident.” Although “the incident” is what everyone remembers, this movie shows a struggling young person attempting to change, but thwarted at every angle by hearing that she cannot because she isn’t what America is looking for and has no class. But why couldn’t it have been just about the skating??? It’s also the film that, ironically enough, inspired me to learn figure skating myself.

2018: The Favourite– A brilliantly entertaining satirical dramedy! Not your history channel biopic. This no-holds-barred dramedy provides audiences with a story about a twisted love triangle within the royal court of Queen Anne that is anything but prim and proper. You will be instantly sucked into just how bizarre and brilliant this film is because of the seductive visuals and razor-sharp wit. The costumes, locations, and set design are incredible. Upon watching this film, I was reminded of another worldclass period drama where each scene felt like it was an oil painting. I am talking about Stanley Kubrick’s Barry Lyndon. Never before have I seen a film come so close to delivering the experience that the Kubrick masterpiece did.

2019: Judy– A truly gripping motion picture that will bring you to tears during this somewhere over the rainbow redemption story. Renee Zellweger is captivating as Judy Garland, and you’ll swear that you’re watching Garland on the big screen. While there are many movies that focus on the rise and fall of a talent in showbusiness, this movie skips all the glitz and glamor to paint a realistic portrait of what it is like for those whom grow up in front of the camera, controlled by those around them, just to wind up in front of booing crowds, empty bank accounts, homelessness, and a tumultuous custody battle. All the way down to the mannerisms, vocal inflections, and over all behavior, she IS Judy. Although we all know of the tragic ending, no mistaking it, this film is an inspirational story of redemption.

HORROR

2010: Don’t Be Afraid of the Dark– The atmosphere of this movie in a mansion that is ostensibly a character in and of itself is fantastic! Not only is is a great horror movie, but it also comments on the response of adults to children’s imaginations. The suspense and tension is earned and built brilliantly. Up to this point, the majority of horror movies were gore-fests; but this movie (along with Insidious), helped it usher in a return of the haunted house subgenre of horror. The cinematography is gorgeous and the production design is incredible. Until we actually saw the creatures, they were extremely terrifying. After we see them, a little less so.

2011: Scream 4– Wes Craven is back! The Scream franchise returned to the big screen after over a decade of hiatus. Scream 4 is the ultimate payoff of the groundwork laid by the first film. Although this film couldn’t exist without its predecessors, it yet somehow manages to elevate the concepts it’s built upon whilst doing it. Not to be confused with elevating the genre–this genre has always been elevated. The final act reveal is one of the most satisfying and surprising in modern horror history. It’s dripping with savage social commentary about the lengths that people will go to to be famous, and how the nation’s obsession with canonizing serial killers leads to a world in which the line between celebrity and mass murderer becomes increasingly blurred.

2012: The Possession– Although the demon possession subgre of horror is all too familiar, this film is a refreshing take on the subgenre. It’s a truly terrifying film that depends are far more than jump scares and loud noises to generate nightmares. It’s no surprise that The Exorcist inspired many films, but this is certainly among the best! That scene in which Emily completely loses it in the tunnel, flinging the groceries everywhere is one of the best horror scenes ever. Bringing the nightmare to screen is the phenomenal direction provided by Ole Bornedal. It possesses some of the best writing of horror this decade!

2013: The Conjuring– Fresh and terrifying! The atmosphere of this horror film is so intense and terrifying that you may find yourself keeping the lights on at night. And hide-and-seek is all of a sudden a much more nightmarish game than it ever was before. From start to finish, this unnerving film is the stuff nightmares are made of. Even after the movie, you feel personally haunted. My favorite thing about this film is how the entire plot feels like an old-school haunted house horror film. James Wan not only delivered a brilliant addition to the horror library, but it also inspired the ConjuringVerse.

2014: Oculus– This movie could’ve just as easily been subtitled “Through the Looking Glass” or “Alice in Horrorland.” Oculus does not rely upon jump scares to curdle the blood and cause the heart to race. It takes a much more Hitchcockian approach–the fear is in the mind of the audience. Hitchcock once said, “greater is the fear in the mind than the fear on the screen.” And, director Mike Flanagan has “suspense” in spades. Not that “Oculus” is without an ominous presence materializing behind a character; but the film is successful in creating legitimate fear in the minds and stomachs of the audience without having to result to cheap parlor tricks. Unlike a typical horror movie, the enemy is an intimate object with malevolent powers of “perception.” Throughout the entire movie, you will ask yourself if what you are seeing is real or are you seeing what the mirror wants you to see.

2015: The Blackcoat’s Daughter– Unnerving from beginning to end! The atmosphere is dismal and ominous, which gives way to the bloody horror that unfolds. Seductively slow, the pacing draws you in moment by moment into the unsettling world. I liken this film to Rosebary’s Baby because the horror is implied and atmospheric more so than gimmicky or tropey. For fans of gothic horror, this film delivers a mesmerizing story that delivers frightening situations and imagery that are a testament to art house horror. Here’s something cool too: it is directed by the son of horror legend Anthony Perkins (Psycho). The muted performances by the two lead actresses are an outstanding achievement in that there is so much power in the restrained delivery of the subtext-rich lines.

2016: Don’t BreatheDon’t Breathe is a brilliant horror film that will keep your adrenaline pumping and keep you guessing from the beginning of Act II to the final cut to black. Crossing into different sub-genres of horror, this movie will capture your attention every moment and catch you off guard every chance it gets. Although there is no scientific evidence for the collective belief that when one sense is removed that the others take over, it does make for a fantastic plot device that will greatly heighten your own senses while watching this efficiently ruthless movie. It’s a cinematic claustrophobic rollercoaster that includes one terrifying turn after another. In other news, if you’re looking to buy a house, this film includes some great shots of your next neighborhood in Detroit.

2017: IT: Chapter I– IT’s hauntingly fantastic! From the first to the last scene, the Stephen King adaptation directed by Andres Buschietti is nothing less than a horror masterpiece that does both the original novel and the TV mini series (1990) justice. The brilliance behind the adaptation is found in the excellent cast. So organic, so relatable. A common trope in King novels (and by extension the movie adaptation) is the tried and true narrative structure of the “coming of age” story. IT may serve as a horror film for shock value on the outside; but beneath the nightmare-inducing exterior, beats the heart of a heavy drama with a great message about growing up, friendship, teamwork, and facing one’s fears.

2018: Halloween– David Gordon Green’s Halloween truly is the sequel that we have been waiting for in the Halloween franchise. Green set out to direct a Halloween movie that he desired to work both as an homage to the original whilst crafting an original story that could do more than be a great horror film, but be a great film period. And suffice it to say, he delivered in spades (or knives, as it were haha). Words cannot even begin to capture the energy of the auditorium when I saw it last year. From echoes of the original (and some of Halloween 2) it still succeeds in providing longtime fans and those newly discovering the franchise with an original story that will hook you from the very beginning when you realize that all bets are off because no one is safe. It’s thrilling, engaging, and fun. It may lack Dean Cundey’s brilliant cinematography from the original, but visually the film has those quintessential moments that act as a throwback to Carpenter’s original groundbreaking slasher.

2019: Doctor Sleep– A brilliantly unsettling and crisp horror film! Mike Flanagan’s Doctor Sleep is both an adaptation of the Stephen King novel, by the same name, and a direct sequel to Stanley Kubrick’s The Shining. Although many unplanned sequels to iconic classics are challenged to justify their own existence, and often fail to live up to the magic of the original, Flanagan defies the fate that so often befalls sequels and delivers a compelling film worthy to be connected to Kubrick’s cinematic masterpiece. While the specter of Kubrick is lurking in the background, and our foreground story takes place on the backdrop of The Overlook Hotel complete with the presence of Jack Torrance, this is a completely new story that acts as a bridge between the literary and cinematic worlds. Doctor Sleep takes audiences to some very dark places–a no holds barred approach–that will surely get under your skin and cause you to cringe at the vile actions on screen in Rose the Hat’s quest for ostensible immortality. There is something irresistible about returning to the infamous Overlook Hotel.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

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