What did I just watch??? I still haven’t a clue, but it was sure beautiful to look at. The Lighthouse is visually stunning, brilliantly edited, and the performances are mindblowingly fantastic! There’s only one small problem–well, more like a big problem–there is no plot. Audiences will be left in the dark on this one. Roger Eggers was so busy focussing on the visual elements of the film (don’t get me wrong, that is very important) but I think he needed his own lighthouse to provide direction for the writing because the plot got lost at sea. No to be too blunt, but The Lighthouse is a directorial masterbatory exercise of film as a visual medium. The story, if you want to call it that, is more poetic than diegetic. Meaning, the story is emotionally driven versus action or even character driven. There lacks any narrative in the traditional sense, but much like a poem, there is visual imagery ripe for interpretation. I equate this film with a painting or sculpture in a museum. We may not know precisely what the artist intended, but we can read our own interpretation into the work of art. Therefore, that artwork holds special meaning for us. You can say the same thing about The Lighthouse. While there is not a plot to follow, the imagery will mean different things to different people. For bibliophiles, you will undoubtedly identify the Odyssey elements in the film, which I thought were great! What we have here is the poster child of an auteur’s film. There was such a focus on the art of visual storytelling that the actual story was nearly left out. And by story, I am referring to plot specifically. Even the great Cecil B. DeMille knew the importance of a motion picture with a story, “the greatest art in the world is the art of storytelling.” With such powerful imagery, expertly crafted and arranged in a brilliant fashion that intrigues and assaults the eyes all at the same time, I would have loved to have seen a well-developed plot that could have elevated the spectacle of the film to an experiential narrative.
Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!
Since I will be at Halloween Horror Nights Orlando all weekend, my review of It: Chapter 2 will be delayed. So while you wait, checkout this review of Netflix’ The Dark Crystal: Age of Resistance that I did with the Netflix ‘n Swill podcast. Dan and Caleb were so much fun to talk with, and if you like Netflix shows or movies in general, then you should give them a follow.
Netflix newest epic fantasy series is a hit! If Netflix was searching for its Game of Thrones, it may have found it in The Dark Crystal: Age of Resistance. While we haven’t been given word if a second season has been greenlit, it would not surprise me if we learn that news in the near future. From the outstanding production design to the spectacular puppets and sweeping score, this is one to watch if you love fantasies. I love it when I can see the hand of the artist in the motion picture, and this show is overflowing with the art of storytelling. To be honest, the first episode is a little convoluted with world building, and was difficult to follow at points, but the episodes thereafter successfully develop the central characters and the lore of the crystal. For longtime fans of the original, you may notice some of the lore doesn’t quite match up, but it’s not completely off either. I imagine some of it is modified in order to write a whole TV series as opposed to a feature film. None of the differences take me out of the story, but it is something for which to look. You’ll find that the writing is gripping and points to the events of the cult classic while delivering a new story in a familiar world. This new series is completely connected to the original, and feels that it is truly doing the original justice in this age that predated the “age of wonder” that the original film takes place in.
Ryan teaches screenwriting at the University of Tampa and teaches high school TV/Film production. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com!
The highly anticipated Netflix original satirical thriller Velvet Buzzsaw is now streaming. Go beyond the frame into the vicious word of the art business. Much like the hype surrounding Bird Box, this movie was also proceeded by a prolific number of memes on social media. Although this movie opened to mixed reviews from critics and audiences, I found it to be immensely enjoyable. Not to the point that it’s a great movie, but a solid thriller. A plot and setting that could have so easily been boring were intense and seductive. Who would have thought being a critic would be so alluring and perilous. Furthermore, this movie provides audiences with thought-provoking commentary on art and business. You witness all the players in the art business game: the creators, critics, clients, and curators. Essentially, the theme of this sexy, sinister, satire is the more we attribute a monetary value to art, that is inspired by a creator’s incredibly dark place, the more we run the risk of suffering, even vicariously, a deadly consequence for our selfish actions…
For the full review, visit the One Movie Punch website for the audio review and transcript! And if you don’t do so, follow One Movie Punch on Twitter and subscribe with your podcast service.
Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter!