Tag Archives: Universal Studios

“A Dog’s Purpose” movie review

Posted on by
Reply

adogspurposeYou’re going to need tissues! Ever wonder what your dog was thinking? You’ll find out in Universal, Amblin Entertainment, and Walden Media’s glorified Hallmark movie that follows the soul of a loving dog. As such, A Dog’s Purpose is one of those films that is so simple yet emotionally touching. Based on the novel written by W. Bruce Cameron, this movie will tug at even the toughest of hearts. Although the film does not follow a traditional diegetic arc, three-act structure, and is filled with constant verbal exposition in the form of a voiceover, it is still enjoyable and works as a great date movie. No critical thinking required. Still, the author’s tagline “a novel for humans” can be seen in the social commentary on primarily human relationship dynamics followed by the relationship between a pet and his or her owner. Filled with moments of laughter and tears, A Dog’s Purpose is a film that everyone who either has or has ever had a dog should see. If you’re a cat person like me, then there isn’t much here for you–sorry. However, I was moved to tears during a scene in which the focus was on a human romantic relationship getting rekindled. You will never look at your dog the same way again and will likely go home and hug him or her just as a friend of mine did after she screened the film with me.

A Dog’s Purpose is about a dog who discovers the purpose for his existence as he is reincarnated into different dogs over the course of his life. Finding himself part of different families–or as he likes to refer to them–as packs, Bailey does his best to affect humans by influencing their respective needs to laugh and love.

Despite the rather two dimensional nature of A Dog’s Purpose, there is a deeper theme within the mostly shallow story if you examine the film closely enough. Not shallow in that there lacks emotional appeal or enjoyment, but shallow in that there is very little that is complex and dynamic in the narrative. Although Bailey spends most of his on screen life with Ethan (K.J. Apa), Bailey’s soul finds itself in other dogs who are part of their own respective family. Doing a close reading of the film reveals that each family unit represents a different kind of relationship dynamic or lack thereof. I won’t spoil it by describing each type of relationship, but knowing that there is social commentary on human and pet relationships could likely increase the appeal and enjoyment of the film for those who prefer movies with a more cerebral plot. Interestingly, the movie includes families/human relationships that represent a good cross-section of the types of relationship dynamics that exist in our lives.

For those who typically enjoy Hallmark movies, then you’ll definitely enjoy this one. Last January we had glorified Lifetime movies and this year it must be Hallmark’s turn. As I have not read the novel, I cannot comment on differences between the book and the film adaptation.

Written by R.L. Terry

Edited by J.M. Wead

You Don’t Stand a Chance: Universal Orlando’s “Halloween Horror Nights 26” review

Posted on by
1

hhn26logoA dynamic range of houses and horrifying encounters! Of all the Halloween Horror Nights (HHN) over the last few years, this year could likely be my favorite. From the houses based on familiar IPs to the original concepts, there is something for everyone as HHN turns 26. Even the wildly popular and iconic Bill and Ted’s Excellent Halloween Adventure was refreshingly funny this year. Although HHN has the reputation for being an event at which it’s nearly impossible to experience all the houses and the Bill and Ted Show in one evening, I’ve concluded that if you arrive at open and remain until 2am that you CAN make it to all the experiences on a typical crowd night. Unfortunately, my friends and I lacked three houses to complete them all since we arrived at 9pm; but two of those three were not ones that I was planning on experiencing anyway. Since I pay for annual passes to Disney, Universal, Busch Gardens, and SeaWorld, I do not opt for the frequent fear pass that Universal Orlando img_6981offers for multiple visits to the celebration of the macabre, so I try to do as much as I can in one night. And this year, I am quite pleased with what I was able to accomplish during my time at one of the areas two best Halloween events (the other being Howl-O-Scream at Busch Gardens Tampa Bay). If you haven’t been to HHN (or HOS) this year, there is still a couple of weeks to visit Universal Orlando or Busch Gardens and experience some outstanding scares, irreverently funny shows, and special times with friends.

Visit Thrillz for the latest in theme park information from around the world! You can find this and many other articles covering themed entertainment, dining, and more.

stage19One of my favorite parts of the seasonal Halloween events at the theme parks is experiencing the transformation from daytime operations to Halloween. From the music to the lighting, the very atmosphere of the park sets the mood to be scared. Another personal favorite experience at HHN specifically is witnessing the uncanny (that which should remain hidden but reveals itself) by venturing behind the scenes of the park and entering sound stages that used to house television productions and former attractions. The two most nostalgic and uncanny memories from last night is walking through American Horror Story in Stage 19 and Krampus. If you’re a long-time visitor to Universal Orlando or simply a theme park enthusiast, you might recognize why Stage 19 would be nostalgic. Stages 18 and 19 are where Nick was made! Soundstages 18 and 19, along with 17 as part of the Universal Studios Florida studios tour and 21 leased occasionally, were the home of Nickelodeon Studios in the 1980s-90s (minimally in the early 2000s). I love the juxtaposition between the classic Nick shows that were produced there against the present haunted houses. The Krampus haunted house is located in the former Alfred Hitchcock soundstage that was part of the Hitchcock: the Art of Making Movies attraction until 2002. I had not been in that stage since before the iconic opening day attraction closed its doors to make way for Shrek 4D. While walking through Krampus, I couldn’t help by wonder if we were standing where the Bates House, Motel, or infamous shower used to be.

img_7009-1The first house that my friends Derek, Adrianne, and I experienced was Krampus. With only a 30min wait, it was definitely a great way to begin the evening since the parking garage was a complete cluster (not one parking attendant was to be found in the garages). Located within the former Hitchcock Stage, Krampus is an impressive translation from screen to live experience. Since my research area and peer-reviewed publications are on the topic of experiential storytelling and film/theme park convergence, this is an element to which I pay particular attention. Doesn’t mean that I don’t concurrently enjoy the entertainment value of the house, but I am always looking around to see if I can get a glimpse of the magic behind the experience. Since we are four weeks into HHN, there’s a good bet that many of you have experienced the house, but I don’t want to spoil it for those of you who have not. Upon entering the soundstage, the skies grow dark, the wind howls, and the snow blows across your face as you enter the stately home from the movie Krampus. Each and every room depicts an event from the movie. From the sinister jack-in-the-box to the demented gingerbread men, you will encounter nearly all the creatures from the movie. And yes, Krampus himself makes appearances here and there. Probably the most surprising effect in the house was the smell of gingerbread when walking through the kitchen–truly felt like an immersive experience. Just like I loved the contrast between horror and holiday cheer in the movie, I equally loved the juxtaposition of a house all decorated for the “most wonderful time of the year” located within a brilliant Halloween event.

img_6994-1After experiencing Universal’s ‘nightmare’ before Christmas, we were left with deciding what to do next. Since we wanted to hit the 12:00 Bill and Ted’s Excellent Halloween Adventure, we needed to choose something in the mean time. It was at that time, that we began to experience some light rain. With the queue for American Horror Story down to a 60-minute wait time–all indoors, we could easily hit that house and then the show. On the way to the house, we stoped for a pretzel and churro (salty and sweet). I was excited that the AHS house was located in the old Nickelodeon soundstage. What makes the AHS house unique, is the fact that it’s really three houses in one. The seasons of the series that the house covers is “Murder House,” “Freak Show,” and “Hotel.” Instead of combining elements from each of them into one house, Universal Creative made the decision to separate them. I was impressed with the character performers selected to bring such characters to life. Those selected to play Kathy Bates and Lady Gaga’s respective characters were ‘dead’ ringers for the leading ladies. If you’re scared of clowns, this house is definitely not for you because you are going to encounter Twisty on more than one occasion. There are a few entire scenes from the show that are recreated for the house. John Hammond would be proud of this house because in bringing the three seasons to life, Universal “spared no expense.” I am definitely looking forward to the next AHS house as I image that Universal will bring it back next year. Perhaps we will get “Asylum” and “Coven” (arguably the favorite of most of the fans of the series) in the next house for HHN 27, and the most recent “Roanoke” combined with whatever season 7 is or HHN 28.

img_7007Following two exceptional haunted houses, it was time for some laughs! One of the highlights of my HHN experience every year is the Bill and Ted’s Excellent Halloween Adventure because it often does a great job of commenting on pop-culture, parodying crowd favorite movies and tv shows, and socio-political satire. Not for the kids that are at HHN, this show is about as offensive and irreverent as they come–it’s brilliant! Usually, anyway. Honestly, I did not care for last year’s show at all. Knowing that the last couple of years have seen the show go downhill in terms of the cleverness of the writing, I did not have high expectations; however, I knew I would laugh and sometimes that’s all that matters. To my pleasant surprise, the show this year was outstanding (most of it anyway). The first 2/3 of the show were filled with witty jokes, facetious behavior, and brilliant one-liners. The overall plot was to figure out Rylo-Ken’s (a parody of Kylo Ren from The Force Awakens) plan to take over the world. Over the course of the more than 30-minute show, the audience encounters pop-culture icons such as Daenerys Targaryen (Game of Thrones), Chewbacca Mom, a Pokemon GO trainer, 11 (Stranger Things), and even Hillary Clinton and Donald Trump. Of course, no Bill and Ted show would be complete without throwing shade on and jabs at Disney World. There is even a joke at the end (a hand gesture) that only true fans of the Disney Parks would get. Unlike previous years, this year’s show had a coherent plot until the showdown consisting of an “Ultimate Versus” that was pretty much just a cluster of most of the cameos from the show in a Captain America: Civil War tarmac battle that resembles a reimagined Super Smash Bros. meets Mortal Kombat battle scene. I find shows that push the envelope–even if right off the counter–in the theme park settings to be some of my favorites. Shows like these are typically open to adding and striking jokes as pop-culture shifts its focus. You’ll find some political jabs that came out of news from just a couple weeks ago in the show. Strong writing is important even in an irreverent comedy. This year’s Bill and Ted contains mostly solid writing and slapstick antics sure to entertain! Other than reworking the showdown, the img_7008only element of the show I would change would be the pre-show funny videos taken directly from YouTube. Yes, some of them are funny; but they are also videos that many in the audience have already seen. I think a better idea would be to have a camera operator follow some of the preparations during construction and rehearsal and cut together a gag or outtake reel. That would be funny and something that you couldn’t get online.

tombNext, it was time to go on an expedition to uncover some dark secrets that ancient civilizations kept in Tomb of the Ancients. An original IP for Universal Orlando this year, Tomb was probably the most impressive house as far as production design. While many, if not most, guests are at HHN for the film/tv IP houses–and to a great extent, so am I–I really enjoy and look forward to the original concepts designed by Universal Creative’s HHN teams. There are themes and elements taken from ancient civilizations an cultures such as Egyptian, Mayan, Incan, Cambodian, and more. After analyzing all the houses I experienced, I am left with the conclusion that Tomb was the most immersive out of all the houses. While walking through Tomb, I made a very interesting observation. It’s an observation that only those who have been to both HHN and HOS could pick up on. Since Busch Gardens cannot compete with Universal on production design, over all, they learned how to perfect the ‘scare.’ One of the methods for scaring guests is false walls, windows, mirror, etc that drop with a loud bang and a scare-actor jumps out. In film terms, this is the classic jump scare. Not having experience every original IP house HHN has done in the past, I cannot say for sure that this concept is new, but I definitely noticed it this time. Just like Busch probably borrows ideas from Universal, this is a great example of how Universal has borrowed from the Busch’s HOS houses.

exorcistLeaving archeological excavations, it was time to head to Maryland. To the home of Regan MacNeil. That’s right. The Exorcist. It is the first time HHN had themed a house based on the iconic cult horror classic. Spinning head, pea soup, Holy Water and all. You’ll come face-to-face with one of the most terrifying horror films of all time. Universal has always done a remarkable job with the forced perspective of its facades. It really feels like walking off the street into the MacNeil house. One of the most interesting aspects to the production design of this house is the practical ceiling. In most haunted houses, the illusion can be ruined by simply looking up and staring at the trusses and air ducts above in the soundstage. Not true with The Exorcist. Through much of the house, if you look up, you’ll see a practical ceiling. This adds to the claustrophobic feel of the house. Other than spending time in at the excavation site, foyer, living room, and other common areas, the majority of the house takes place within Regan’s room (much like with the movie itself). The park guests walk through multiple rooms depicting, in sequence, the events of Regan’s possession and exorcism by the priest. There aren’t too many jump scares in this house. Regan pops out at you each time you walk from one room to the next. But, what’s great about this house is how real it felt. Universal did an excellent job recreating the most notable scenes from the movie and translating it into a live experience.

ghosttownWho would’ve known that the MacNeils lived next door to a ghost town. Another HHN original IP is Ghost Town. Taking a classic haunted house approach, Ghost Town puts park guest in the middle of an old gold mining ghost town that looks as though it stepped right off the screen of an old-timy western. Kind of reminded me of the western sequence from Hollywood Studios‘ The Great Movie Ride. Instead of a bank robbery, you encounter sinister apparitions of gold miners, bar maids, and there’s even a hangin’. Although this house takes a more traditional approach to scaring park guests, it’s not for the timid as there are a great many disturbing images and experiences in this house. Unlike the other houses this year (at least the ones that I experienced personally), this house comes complete with scare-actors in the rafters above. After you are startled by a ranch hand grabbing at you from above, your senses will be greatly heightened because you have to not only worry about what’s around the next corner but what is also lurking above.

img_7021-1The final house I was able to experience this weekend was Halloween II. HHN offered the Halloween I house two years ago, and much like how the sequel (film) picks up right where Halloween I left off, this house picks up right where the previous one left guests. No real surprises in this house. It is pretty well straight forward and includes all that is expected of a house paying tribute to the iconic Michael Myers. From the closet to the hospital, Michael is everywhere. Sometimes everywhere a little too much. There are definitely times that he appears in two separate places in the same room which impacts the believability of the scares. Pretty sure I saw two Michaels standing close to one another at some point. The quality of the house is on par with most of HHN’s houses, and put you right in the middle of the hospital. Much like with the Exorcist house, this one also walks you through and depicts the various kills in the movie. My favorite part of the house comes at the very end, but I won’t spoil it for those who have not been through it.

img_7019Beyond the houses and Bill and Ted show, HHN also offers guests the opportunity to walk through various scare zones. These are areas that typically contain themed scare-actors, music, and minimal production design. Most of the ambiance is created through lights and sound. And of course fog! Conspicuously missing from the scare zones this year is The Purge. Earlier in the summer following the Pulse massacre, it was announced that The Purge was going to be removed from the HHN offerings as either a house or scare zone. The massacre at Pulse had a profound affect upon HHN. One of the observations I made about this year is the lack of death and violence. For the most part, there was very little murder, dismemberment, and seldom a showing of the glorification of violence. Compared past years, this year was quite tame. Although there could be multiple reasons for the mitigation of violent acts, it is most likely related to the tragedy that affects not only the community but team members at Universal Orlando. Just goes to show that there is not need for explicit violence in order to create an outstanding celebration of the macabre during the Halloween season.

img_6989Not having experienced The Walking Dead, Lunatics Playground 3D, or Texas Chainsaw Massacre, I am unable to provide any feedback on or analysis of those houses; but, friends of mine that have experienced them tell me that they are excellent as well. Although Texas Chainsaw has been part of HHN in the past, this year is difference because it is based on the original 1974 Tobe Hooper film instead of the 2003 remake produced by Michael Bay. With the wild success of Netflix’ Stranger Things, it would not surprise me if we see that as a scare zone or haunted house next year. Twenty-six years in, HHN is still going strong. Still debating on whether to attend HHN or HOS this year? Debate no more because both events are fantastic. Want to experience your favorite horror movies and TV shows? Then HHN 26 is your destination. You’ll definitely enjoy all that is offered to the guests this Halloween Season.

Access Thrillz.co by clicking here!

img_6985

Innovative New Interactive “Harry Potter” Dark Ride Coming to Universal Orlando?

Posted on by
Reply

WWHP_LogoRecently, there have been rumors floating around regarding a possible new addition to Universal Orlando’s Islands of Adventure. Between the recent acquisition of the film rights to the Harry Potter franchise and the the newly uncovered patent, these evidences provide support that assists in substantiating these rumors; however, there has yet to be a formal announcement. This possible new addition brings up some issues to consider. Already, there are park regulars who are not welcoming this decision. Why not? Because Universal would tear down the Dragon Challenge (formerly Dueling Dragons) roller coaster in Hogsmeade and replace it with an interactive dark ride that would enable park guests to test out their technique and spells. Think Toy Story Midway Mania but perfected and with an increased experiential factor. Even before this rumor, Universal is increasingly being thought of as a theme park overrun with 3D screen attractions. Anecdotally, this is an accurate observation since the most recent additions to the park are all on similar ride platforms (just with different thumbing). One of the elements that I have researched is the requirement that the park guest experience physical movement and be emerged into a psychical atmosphere that transports the guest from the real world into a world of fantasy, adventure, or horror. Although this new ride sounds impressive and innovative, it bears a striking resemblance to many of the attractions that already exist. While no one would really complain about an indoor attraction, as Florida is notoriously hot and humid more than half the year, the concept of a ride moving in front of 3D screens does not appear to be eliciting the response that was intended.

CedarPointOne of the primary elements that separates a theme park from an amusement park is the concept of continuous storytelling complete with proprietary theming. While amusement parks build more rollercoasters and other visceral thrill rides, theme parks create thrilling atmospheres and experiences. It’s a fine line. Take Cedar Point v. Walt Disney World for instance (while ignoring the former’s seasonal operation). Both parks offer amusement, thrill, and entertainment; yet, they are both vastly different experiences. Remember in geometry: while both are polygons, every square is a rectangle but not every rectangle is a square? That principle applies to this analogy as well with WDW being the square and Cedar Point being the rectangle. What makes the difference? Intellectual property, theming, and story. If one were to total up the number of roller coasters or traditional thrill rides at both Cedar Point and WDW respectively, obviously Cedar Point’s numbers would dwarf WDW’s. That’s because the focus of the park experience is different at both places. The focus of Cedar Point is on the thrill while the focus at WDW is the experience (or immersion). The former does not adhere to any cohearant or continuous theming while the latter has built a vast empire on theming and story. A similar argument can be made with cinema. Literary and cinema researchers Linda Williams and Geoff King both write about narrative vs spectacle. Amusement Parks like Cedar Point are almost entirely focussed on the spectacle of the park experience while WDW concerns itself more with the narrative of the experience (although, WDW does strike a balance between the two). Much like WDW, Universal Orlando Resort (and Universal Studios Hollywood) seek to create a thrilling atmosphere complete with rides, shows, and a high caliber experiential factor. Whether it’s the story OF the movies or about the stories told by cinema, Disney and Universal Parks transport the park guest from reality into fantasy.

Dragon-Challenge-695x361So, what does all that have to do with this possible (but likely) new Harry Potter dark ride at Universal’s Islands of Adventure (IOA)? A lot, actually. The controversy or concerns seem to stem from Universal’s trend away from physical to virtual environments. Not that 3D/virtual environments aren’t accompanied by the physical. For example, Escape from Gringotts pairs simulated elements with physical production design; however, there is a measurable trend to relying heavily upon 3D IMAX screens as opposed to tangible production design. A great example of this trend is the new King Kong attraction at IOA. The outside of the show building and the queue are impressive. It looks and feels just like you are a character in the movie–cool right? After you pass through the massive gates to Kong’s jungle, the attraction is 75-80% 3D screens. Likewise, the Transformers attraction at Universal Studios Florida/Hollywood is also comprised of mostly 3D screens.

DragonChallengeLosing a traditional roller coaster in exchange for another 3D dark ride could likely rub some park guests the wrong way. Although park guests of the Disney and Universal Parks are there for the experience, story, and incredible themed design, this does not negate the desire for more traditional amusement within these worlds of fantasy. Looking at the parks of Central/West Central Florida, it is clear that Busch Gardens has the largest number of roller coasters, and there are many park regulars, including myself, who go there for the traditional thrill rides. On a side note: I also find the methods Busch Gardens integrates the animal encounters and experiences outstanding–best of what a zoo and amusement park offers. Anyway. With Universal possibly removing a roller coaster that can cycle guests very quickly (due to the two tracks of Fire/Ice) and replacing it with a greatly mitigated cycling attraction like a 3D dark ride, it could prompt longer waits for a similar experience (Transformers v Spider-Man) that can be had at the other 3D attractions. Another forecasted closure in the near future is Revenge of the Mummy. Again, this is a popular traditional (indoor) high speed roller coaster that may be replaced by a 3D style attraction. Even though Universal and Disneyland has to work around issue of being land-locked when planning expansions and improvements whereas WDW has geographic room for expansions, is replacing traditional roller coasters with 3D dark rides the way to go?

I am totally excited for expansions to the Wizarding World of Harry Potter (WWHP) in light of the film rights acquisition and the new movies. I am even more excited to see additions made to the parks that I frequent the most! However, I don’t believe it best planning to sacrifice more traditional rides. The best solution would be to design an attraction that would provide a platform for gusts to test out their magical skills while experiencing the visceral thrill of a coaster type ride. As with all industries, theme parks too have to change with time and with the desires of those who buy the tickets. Theme parks are a business model usually owned by media conglomerates. If the addition of 3D attractions is what increases revenue, then that is the decision that is to be made. The business of filmmaking is also very similar in that respect. I hope that the possible new attraction is one that breaks the mold of the typical 3D screen moving ride and reaches new innovative design heights! We will just have to wait and see and we learn more about these upcoming changes.

Family Time at Universal Orlando

Posted on by
1

UO_NightInstead of researching my next article this past weekend, I spent time with family at Universal Orlando. But, in spending time with my family visiting from out of town, I definitely have some thoughts that I’d like to share. Nothing truly profound, but occasionally it’s refreshing to write on a more personal level instead of always being committed to scholarly writing. Much like thousands of other families, I grew up going to the parks. Needless to say, I did not frequent them like I do now–every week. I did not live in Florida until I was 24, so we would plan family vacations to Orlando every so many years. Since my sister and I grew up on Nickelodeon moreso than the Disney Channel, when we were old enough to appreciate the experience, our parents took us to then Universal Studios Florida to “ride the movies” and experience THE Nickelodeon Studios. Although there is a lot to enjoy about the present-day Universal experience, our favorite stories are from the early days of the park. Obviously, childhood memories are often more powerful than present ones by default, so there is definitely some degree of subjectivity in remembering the original park(s); but I digress.

Check out this promotional video from 1990 when the park opened

It’s been 10 years since the whole family went to Universal Orlando. The last time the whole family was together in the parks was at Disney World in 2011 (when I was a Cast Member). Since I bought my sister a Universal Annual Pass, she gets down here a couple times a year but we had not been to the park as a family since 2010. If you have been going to the parks (whether Disney, Universal, SeaWorld, or Busch Gardens) for as long as I have, you get to witness the evolution of the parks and the continual reimagination of attractions and themed areas. Most of the time the change is positive and beneficial, but other times the changes are disappointing. I think that sometimes we forget that the parks have to reinvent themselves every generation in order to keep the guests coming in. That means that iconic attractions sometimes have to go, despite what long-time fans think. Other times, the addition of new attractions is outstanding! This is certainly the case with the Wizarding World of Harry Potter at Universal Orlando and the future Star Wars Land at Disney’s Hollywood Studios. As my research has shown, nostalgia is an important element in the success and popularity of a theme park; but there is certainly more to the planning, development, and logistics of future offerings than just nostalgia.

PortofinoNightIf I had to name just one element of my staycation that made it feel like a family vacation, it would have to be pulling up to and staying at the Loews Portofino Bay Hotel on site at Universal Florida. It wasn’t simply the fact that Loews has done an excellent job at recreating the quaint Italian waterside village, but that it felt like an escape from my normal every-day trips to the park. As a kid, I remember when there was no Portofino Hotel period and later on I remember passing it when walking to the park entrance from the Holiday Inn across the street where we stayed multiple times. Now, this was not my first stay at Portofino. I did stay there with my aunt and uncle’s family back in September 2010; but this was the first stay with my immediate family. I arrived before my family in order to get us checked in. When I went out to move my car to the parking garage, I ran into them and it was really cool to get to meet at the hotel. Maybe that is not very descriptive and lacks critical analysis, but it really was memorable since we were meeting at a hotel that we passed by and always wanted to stay at, and not having that opportunity previously, thanks to my annual pass discount haha.

One of the results of going to the park with my family or with those who have not been in a long time, or at all, is experiencing what it’s like to see the sites, hear the sounds, and riding the attractions, or watching the shows for the first time–vicariously anyway. Not that I don’t enjoy frequenting the parks as often as I do, but it’s always refreshing to get to smile, laugh, and enjoy the attractions like it’s the first time all over again. I cannot tell you how much I loved witnessing my parents’ reaction to the rides. I don’t think there is any time like the first. Hearing their respective reactions to what I enjoy all the time from their perspective was as enjoyable as the attraction itself. The expressions on their faces were priceless and created memories that will last for a lifetime. In addition to visiting new attractions (for them), we also revisited the remaining two opening day attractions that we’ve experienced as a family many times: E.T. the Adventure Continues and the Horror Makeup Show. I don’t think I will ever forget what it was like to meander through the E.T. queue as a kid. The feeling of what it must’ve been like to work on the movie will last forever. Even on this recent trip, my family and I still talk about that queue. Just waiting in queue for the timeless dark ride brought back so many fond memories. Although the hotel experience was probably what made this feel like a vacation for me, it is riding E.T. with my family that was the most exciting for me. Even when I am in the parks for a few hours or a day, I still ride that because it always takes me back to being a kid in the 90s at Universal.

GringottsFamilyVacationing in a family favorite theme park is not limited to waxing nostalgic of the past, but it’s also about creating new memories in the present. I think the funniest picture I took of them was when my parents and a family friend tried butterbeer for the first time! They absolutely loved it and got it twice during the 2.5 days in the parks. They were simply in awe at the beautiful architecture and creative engineering of the Wizarding World of Harry Potter. Forbidden Journey was definitely the favorite attraction between Diagon Alley and Hogsmeade. Of course, they thoroughly enjoyed the train experience as well. Remarked over and over how it makes them want to take a real train for recreation sometime. For everyone, except me, riding Skull Island: Reign of Kong was a new experience! And, I had only ridden it once before (after which I wrote my critical analysis). Unfortunately, it did not qualify for the unlimited Loews express passes, so it was definitely the longest line; however, a much shorter wait than when I first experienced it. I loved being able to form new memories with my family at this ride. Until this trip, there were attractions that I would experience with friends or when my sister would visit me at which I did not have family memories. And, to that point, there was always an element missing from the experience. Nothing major, just a little feeling that felt empty. Now that we have experienced everything at the park, I have fond memories that I will continue to cherish for a lifetime as I have done since going to the park as a kid. Although there are family favorites that are no longer there, such as: Nickelodeon Studios, Hitchcock: the Art of Making Movies, Murder She Wrote, Lucy: a Tribute, Jaws: the Ride, and Earthquake: the Big One, I have had the opportunity to create new memories that will one day, in and of themselves, become nostalgic.

Out of all the kinds of family vacations that one can think of, I firmly believe that theme park vacations are responsible for some of the most beloved memories. Whether you are from a traditional family or you were adopted, theme parks are places of magic that inspire, intrigue, and beckon for returned trips. I am thankful that I have so many fond memories at not only Universal, but Disney World, Busch Gardens, Carrowinds, Cedar Point, and the little known Magic World (formerly in Gatlinburg). If I was able to anecdotally designate the chief contributing factor to why theme parks make great vacations or simply lasting memories, I would venture to say that it’s because they provide experiences and interaction. Because one is physically and emotionally experiencing something, it is far more powerful than simply visiting a landmark or watching a movie.

Reimagining Halloween in the Parks this Year: the Mind of Horror v. the Eye of Terror

Posted on by
1

After taking break from posting last week, as it was a holiday, I am happy to provide you with another stimulating article once again on the themed entertainment industry! All week long, I have been thinking about what to write this week. I’ve covered some of the recently opened or previews of attractions and theme parks opening soon; but, I thought that I would take a slightly different approach this week. Over the last year, the United States and other countries have been experiencing a rise in violence. Whether that violence has (1) always been there, but because of the great mediation of society (a proliferation of media capturing devices and distribution outlets), we simply see it more often or (2) if there truly is a signifiant rise in mass violence compared to past decades, is not what I am here to discuss. I would, however, like to discuss the upcoming Halloween events in the parks this year, and specifically, how they might have to adapt or change as a result of the recent mass shootings.

HHN2016Already, Universal Orlando has alluded to the fact that it may be revisiting some of its offerings for this year’s Halloween Horror Nights (HHN), and it would not surprise me if Busch Gardens Tampa Bay makes a similar decision with Howl-O-Scream (HOS), as both parks primarily draw from the Central Florida area and of course tourists still flock to the parks for the annual celebration of the macabre. The recent massacre at the Pulse Night Club will undoubtedly have an affect upon the planning and logistics of primarily HHN followed by HOS to a lesser extent. Since the horror film, and by extension the haunted house attraction (or scare zone) are both grounded in the same anthropological (inclusive of sociology) and psychological theories, there is definitely an opportunity to explore this area of themed entertainment. As Disney’s Mickey’s Not So Scary Halloween Party and SeaWorld’s Spook-tacular do not include glorified violence or death, I will not spend time analyzing how those events may change, because they are mostly benign. Suffice it to say, there will likely be some changes coming to HHN and HOS this year. What are those changes? Well, I am not prevued to those decisions; but can extrapolate from logic and theory what may happen in light of recent events in Orlando and beyond. It is important to note that both Universal Orlando and Busch Gardens Tampa Bay mostly likely have to revisit some of the scare zones or houses this year but not implement changes that may have a negative affect upon drawing from guests outside the Central Florida area. Striking a balance between curtailing some of the violence in respect to those who died and still satisfying those who were not emotionally or psychologically impacted is the key.

HOS2016The events certainly still have to feel like Halloween but perhaps reimagining some of the offerings will aid in finding that delicate balance. It is entirely possible that many who have enjoyed going to HHN and HOS in the past may back off this year in an effort not to come face-to-face with violence as it has greatly impacted many people. Here’s an interesting question: does horror have to be violent? Yes and no. Some of the greatest horror movies of all time are not terribly violent at all, but the eye witnessing violent acts certainly creates terror in the minds and bodies of the audience (or park guest). Alfred Hitchcock once said, “there is no greater threat than an unopened door.” This is indicative of the master of suspense’s ability to generate the fear of something or someone that may not even be a threat. There is another Hitchcock quote (or, at least I believe it’s Hitch) to the effect of “greater is the fear that’s in the mind than on the screen” (if you know of this exact quote, please let me know). That being said, likewise, seeing Freddy, Jason, Leatherface, or Michael is equally terrifying because of the trademark violence they have displayed on the screen over the years. It is important to year-round or seasonally operating Halloween-themed attractions to include both the physical and psychological/emotional aspects of horror in order for the guests to have a dynamic and full experience facing that which terrifies them and from which guests would otherwise run away.

unheimlichThroughout history, from the fights in the Roman Coliseum to Michael Myers’ slaying of people in Halloween, audiences have been both entertained and repeatedly drawn to stories and shows that highlight horrific acts of violence or feelings of terror and anxiety. Perhaps there is a deep seeded reason as to why millions of people find entertainment value in horror films. This question has been tackled by many psychiatrists and psychologists, each has come up with a different explanation as to “why horror?” Most notably, famed psychiatrist Sigmund Freud provided great insight into an explanation of why people find horror films fascinating in his essay on the Uncanny.  In his study on the uncanny, Freud takes on the literary imagination (this same literary analysis can and is used to analyze film and themed entertainment) by dividing his theory up into three sections. He first defines the concept of the uncanny, then performs an examination of the context required for understanding the experience of the uncanny, and finally explores the affects of the uncanny on the psyche through literature and fiction. Some of the running themes throughout his essay are loss of eyes, castration, the double-ego, and self-reflexivity. Through the framework laid out by Freud, scholars and film critics can explore the themes in horror film as it relates to the human subconscious; and for purposes of our discussion, the horror attraction.

Freud explains the realm of the uncanny as the place at which aesthetics and psychoanalysis merge, because it deals with a particular feeling or sensation combined with emotional impulses. The substances or manifestations of the uncanny are elements that are fearful and frightening. Proceeding with Freud’s definition of the uncanny being a class of frightening elements, plaguing the psyche, ushering an individual back to what is familiar (heimlich) and known (as opposed to what is unknown). Freud refers to the uncanny as that “which should have remained secret and hidden, but has come to the light.” Furthermore, he goes on to further describe the uncanny as the “mark of the return of the repressed.” The concept of the uncanny is a type of unwilling or mistaken exposure to something surprising, unexpected, or horrific. Freud claims that the source of the uncanny in literature is the recurrence of something long forgotten and repressed. However, not everything that returns from the psychic depths of repression is uncanny. The mere return of repressed feelings and experiences is not sufficient for the uncanny to occur. It requires something repressed having returned but represented by an unexpected and outside the realm of reality. This is easily accomplished in literature (and by extension, movies, theme park attractions, and plays) because fantasy is different from reality.

Just because something works as uncanny in a work of literature doesn’t mean it can work in real-life as well. During times of tragedy felt by an entire group of people or nation, the same concepts which work in literature and film may not work as well, for a period of time anyway, in themed entertainment. Within literature, if the author makes a pretense to realism, then he or she opens the door to supplying the story with the uncanny. Often times, the uncanny in literature and film is the projection of the psyche of the central character on another object or person combined with a warped view of the objective and subjective of a given situation. It’s like something within the fictional world creeps into the real world. Within the horror genre, there are many different stories or narratives that exist. And, each type of horror film tells its story in different ways; however, they are all concerned with getting the same emotional response from the “people out there in the dark,” as famously stated by Norma Desmond in the timeless film noir classic Sunset Blvd. Sometimes the audience will go on a journey into the crazed mind of a psychopathic serial killer or they may witness a supernatural monster terrorizing a small Bavarian village. In either case, Freud believes that the writers of horror, and by extension themed entertainment designers, are concerned with exposing the audience to “other” scenes. And, these “other” scenes are rooted in the subconscious.

eyeofhorrorMoreover, Carol Clover also provides insight into the fascination with the horror theme park attraction. After all, horror films and theme park attractions are mostly concerned with what you actually see. Horror attractions, much like their movie counterparts, are visual stories that are translated into experiential narratives. The Halloween themed attractions in the parks have to include different eyes. The three principle types of eyes used in horror attractions are the assaultive gaze (active, penetrating), reactive gaze (passive, penetrated, the most common in horror storytelling), and repeated gaze (masochism for characters and spectators alike). This is one reason why extreme closeups (ECU) of the eye are popular in horror films turned attractions. The eye is extremely symbolic in narratives driven by fear. The design of horror attractions and films is extremely fascinating because of the convergence of visual storytelling and engineering. It’s more than blood, gore, screams, and knives; there is almost a poetry behind it. A brilliantly insightful quote from Clover is, “Inasmuch as the vision of the subjective camera calls attention to what it cannot see–to dark corners and recesses of its vision … and what might be … just off-frame–it gives rise to the sense not of mastery but of vulnerability.” At the end of the day, both HHN and HOS highlight our vulnerability and prey on our fears of that which assaults the eye and should remain hidden.

corridorBut what about HHN and HOS this year? Looking to the past, and how Universal Orlando handled mass violence in society that had a profound impact on a group or whole culture of people may help shed light on what might be expected this year. During HHN XI (2001), Universal Creative pulled Eddie, the chainsaw wielding maniac with a complex and fascinating backstory, from the lineup after the attacks on 9/11/2001. It was decided that the mood of the United States was such that it would have been in poor taste to include such a violent icon in the theming. In addition to the removal of the HHN icon, most signs of blood, gore, and the glorification of violence were removed–even names of characters and zones were modified. Because of the recent deaths of nearly 50 people (some of whom were connected to the parks as employees, bloggers, or past performers), we might witness a similar reimagination of events at Halloween Horror Nights and Howl-O-Scream this season. Hopefully, I have been able to open a discussion on how things could be reimagined at the annual Halloween events this year. An attraction can be equally terrifying even if there is no violence to be seen. However, the inclusion of cliche horror film violence is an integral part of the modern Halloween attraction experience. Even Carol Clover explores the importance of men, women, and chainsaws in horror storytelling. Perhaps the creative engineers and designers at the parks will look beyond what has typically been a staple of these events and embrace other avenues of terror that will still prompt screams. In all likelihood, we will probably see the dial turned back on the knives and guns during HHN and HOS but that certainly does not mean that the attractions will be any less terrifying. It’s entirely possible that the mind of horror will outweigh the eye of terror in the theming, planning, and design of HHN and HOS this year.