“Darkest Hour” film review

Outstanding! A gripping film that serves as a testament to rising above all odds to lead and protect. An inspirational biographical drama during one of the western world’s darkest hours. Gary Oldman’s performance as the famous United Kingdom Prime Minister is absolutely remarkable. For history enthusiasts, you will swear that you are watching THE Winston Churchill battle his own homefront of politicians and protecting against the Nazi advancement prior to the United States stepping in following Pearl Harbor. The impact of this film is greatly enhanced by the release of Nolan’s Dunkirk earlier in 2017 as this film depicts what was going on in Churchill’s office prior to the valiant rescue operation. The climax of the film includes Churchill’s “We Shall Fight” speech that rallied Parlament behind him–at least during WWII. Screenwriter Anthony McCarten chooses to interject as much amusement and humor as possible in order to balance out the otherwise cranky Churchill and the dire, deadly position that the people and government of the United Kingdom were at the time. Although it is not uncommon for historical dramas to take creative liberties in telling a visual, cinematic story, Darkest Hour sticks closely to historic accounts but does add in material that aids in constructing a cinematic film.

A thrilling biographical drama that takes place during the crucial days of the Nazi’s march to the sea to conquer western Europe. With France nearly fallen, the United Kingdom is faced with the most deadly enemy it has ever faced in all centuries leading to this very moment. The United Kingdom is searching for a new Prime Minister in the wake of an abrupt end to Churchill’s predecessor. With both the liberal and conservative sides of parliament at each other’s throats, it would take a special leader to unite the government in order to defeat the Nazis. Generally unpopular, but being the only public servant that had the least opposition from both sides, Churchill was a reluctant choice by the King and his colleagues in Parliament. Darkest Hour depicts Churchill’s rise to power and the giants he faced on his first days in office. While he is known to be an unapologetic monolith, a force to be reckoned with, this film also shows his more humble side. All within the span of a few weeks, Churchill is tasked with leading Parliment, unifying the government and people, and protecting the free world.

If you haven’t seen Dunkirk, you should watch it prior to Darkest Hour or at the very least follow up with it because it helps to paint a portrait of what was facing Churchill on his first day in office. Oldman’s performance is nothing shy of exceptional. Although all the performances are excellent, including Lily James’ supporting role, Oldman’s contribution to the film aids in creating the masterpiece that is Darkest Hour. The altruistic behaviors and vulnerable sides of Churchill are brilliantly woven into the narrative, an important move because in films past, he was always shown to be the brilliant orator and rallier that history remembers him as. Oldman’s commitment to character, in terms of speech, posture, and more is incredible; his personal commitment aside, the overall look and feel of Churchill is supported by amazing makeup work and costuming. The energy that each and every character brings to the screen is unquestionably precise and highly effective. While this is a story that takes place during wartime, the character-driven nature of the film is more closely aligned with a heavy courtroom drama than a typical war film. No mistaking it, it is still a war movie, just not in the traditional sense.

While the actors can bring unique, exceptional energy and screen presence to a film, it is often built upon the foundation of excellent writing. Despite the film exceeding the two-hour mark, no scene ever comes across as filler, unnecessary, or simply extra information. Screenwriter McCarten’s adaptation of the life and times of Winston Churchill is precise, efficient, and powerful. He chooses a no holds barred approach that is unapologetic as Churchill himself. As closely as McCarten aligned his screenplay against what we know from history, he chose to invent one particularly inspirational scene in which the Prime Minister leaves his chauffeur and takes the London Underground (what we call a subway)–a mode of transportation that he remarks never using earlier in the film. It is this scene that paves the way for the bombastic, poignant “We Will Fight” speech that will nearly have you standing up in your seat during his ovation on screen. Such a brilliant move by McCarten to invent a scene that truly feels like it very much could have taken place. It’s a scene that also shows Churchill’s heart for the people he was trying his damndest to protect against the evil across the English Channel.

Joe Wright’s Darkest Hour is a must-see film! His direction of this biographical drama is an outstanding work of cinematic excellence. Few directors could have captured the power of these events and the determination of Churchill as Wright has done. The approach of Wright and McCarten may prove to be precisely what is needed for Oscar nominations. Highly recommend for anyone who is fascinated by history or more specifically the events that took place at the time of and leading up to Dunkirk. Darkest Hour also displays a remarkable adhesion to history while adding in elements that provide a much more comprehensive experience that work to inspire audiences.

“The Greatest Showman” movie musical review

Stunningly sensational! Ladies and gentlemen, children of all ages witness the larger than life movie musical adaptation of the life of P.T. Barnum directed by Michael Gracey. Dazzling! 20th Century Fox’s The Greatest Showman is an incredible work of motion picture and performing arts magic. Never before has the magic of the American circus been captured so brilliantly. As the movie stares, “a man’s station is truly limited only by his imagination.” From the costumes to the music and choreography, this film is sure to inspire anyone who has a dream and wants to realize it. The music will have you singing along, clapping, and even tapping your toes because the emotions will get you right to the core. Ordinarily, a movie like this could generate an interest in budding performing artists and showbusiness enthusiasts to “run away and join the circus,” but the big top had its swan song earlier this year. One can only speculate that had this film been released last year that the circus that still bears his name Ringling Bros. and Barnum & Bailey would still be touring today. Sadly, the circus had its final performance in May 2017. From the moment the movie opens, you will be completely immersed in the world of P.T. Barnum, a world unfamiliar with the concept of shows that were sheer spectacle, illusion, and simply designed to put smiles on faces. It’s entirely possible that this may prove to be the greatest films of 2017, and certainly one of the greatest movie musicals ever made.

Simply stated, The Greatest Showman is the film adaptation of the life of P.T. Barnum (Hugh Jackman) and depicts how he was inspired to essentially create the very concept of showbusiness. From his successes to his failures, this movie showcases the very beginning of the American circus, a tradition that would last for nearly 150 years. Filled with incredible original music, this original movie musical displays how one man’s vision became a worldwide sensation.

My first observation of this film is just how polarizing it seems to be. On one hand, some critics and websites praise it for being an absolute delight while others are rating it rotten. Unapologetically, I feel strongly that this film musical is nearly flawless. As to how accurately it reflects the life of P.T. Barnum, I cannot speak to that because I have not spent hours researching his life; however, from what I do know about him, the movie seems to have captured the inspiration and vision accurately, as well as his faults and pitfalls. While standard holiday issue biopics are nothing new, what with The Darkest Hour also on the horizon this season, Gracey turns what could have been just another biographical film about an American icon into a larger than life dazzling display of precise choreography, effective montages, and just plain fun! Ringing Bros. may have closed the bigtop for the last time, but the soul of P.T. Barnum lives on in what Feld Entertainment (parent company to Ringling Bros and Barnum & Bailey) does. Without P.T. Barnum, we may not have the concept of showbusiness as we know it today. Despite staying away from the usual meaty themes found in Christmastime biopics, this film packs a powerful punch and supports the need for entertainment and the arts in our lives.

The high degree of passion Jackman displays for his character cannot be overstated. Though Gracey shows his directing prowess in this film, it is the labor of love of Jackman who has been trying to get this movie musical made for the better part of a decade. While the cliche underdog story may not be anything new, the method through which the story is told is a must-see spectacle. What works best in the movie are the extravagant and intricately choreographed musical numbers. The infectious and inspirational songs of The Greatest Showman were written by La La Land Oscar winners Benj Pasek and Justin Paul while the brilliant choreography was staged by Ashley Wallen. Each and every musical number is powerful and truly adds to the fantastic experience of this film. Moreover, this movie musical typifies the height of the visual and performing arts in terms of the ability to create an imaginative atmosphere that generates sheer delight in the minds and eyes of the audience.

In many ways, this movie is an extension of the circus that many of us grew up watching as kids and even adults. The circus was never about deep, complex stories; it was about entertaining audiences of all ages and bringing smiles to faces. And this film will certainly bring joy into your life this holiday season! Such a perfect movie for the week leading into Christmas because it is fun for the whole family.

Busch Gardens Tampa Presents Christmas Town 2017

Join Busch Gardens in the merriment of the holiday season by visiting Christmas Town going on now through New Years Eve on select nights! Now in its sixth season, Christmas Town is your theme park event for a good ol’ fashioned celebration, complete with multiple live shows, a singalong train, Santa Claus, Rudolph & Friends, and coasters in the dark! From the traditional to the contemporary, there is a way for everyone to celebrate the joyous holiday season at Busch Gardens Tampa Bay. One of the elements that sets Busch Gardens apart from its Central Florida counterparts is the number of shows, live entertainment, and special character meet-and-greets during the event. Christmas Town is bursting with holly, jolly, holiday cheer around ever corner and under every present. Even if you find yourself attending as a solo guest (as I did), you will thoroughly enjoy your time and find plenty to do all over the park. Christmas Town is my pick for most “Christmassy” theme park event this holiday season.

With so much to do, you definitely want to download the Busch Gardens app for showtimes and attraction locations. If you don’t want to download the app, grab a map for sure. With all there is going on, you may be wondering if there is a way to get it all in? And with many of the offerings starting early in the afternoon, there is sufficient time to experience all the shows and meet the characters during Christmas Town. If your goal is to ride the coasters AND attend all the seasonal offerings, then you may want to plan on spending two nights at Busch Gardens. The park truly transforms itself in to a veritable winter wonderland (minus the snow). Nicely appointed decorations are adorning nearly every corner of the park. Familiar Christmas carols and holiday hits continually accompany your stroll down the lighted pathways.

My first stop on my merry way through Christmas Town was the show Christmas from the Heart. This show, featuring live vocals and band, is a heartwarming experience that includes many traditional Christmas hymns to provide audiences with an uplifting, inspirational show. From melodic ballads to upbeat gospel tunes, this show will likely have you clapping your hands and singing along. The show is largely unchanged from last year, but there are new costumes and lighting design. The theatre in the round design of the Stanleyville Theatre enables all guests to have an excellent view of the stage during the performance.

After rejoicing with classic Christmas carols, I had about an hour until the next show I wanted to attend, so that gave me sufficient time to book my trip to the North Pole to meet Mr. and Mrs. Claus! I absolutely adore visiting the Santa House at Christmas Town because it is warm and cozy on the inside, and Coca-Cola (the sponsor) gives it the most magical decor that practically looks like it leaped right out of a classic Coca-Cola ad from when it essentially invented the Santa that we know today. While you may think that visiting Santa when you’re in the park by yourself would be–let’s face it–kind of weird, I can tell you that the attraction hosts, Mrs. Claus, and elves still provided me with a magical experience. I mean, how often as an adult do you get a private audience with Santa??? Instead of feeling like the odd one out, Santa’s house made me feel right at home and I got to talk with them a little more than a typical guest because I had good ol’ Saint Nick all to myself. It’s no surprise that Santa wished me a merry Christmas, but I can tell that this Santa was extremely genuine in his wishes to me.

Now, as much fun as us adults and theme park fans have with Christmas Town, I imagine that the kids who get to visit the shows, lighting displays, and characters have an even more phenomenal time because to them everything is truly filled with Christmas magic. And to give you the inside scoop on experiencing Santa, Rudolph, and Elmo’s Christmas Wish is a good friend of mine who is the mother of two young children, one of whom is visiting Christmas Town for her very first time. Here is Britt Campbell (Tampa, FL):

“Busch Gardens Christmas Town once again created an incredible holiday experience this year. As a mother of a three-and-a-half-year-old and an eleven-month-old, I got to experience this year’s attractions with a fresh sense of wonder. Early in the evening, Elmo’s Christmas Wish brought joy to my entire family as we sang and clapped along to the fifteen-minute show full of holiday cheer for all ages. At Santa’s House, a pager (like you’d receive at a restaurant) allowed us to wander around and enjoy Santa’s Village until we were called to a very short line. Santa’s House was magnificent, filled with glowing decor and happy elves. Mrs. Claus entertained us as we waited our turn. Then the most picturesque and perfect Santa Claus I’ve ever met patiently listened to my son’s wishes and took pictures with all of us, but not without sending us on our merry way with cookies in hand. The second annual Rudolph experience also includes pagers this year, making the wait much more pleasant. It allowed my kids to go on rides in Pantopia until we were asked to join the line. Sam the Snowman replaced Yukon this year and was joined by Bumble, Rudolph and Clarice. My family and I enjoyed meeting and taking pictures with each character, and we even got to see Rudolph and Clarice dancing together and bringing the Christmas spirit to life. Although we didn’t see everything there was to see on opening night, we will absolutely be back to experience the rest of the magic of Christmas Town [later on this season]!” Thanks for the contribution Britt, Merry Christmas!

After my visit with Santa, I made my way over to Pantopia to the Dragon Fire Grill to watch Christmas Celebration. This is an incredibly fun show filled with comical characters, heartwarming duets, and the jazzy Christmas songs that you can’t help but dance to. Santa makes several appearances and even makes special time with the kids in the audience. I especially enjoyed the Santa Baby number, and the singers costume was killer! Gracing the stage is a beautiful set design that creates the most festive atmosphere. I always have so much fun at this show! And I am sure you will too, so make time to watch Christmas Celebration!

Following Christmas Celebration, I had to dash across the North Pole and back to the front of the park for my absolute favorite show at Christmas Town. You do not want to miss Christmas On Ice playing at the Moroccan Palace Theatre (home to the former Turn It Up ice show). Nothing says Christmas like a beautifully choreographed mesmerizing figure skating show. Having met the cast during the run of Turn It Up, I can say for a fact that they absolutely love putting on a magical show for audiences at Busch Gardens and the full complement of cast and technical crew look forward to every single show, especially the limited time holiday spectacular! Although the song numbers are largely the same as last year, the set is greatly enhanced by the LED video wall that was installed for Turn It Up. It provides the perfect backdrop for every number that the cast performs during the show. Experience Christmas magic, memories, and more at Christmas On Ice “the COOLEST show on ice.”

An attraction that I love to experience at every Christmas Town is the Singalong Train! It’s so much fun to board the decked out holiday train with hundreds of other park guests and sing familiar Christmas carols while riding through the Serengeti Safari. I grew up Christmas caroling with my family, so this is the perfect opportunity to wax nostalgic and allow the holiday cheer to completely fill me as I spread holiday goodness around the park with the other guests. Not having been to every theme park holiday celebration in the U.S., I cannot say whether or not this is unique to Busch Gardens or not, but if it isn’t the only one, it certainly is one of few parks that offers a railway caroling experience! From Jingle Bells to Walking in a Winter Wonderland, you’ll get to sing many of your favorites.

In addition to the live shows, there are two choreographed lights shows that you will want to see. One is a giant Christmas tree in Jungala and the other is the Crown Colony House, home to the Serengeti Overlook restaurant. Both attractions dance throughout the evening so you can easily catch the brief shows. You’ll find clips from these and the other shows in our video!

If you are planing a trip to the theme parks of Central Florida, you definitely want to make time to spend a day at Busch Gardens for Christmas Town. Of all the parks in the area, it certainly has the most events and limited time engagements going on. Nearly every area of the park is busting with lights Whether you’re young or simply young at heart, there is something for everyone.

“Dark Tower” movie review

A paint-by-the-numbers “epic” story with a prolific number of Stephen King references. Adapted from the Dark Tower series of novels by Stephen King, Dark Tower introduces movie audiences to one of King’s masterpiece works of literature. Unfortunately, the movie takes place in the middle of the series and fails to leave audiences wanting to see more. For the most part, it offers up little more than an enhanced SyFy Channel original movie or a one-time HBO film. With a powerhouse leading cast consisting of Idris Elba and Matthew McConaughey, it constantly feels that the actors were held back from that which we are normally accustomed. That is, not to say that there aren’t enjoyable parts of the movie–certainly seeing all the King references are fun and it is a great premise. I only wish the story and characters had been allowed to develop over the course of three films. Although there is sufficient evidence to suggest that some movies in the recent past that have been forced into a trilogy instead of a strong, concise single film, this is an example of a one-time film that truly needed the room of three films to develop and emotionally connect with audiences. There is never a dull moment in the film, nor an opportunity to become bored because the film is incredibly rushed and turning points are forced into place.

At the center of the universe stands a massively tall dark tower that keeps the bulk of evil forces at bay. Under attack by Walter (McConaughey), the last gunslinger Rolland (Elba) must destroy Walter and his following before they destroy the dark tower and wreak havoc on Keystone Earth and the other planets in the universe. Harvesting children with “the shine” from earth, to use their minds to destroy the tower, is the method employed by Walter and he has his eyes on a child whose shine is greater than any other. After Jake (Tom Taylor) evades capture by Walter’s henchmen, he finds himself on Mid World where he meets gunslinger Rolland. Under constant siege by Water, Rolland and Jake must make a arduous journey to Walter’s headquarters where he is mounting his attack against the tower. With the fate of the universe at stake, Rolland, Walter, and Jake face-off in an epic battle of good versus evil.

There is not much to dissect here. One thing is for sure–and I have not read the books–BUT, from what I know of the books, fans of the literature will not like the film because it takes what happens over the course of “King” sized novels and condenses it down to little more than a short story turned 2hr film. Not having read the books, I was not set up for disappointment. That being the case, I enjoyed the film for the most part. But it was obvious that it was incredibly rushed and there was little if any development in plot or character. No emotional investment to be found. It’s a shame; the premise of the film is fascinating and I think there is a high degree of probability that I would have enjoyed following the franchise had it been more than one film. The way the movie ends does lend itself to possible sequels, but after the very “television” feel of this one, it is going to have a hard time convincing future audiences to invest time and spend money on it. If anything, this film does prompt me to read the novels upon which it is based. One argument that could be made in the film’s defense is the same one that can be made when looking at many of the films based upon King’s works. His novels are so dense, internally driven, and detailed that is is difficult to successfully translate effectively from page to screen. Obviously, there are exceptions to this trend (i.e. the upcoming IT theatrical release).

If you are a fan of fantasy and adventure films with a hint of science-fiction, then you will likely enjoy this movie. If you love the series of books, I feel fairly confident that you will not like this adaptation. Perhaps this film will inspire a network to spearhead an epic television series. I think that is where this story will be best shown.

Written by R.L. Terry

Edited by J.M. Wead

“It Comes at Night” movie review

The Doore of Red Death. A24’s highly anticipated horror film It Comes at Night by writer-director Trey Edward Shults looks beautiful and beckons for attention, but fails to live up to the storytelling and payoff of A24’s The Green Room. Another A24 film in the vein of It Comes at Night is 2016’s The Witch, which was ultimately a failed attempt to capture the magic of a horror/mystery film and leave audiences with too many unanswered questions. The only “terrifying ambiguity” (to quote The Huffington Post), in this film, is just how terrifying it is to realize you just dropped money on a film that works better for Netflix, and the ambiguity comes from the plethora of underdeveloped plot elements. Essentially, It Comes at Night reminds me of a bad M. Night Shyamalan film (before he made his outstanding comeback with The Visit and Split) and after the successes of The Sixth Sense and Lady in the Water. Like the aforementioned era of ehh Shyamalan films, the wind up is excellent but the delivery lacks any emotional impact and you’re left with realizing that you never truly cared about any one of the characters. Character development is lacking, and the third act is incredibly weak. However, there is something in particular that I find very interesting; and after reading other reviews, it seems to be something that has escaped most (if not all) the critics at this point. That is the striking similarities between this film and the timeless classic short story The Masque of Red Death by the brilliant Edgar Allan Poe. From the painting on the walls of the house depicting the bubonic plague to the ominous red door, there are quite a few parallels between It Comes at Night and The Masque of Red Death.

Nestled deep in the woods is a secluded boarded up house belonging to a family of three seeking refuge from an unknown threat. Whatever has caused this family to live off the grid and fend for their very survival is tasteless and odorless. Forced to wear gas masks whenever venturing out into the woods and even around their own home, the family is forced to take drastic measures to ensure there ability to avoid coming into direct contact with the disease. With only now way in or out of the house guarded by a red door, the family has stopped at nothing to protect themselves. One night, the family’s house is broken into and they must decide what to do with the man and his family. Having dispensed with courteousness and generosity in order to guard against any and all possible threats, the family must decide whether to listen to the man or kill him right then and there. Their decision will spark a fire that spreads into their deepest fears.

*spoiler alert* But, the analysis is fascinating.

Okay, now I know that the preceding paragraph describes what should be a brilliant horror film, but the problem lies in the greatly flawed poor storytelling, development, and realization. Lack of connection to any one of the characters is also partly responsible for the lackluster experience of watching this horror-thriller with a hint of mystery and dystopia. The only saving grace the film has is the connection to elements of Poe’s Masque of Red Death. For starters, the camera draws the audience’s (and diegetic POV) attention to a painting of a depiction of the bubonic plague (or black death). At first, I was puzzled as to why this painting. Then as I go through the movie, I realize why. Between the constant reference to and runtime spent on talking about and showing the red door, it hit me that this film reimagined Poe’s short story and set it in a dystopian or post-apocalyptic time and place. If you are unfamiliar with The Masque of Red Death, then I encourage you to read it or watch it on YouTube. It is allegory on the inevitability of death no matter how  hard you protect yourself, how much money you have, or how powerful you are. It also contains allusions to the seven deadly sins and the fate of those who party in the wake of mass death among a lower class of people. Although I find the short short to be a stronger narrative than Shults’ variation on this reimagination of the classic tale.

Both the short story and this film contain people hiding out in a fortress. Whereas The Masque of Red Death‘s Prince Prospero is held up ins abbey with his wealthy and noble friends while the red death is killing off the rest of the kingdom, A24’s It Comes at Night features a typical American family living off the land and secured in their rather tutor-looking mountain lodge. Like in Red Death, the family in It Comes receives an uninvited guest one night. Here’s where we see some difference. In Poe’s story, the guest is dressed to attend the masquerade ball and in this film, the guest attempts to break into the home. Although both stories take different approaches to the second act, once thing is in common. And that is the taking in of an outsider. All through the second act, there are hints at something not being right–a constant uneasiness. That apprehension and anxiety regarding the unknown works in the respective stories favors. The emotional impact and psychological payoff differs between the short story and film. Yes, the endings are very similar but feel incredibly different. You’ll just have to read The Masque of Red Death and watch It Comes at Night to know for yourself.

If you’re searching for a thriller to watch this weekend, as it is rain in many parts of the country, then perhaps you should watch Universal Pictures’ The Mummy instead. However, if you are curious about how well It Comes at Night parallels Poe’s short story, this definitely check it out. Not entirely sure why it’s rated R, but in case that’s important to you. To quote Dr. Ian Malcolm, “well, there it is.”