Tag Archives: DC

SUPERMAN (2025) movie review

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SuperFULL. James Gunn’s Superman is bursting at the seams with plots and characters, resulting in an overwhelming experience. But, the lead characters and hero’s journey are truly super. While weak on narrative, Gunn’s take on the man of steel sticks the landing on the lead characters. And it’s the characters that will keep you sufficiently enough vested in the movie.

When Superman gets drawn into conflicts at home and abroad, his actions are questioned, giving tech billionaire Lex Luthor the opportunity to get the Man of Steel out of the way for good. Will intrepid reporter Lois Lane and Superman’s four-legged companion, Krypto, be able to help him before it’s too late?

While the plotting and many characters lack fine-tuning, David Corenswet’s Clark/Superman and Nicholas Hoult’s Lex Luthor feel like extensions of their comic book origins–in all the best ways possible. Corenswet delivers a Superman that displays the strength and powers that are synonymous with the character, but Gunn adds in a discernible human dimension that has long-since been missing in Superman to make him more human, more relatable. Hoult’s Lex Luthor is nightmarishly deplorable and demonstrates the power of greed. Rachel Brosnahan’s Lois Lane strikes a fantastic balance between hard-hitting journalist and romantic; the chemistry between Corenswet and Brosnahan land on an ideal formula for character development and an old-fashioned romance.

Gunn underscores the movie with some thoughtful social commentary on the fickleness of society, terrifying power of social media, and fickle nature of broadcast media. He cleverly embeds this timely commentary beneath the movie’s spectacle, offering a pointed critique of our shallow, performative culture. Through Clark’s interactions with a world obsessed with optics and outrage, the film holds a mirror to the hollow validation of social media, where sincerity is traded for virality and truth becomes secondary to trend. Gunn also confronts the fickle nature of society itself — how easily the public elevates heroes only to tear them down at the slightest misstep, revealing more about our own insecurities than the hero’s flaws. Even broadcast media doesn’t escape unscathed; the film paints it as a machine of half-truths and spectacle, perpetuating narratives that distort rather than illuminate. In these ways, Superman emerges not just as a story of a man learning to save the world, but as a subtle indictment of a world that seems increasingly uninterested in being saved — at least, not sincerely.

James Gunn’s choice to craft a more human, more relatable Superman is not just a bold creative pivot — it’s an overdue course correction for a character who, for decades, has too often felt like a distant monument rather than a man. Traditionally, Superman has been written and portrayed as a flawless demigod: morally unassailable, physically unstoppable, and emotionally impenetrable — admirable, yes, but also alienating and, frankly, boring. Gunn understands that audiences connect most deeply not with perfection but with struggle, doubt, and vulnerability. By leaning into Clark Kent’s humanity — his insecurities, his quiet kindness, his yearning to belong — Gunn breathes new life into a character long encased in marble. In doing so, he not only makes Superman interesting again but also reminds us that heroism is not about being invincible; it’s about being profoundly, recognizably human.

For all its noble intentions and flashes of brilliance, Gunn’s Superman suffers from a narrative that simply has far too much going on — and not in a way that feels rich or layered, but cluttered and exhausting. In trying to weave together a pantheon of ancillary characters, subplots, and Easter eggs, the film forgets that its emotional core should be Clark Kent’s journey, not a checklist of cameos and teases for future installments. The supporting players, while individually intriguing on paper, pile up to such an extent that they suffocate the story rather than enrich it, leaving audiences with a nagging sense of being overwhelmed rather than immersed. Instead of honing in on what makes Superman compelling, the movie disperses its energy in too many directions, diluting its impact and leaving the viewer wishing it had trusted more in simplicity — and in its titular hero.

Definitely not your dad or grandfather’s Superman; however, this is a Superman that remains super yet connects with audiences through the human dimension.

Ryan is the general manager for 90.7 WKGC Public Media in Panama City and host of the public radio show ReelTalk “where you can join the cinematic conversations frame by frame each week.” Additionally, he is the author of the upcoming film studies book titled Monsters, Madness, and Mayhem: Why People Love Horror. After teaching film studies for over eight years at the University of Tampa, he transitioned from the classroom to public media. He is a member of the Critics Association of Central Florida and Indie Film Critics of America. If you like this article, check out the others and FOLLOW this blog! Follow him on Twitter: RLTerry1 and LetterBoxd: RLTerry

BLUE BEETLE superhero movie review

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High energy! Blue Beetle is a charismatic superhero movie that delivers vivacious action, laughs, and heart. Undoubtedly, Blue Beetle will become a fan-favorite superhero in the coming years ahead. However, the full potential of this movie to forge new frontiers for heroes and characters we haven’t had on the big screen before is ultimately curbed by some character choices and recurring thematic expressions.

Jaime Reyes suddenly finds himself in possession of an ancient relic of alien biotechnology called the Scarab. When the Scarab chooses Jaime to be its symbiotic host, he’s bestowed with an incredible suit of armor that’s capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the superhero Blue Beetle.

Before you begin thinking that if you’ve seen one superhero origin story, you’ve seen them all, Blue Beetle manages to make fresh a familiar plot to keep audiences entertained. The strength of Blue Beetle is in the casting, lesser so the characters themselves. That’s not to suggest that none of the characters are crafted and developed well, but there are some odd character/screenwriting choices that mitigate the full impact the movie could have had.

Susan Sarandon and Xolo Mariduēna are the standout performances and characters in the movie. Sarandon’s villain and Xolo’s hero are a perfect match for one another. She was cleverly fiendish and he was humble and strong. For me, it’s these two characters and cast members that made the movie for me. I cannot think of two other actors that could have brought these characters to life as well as these two. It’s also incredibly poetic: a screen legend and a relatively newcomer to the big screen. The chemistry and narrative poetry between our hero and villain was excellent. Anytime I get to enjoy Sarandon’s performances on the big or small screen is a good day!

While the plot for this origin story is fairly standard, the method of expression and the character choices give it an air of originality. But it’s in some of the expression of themes and characters that the movie falters, curbing the full potential of the story. Specifically, this is witnessed in the comedic stylings of George Lopez and the recurring commentary and themes borne out of postcolonial theory. While Lopez’ character was intended to be the comedic relief, the method of expression of his comedy became obnoxious and even exhausting. Moreover, his character plays right into negative stereotypes that the movie could have easily avoided.

Likewise, there is conspicuous, recurring imagery and commentary on postcolonial theory that mitigates the positive affects of the movie. It’s as if the screenwriter was message first and plot second. Even when filmmakers desire to exhibit their personal interpretation of a worldview, it is important that the filmmaker employs more clever means of expressing these opinions.

To bring us around to a more positive note, there is a wonderful depiction of a father-son (and father-family) relationship, and I highly respect the movie for this. Far too seldom do we get movies that spotlight healthy relationships between fathers and their families (in this case, the focus is on the father-son relationship). It’s so very important in narrative storytelling to remind the world of the important role a father plays in his family. Does that mean mothers cannot provide the same emotive dimension? Of course not. But there are many more movies that depict healthy, constructive mother-family relationships. This was a brilliant opportunity to spotlight the love a father has for his family and the love the family has for him.

Blue Beetle represents an MCU type of storytelling in a DC movie, but DC still manages to make this expression of a superhero their own. I really like Jaime/Blue Beetle, so I hope that I see him on the big screen again.

Ryan teaches Film Studies and Screenwriting at the University of Tampa and is a member of the Critics Association of Central Florida and Indie Film Critics of America. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter. If you’re ever in Tampa or Orlando, feel free to catch a movie with him.

Follow him on Twitter: RLTerry1 and LetterBoxd: RLTerry

“Birds of Prey” Full Movie Review

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Harley Quinn Returns. Warner Bros. and DC’s Birds of Prey: and the Fantabulous Emancipation of One Harley Quinn (from hereon out Birds of Prey, haha) is energetic, entertaining, and electrifying! Margot Robbie is a knockout! This out of this world comicbook movie is well written and directed, and even has an intimate feel in the foreground on the backdrop of outrageous, larger than life chaos. Par for the course in Gotham. Fortunately for this movie, most of the footage from the trailer was taken from the first few minutes of the movie. So, you never feel as though you’ve seen whole thing in the trailer. If Batman Returns and Deadpool had a baby, and that baby’s nanny was Kill Bill, then this is the movie that you would get! It has the brilliant camp and production design factors with the sass and action of the former two, along with the strength and determination of the latter. A winning combination, considering that Batman Returns is the best Batman movie of all time (and yes, I will die on that hill). While the trailer may make this seem like an ensemble cast for most of the movie, it really is about Harley Quinn with the other characters coming into play more significantly in the latter half of the movie. This was a strategic move by the writer and director in order for the the movie to be driven by the fallout of the breakup between Harley and Mr. J, that anti-hero anarchist spirit, and high energy optimism that defines Quinn. What we have here is a good, solid story. Yes there is the theme of female empowerment and sisterhood, but that is on the nose. The real power of this movie, and why Suicide Squad cannot even hold a candle to it, is the thoughtful story, precision plotting, and character driven conflict with plenty of reactions. Birds of Prey takes what we have grown accustomed to in comicbook movies (both DCEU and Marvel), and places it in that semitruck at the beginning of the movie, then watches as all the rules and tropes explode as the truck collides into the chemical plant! No tortured psyches, skybeams, sense of duty, or derivative action sequences here, Birds of Prey delivers explosive action and hilarious antics! All this and more awaits you in this beautiful mess of a movie.

It’s open season on Harley Quinn (Margot Robbie) when her explosive breakup with the Joker puts a big fat target on her back. Unprotected and on the run, Quinn faces the wrath of narcissistic crime boss Black Mask (Ewan McGregor), his right-hand man, Victor Zsasz (Chris Messina), and every other thug in the city. But things soon even out for Harley when she becomes unexpected allies with three deadly women — Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell), and Renee Montoya (Rosie Perez)–in their respective efforts to locate the expert pickpocket Cassandra Cain (Ella Jay Basco). (IMDb summary)

If Quintin Tarantino was to direct a comicbook movie, this is precisely the kind of movie that he would write and direct. Birds of Prey director Cathy Yan and screenwriter Christina Hodson (Bumblebee) certainly seem to have channeled their love of the films of Tarantino and Waititi in the development the outstanding screenplay for Birds of Prey. It has the non-linear storytelling and violence of Tarantino paired with the tongue-in-cheekness and characterizations of Waititi. From journalist and graduate student at NYU Tisch School of the Arts to directing a major motion picture for global brands such as Warner Bros. and DC, Yan is certainly a director to watch as she continues to grow in her career. She is the kind of director that DC needs in order to develop comicbook/superhero movies that are highly engaging yet have a great deal of heart. Although I did not know the screenwriter of Bumblebee was also the writer for this movie, in retrospect, I can completely see it! Hodson knows how to craft a thoughtful story in the middle of explosive action, all the while, keeping the focus on the characters whose conflict drives the story. On the surface, this may seem like an action-driven story, but in all reality it is character driven at its core.

While some may find (and have found) the narrative exposition and nonlinear storytelling to be distracting, I find that the combination makes perfect sense for how the plot is being laid out for us; it works very well for this movie. There are similarities between the tone of Deadpool and Birds of Prey but they are different movie experiences. Each uses narrative exposition, but use that tool in different ways. Deadpool engages in breaking the fourth wall in a very Mystery Science Theatre or RiffTrax way, whereas Harley Quinn uses it in a diegetic manner. Same tool, but expressed very differently. I greatly appreciate how Quinn used this narrative device in the same way that you and I tell stories to our friends. How often have you found yourself telling recalling an event from your life and telling that story to your friends, and you get to a point at which you realize you need to preface something, and then jump back to setup that point? Probably a lot of the time! I know I certainly do. It’s like you’re so excited to get to a point in the story, but then you forget that your friends need to know what happened to setup why its important or significant. And that is precisely what Quinn is doing with her narration and what the director and writer did with the setup of the main action plot. The method that the story is laid out in front of us is a very organic way of oral storytelling. When you orally communicate a story, there is no edit button, back space, page jumps, or anything else that we use in writing to linearly tell a story (linearly being the most conventional). So yes, it is nonlinear, but otherwise it would not feel as relatable or natural.

We have both wonderfully entertaining performances and well-developed characters! The strength of this movie is built upon the characters and the conflict therein. While we do spend most of the movie with Quinn, we are methodically introduced to key characters that effect the main action plot subplot along the way. Quinn’s external goal is to retrieve the Bertinelli diamond, which is driven by her internal need for a relationship. While I won’t go into details as to how she eventually retrieves the famed diamond, as I do not want it get into spoiler territory, I will comment on her internal need for a relationship that drives the main action plot. She is longing for a relationship after Mr. J. dumps her. She feels an emptiness inside. Ironically, she desires to belong to something or someone. Ironic in that a harlequin lives to serve. What she could never have known is that she would find the sense of belonging in the relationships she forms with our supporting cast of characters that she encounters along the journey to retrieve the diamond. What she finds is NOT a romantic relationship, but a sisterhood that provides her with all the love she needs and a group to whom she can love in return. None of us (or most of us, anyway) want to be alone; we want relationships in our lives. Many find that through romantic relationships while others find it through close friendships. Sometimes both, if you’re fortunate in that way. Between her pet hyena, a pick pocket, and the newly formed group Birds of Prey, Harley Quinn’s internal need for relationship is met beautifully! It’s also this subtext that creates that intimate story amidst the backdrop of chaos.

I mentioned Batman Returns in my opening paragraph. And if you’ve seen the movie, you may be wondering why and where does Birds of Prey have elements that nod to and remind me of Tim Burton’s masterful Batman movie. Clearly, if you are wondering, then you (1) haven’t seen the greatest of all Batman movies or (2) have forgotten about the incredible art of Batman Returns. For starters, Quinn’s costume choices are very much Burton-inspired and there are several moments of dialogue that feel right out of Returns. What we love about Batman Returns is the camp factor and over-the-topness of the costuming and production design. Furthermore, there is one series of scenes in particular that are ostensibly taken right out of Returns. And this isn’t a spoiler. The production design, architecture, and set decorating in the Amusement Pier scene at the end of Birds of Prey are heavily inspired by the defunct zoo setting (Penguin’s lair) in Batman Returns. It is a fantastic combination of German expressionism and French surrealism. I absolutely love the design of the fun house and the execution of the explosive showdown! Birds of Prey strikes a perfect balance of bringing old and new fans alike together for a great comicbook inspired movie!

I highly recommend this movie to all fans of comicbook or superhero movies! Whether you are a DC or Marvel fan, or the rare DCMarvel fan, I feel strongly that you will fall in love with this movie. Although it is still incredibly fresh on my mind, and hasn’t had proper time to steep, presently I feel that it may wind up at No.3 of all-time favorite comicbook/superhero movies for me with No.1 being Batman Returns, No.2 Batman 89, and No.3 Birds of Prey.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

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“Wonder Woman (2017)” film review

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WONDERful! No seriously, this is an excellent film! And I’m just not talking about the superhero genre. DC finally hit a homer with this one. This film also serves as evidence that Zack Snyder can TELL/produce a great story but should probably stay out of the director’s chair. Warner Bros. and Ratpac Dune’s Wonder Woman is the superhero film we needed. Trailing so far behind the Marvel brand and film quality, DC needed to produce a film that would make up for Batman v Superman and Suicide Squad AND catch up to Marvel. Seemingly setting out to accomplish the impossible, this film exceeded all measurable expectations and provided a comprehensive cinematic experience. With many themes, this film hits on many topics and does so with incredible precision and elegance. It’s almost as if this film is an extension of Diana Prince herself. Never addressed or referenced as Wonder Woman actually, Diana Prince’s origin story is powerful and ever so apropos in today’s socio-political climate. If only we could all have the courage, compassion, and determination that Wonder Woman embodies and represents. There are certainly elements of this film that are directly aimed at the female audience members, but this is a film for everyone to enjoy and appreciate. Again, not just a great superhero film, but a great film period. One that’s inspirational, evocative, and without need for qualifiers.

After receiving a mysterious package from Wayne Enterprises, Diana Prince (Gal Gadot) opens it to find an old photograph of a Greco-Roman female warrior standing with British military in war-ridden Belgium. Bruce Wayne wants the story. Long before she was Wonder Woman, Diana, daughter of the queen of the Amazons, was a spirited young lady growing up on a beautiful and mysterious island inhabited by a super race of warrior women placed on the planet to watch out over those who seek to corrupt it. Being the only child on the island, she wanted to be trained alongside the other women. When her mother expresses a lack of interest in her daughter training, Diana meets secretly with her aunt. Through the years, Diana grows in strength, agility, courage, and cunning. After she rescues Captain Trevor (Chris Pine) from a downed plane that pierced the invisibility shield that hid the island from the rest of the world, she learns of the Great War happening just outside of their borders and makes the decision to leave her home and help man defeat the enemy combatants who she believes are being led by Ares, the Greek god of war. Fighting alongside men, Diana is able to realize her true destiny and powers as she stops at nothing to end the war that is killing so many innocent people and destroying the planet.

Ever since her creation in 1941 by psychologist William Marston, Wonder Woman has always been treated the best when all pre-existing inhibitions typically added to a female character in a “man’s” role are removed, allowing the feminist ethos at her core to shine and erupt with unbridled passion and strength. Among other traits, the chief characteristic that separates her from other superheroes in both the Marvel and DC universes respectively is–no, not her gender–it is her ability to integrate truth, justice, compassion, and courage in everything she does to protect the planet entrusted to her people by the Greek gods. The key to understanding Wonder Woman is not through her brute strength or supernatural powers, but through her love and compassion for innocent people and her own integrity. Rarely has any film truly given women (or anyone, for the matter) a strong female protagonist who does not pander but exhibits excellence in well-developed strength of character and a complete eruption of the fantasies of many women to rise up to serve and protect. It would have been far too easy to sell Diana Prince as a vengeful women out to destroy men or seek revenge for the destruction that has befallen the planet; but no, that is not the Diana we see. We see a heroine of others–a completely unselfish hero who is of earth. Being of the earth is truly what separates her from someone like Super Man. Sure, some strong female characters from with the world of comics, literature, theatre, TV, or film have demonstrated strong characteristics and have been leaders; but Wonder Woman sands alone as a film that provides audiences with a female protagonist who is not merely a leader, but the engineer–the author–of her own destiny and story.

Why does this film work so well??? After all, that is the question you are likely asking yourself after so many DC flops (note: that does not count the Burton or Nolan films). The short answer is that Snyder was NOT in the driver’s seat on this ride; however, there is more to it than that. Snyder’s touch is certainly evident in many scenes (especially the action sequences); furthermore, he was greatly instrumental in the overall structure, but he took a backseat to the driver of this vehicle. His approach was important in the design of the car, and even building it, but when it came time to take it for a spin, he turned the steering wheel over to Director Patty Jenkins. Films featuring strong female protagonists most often seem to fair better when there is a women at the helm. And Wonder Woman is a testament to that observation. Whereas a male director would have likely spent some time sexualizing Diana, Jenkins spends the time on her courage and compassion. Instead of focusing on the terrain of Diana’s mystical home beautifully appointed with white cliffs and sapphire water or spending time on her sleek blade or even her trademark lasso of truth, Jenkins spends a significant amount of screen time on the terrain of Diana’s face. A face that communicates the heart, mind, and soul of Diana. Instead of a face displaying anger or disgust at the world of men, her face is often bright, hopeful, containing a winning smile with eyes overflowing with optimism. In terms of the production design itself, it only bares hints of Snyder’s penchant for beautiful music videos; the production design is one that takes itself seriously, but in the perfect amounts. Although the film is quite dark, there are sufficient moments of levity.

Perhaps you’re a stereotypical dude who does not care for films that feature female protagonists and feministic themes. No fear. Wonder Woman is actually a World War I film disguised as a superhero movie. As much as Wonder Woman works as an exceptional superhero movie, it is equally an impressive World War I film. Taking place in the days leading up to Armistice Day, this film displays the atrocities of war and the determination of both sides to win. You will find yourself in the trenches in France and Belgium with the Allied forces who, against all odds, are determined to defeat the enemy in order to stop genocide and widespread devastation. Placing Wonder Woman amidst the warriors of earth, connects her to humanity in ways that most superheroes cannot. Fighting for what you believe in is a major theme in this film. Some of the best war movies are those that “show don’t tell.” And Wonder Woman certainly shows what war really looks like instead of talking about it as some abstract concept or spending time in diplomacy. In fact, diplomacy is thrown out the window, and Diana lays the need to fight on the hearts of the bureaucratic leaders and soldiers alike. Pick up your sword and fight. Don’t just sit idly by while humanity is destroyed. There is a particular scene midway through the film that nearly brought me to tears because of the strong emotion and courage displayed by Diana.

Go see it! Wonder Woman is an exceptional film that will blow your mind. I had high expectations going into the film last night after the early reviews were released, but I was not prepared for the degree to which I would thoroughly enjoy the entire experience. It’s not only a film for women, it’s sincerely a film or everyone. Next time you are faced with great opposition, when it feels that the world is caving in around you, be a Diana Prince.

Written by R.L. Terry

Edited by J.M. Wead

“The LEGO Batman Movie” movie review

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legobatmanNonstop antics, action, and thrills! Warner Bros. and Ratpac Dune present a movie that is equally one-hundred percent Batman whilst still completely LEGO. From the moment the opening title sequence of logos appears under the voiceover of a self-aware Batman, this brilliant animated film will take captive your attention and draw you in with a batarang of perfectly choreographed fight scenes and incredibly well timed self-reflexive humor. The LEGO Batman Movie is an entertaining combination of a contemporary story on the backdrop of Batman nostalgia. Whether you are a fan of the show from the 1960s, the Burton universe (as I am), the dark world of Nolan, or Snyder’s, you will find strategically placed references that fit exceptionally well into this LEGO universe. While the film is aimed at a younger audience, there are humor, easter eggs, and allusions to the various Batman shows and movies for adults to appreciate. Underscoring the over-the-top high concept plot, is a heartwarming story of love, family, and friends. This Batman movie pulls out all the stops as most, if not all, Batman’s villains receive screen time as well as other members of the Justice League with Batgirl and Robin. Oh yeah, the Joker IS actually in this Batman movie! With a 90% on Rotten Tomatoes and an 8.1 on IMDb, this film is sure to be a huge success this weekend.

When after a failed attempt at a takeover of Gotham by the Joker (Zach Galifianakis) and his henchmen, Batman (Will Arnett) is all too happy to accept all the credit for stopping the squad of villains. However, this time is different. The Joker and his henchmen give themselves up to the new Commissioner [Barbara] Gordon (Rosario Dawson). When the law enforcement and people of Gotham conclude that there is no longer a need for a masked vigilante, Batman finds himself having an identity crisis. Meanwhile, at a party, Bruce Wayne accidentally adopts young Richard Greyson (Michael Cera), and now is faced with the challenge of balancing his newfound role as a parent with Batman’s penchant for crime fighting. With pressures from Alfred (Ralph Fiennes) and Barbara Gordon mourning in Batman’s personal and professional lives, he must work through these challenges in order to save the city. Only this time, he may not be able to do it on his own.

What’s not to like??? The LEGO Batman Movie is one of those animated films that is perfect for (1) the whole family and groups of friends, as well as (2) legacy and new Batman fans. Just the animation and production design are positively mind blowing. With few exceptions, every design in the film from people to buildings and vehicles can be created with those iconic plastic building blocks. Much like with the previous LEGO movie, other LEGO universes get screen time as well (some of which are mentioned by name and others are implied), such as Lord of the Rings, Harry Potter, Jurassic Park, King Kong and more. With all the characters in the film, the focus is never shifted from Batman and Joker. There are many rabbit trails the film could have gone down, but it always stays true to the central characters. Overstimulation is another risk in a film like this one; but, for all the action sequences and ensemble casts, never once does the film feel that it is way too much to take in and enjoy. On top of the brilliant animation and design, is solid writing with excellent character development. Crafting the vision is director Chris McKay. Selecting the right director to handle all the elements of a LEGO movie is no short order. And Warner Bros and Ratpac Dune made a killer choice in McKay who brought us Robot Chicken: Star Wars: Episode III.

One of my personal favorite elements from the movie is the nostalgia meticulously and strategically woven into the plot. If you grew up watching the show from the 1960s or even reruns with your parents, you will be surprised with the echoes of the past and how they fit in perfectly with this Batman world written by Seth Grahame-Smith et al. Even the pow, bam, zap sound effect bubbles make a cameo appearance. The LEGO Batman Movie offers the best of all the Batman stories over the years. As I am not familiar with the Batman comics, I imagine that there are comic book references in the film for the enjoyment of that audience as well. Not as self-aware as Deadpool, this film does contain a hint of self-awareness, but never takes the place of the foreground action; however, it supports the main story nicely. Even the costumes are representative of many Batman universes. For the most part, Batman’s costume is rooted in the one worn by Michael Keaton in Batman and Batman Returns, but Batgirl and Robin’s costumes, respectively, are more reminiscent of the show from the 1960s. Joker is an excellent combination of the, in my opinion, definitive Joker: Jack Nicholson but hints of the more recent Jared Leto and Heath Ledger Jokers are in his costume, makeup, and behavior. We even get a more accurate representation of Harley Quinn in this film. There is quite literally something for everyone in LEGO Batman.

Looking for a great film to watch this weekend that doesn’t involve some sappy victimized Stockholm Syndrome-esque warped love story? Then head to your local theatre to catch The LEGO Batman Movie on the big screen! What better way to spend the weekend leading up to Valentine’s Day than laughing with your date??? Even if you’re spending Valentine’s Batman style–flying solo–you will still have a great time at this movie.