“Tomb Raider” (2018) review PLUS exploring the “video game movie” problem

Strives to put cinematic storytelling first and video game representation second, but still comes across as tropey and borrows heavily from Indiana Jones and the Raiders of the Lost Ark and The Last Crusade. However, in all fairness, it does provide this generation with a moderately good action-adventure film based on a best-selling video game series. Alicia Vikander’s Lara Croft differs from that of Angelina Jolie’s in that she comes across to audiences as someone who’s impulsive, reckless, and experiencing difficulty in managing her life. Furthermore, she does not excel at everything she is trying to do to survive life and make ends meat. Those qualities give this Lara Croft a level of humanity that allows her to connect more with audiences. Moreover, she is a believable character–she feels real. In fact, that is probably the best element that this reboot has going for it–the realness of the adventure. Not that the film is without exaggerations and fantasy elements; but, the story almost feels like an adventure that could take place under the right circumstances and with the right tools. The realness might have been increased by not feeling like, at times, you were sitting there playing the video game version. Although this initial return to the video game turned motion picture adaptation is frocked with predictable plot beats and turning points, it does show promise for a solid franchise if tweaked. Moving forward, the stories need to be stronger, original, and leave room for SUBTEXT.

Lara Croft is the fiercely independent daughter of an eccentric adventurer who vanished years earlier. Hoping to solve the mystery of her father’s disappearance, Croft embarks on a perilous journey to his last-known destination — a fabled tomb on a mythical island that might be somewhere off the coast of Japan. The stakes couldn’t be higher as Lara must rely on her sharp mind, blind faith and stubborn spirit to venture into the unknown. (IMDb)

Video games turned motion pictures aren’t anything new. From Super Mario Bros to Mortal Kombat to Resident Evil to this year’s Tomb Raider, there have been many attempts to adapt interactive media (video games) for scripted/narrative cinematic storytelling. Ultimately, it has proven to be nearly impossible to create a successful motion picture from a video game. In short, Hollywood simply cannot seem to crack the code for a movie adaptation of a video game. There has yet to be a video game to film adaptation that has even encroached upon the fresh threshold of Rotten Tomatoes. But why is that? Often, movie adaptations of video games fail because their is more emphasis placed upon video game brand representation than the art of cinematic storytelling. In its defense, 2018’s Tomb Raider shows an effort to overcome that obstacle. Today’s Tomb Raider made a solid effort to spend time worrying about it’s quality as a film, but still fell victim to being too grounded in its interactive media roots. If studios who either own or license a video game intellectual property (IP) can spend time analyzing the source material for purposes of tapping into what makes the story itself work, then perhaps a successful video game movie can be produced.

Not just limited to interactive media –>film adaptations, but anytime there is a well-established franchise, the writers and director struggle to find where the happy medium is in satisfying the core of the fan base and translating the story between two forms of media. As much as modern interactive media has in common with films (referring to the cut scenes), there is still the human component that cannot be translated for the screen because there is no “choose your own adventure;” it’s this disconnect that often contributes to the poorly written plot for the screen. Much in the same way that movies based on comic books struggled for a long time until Iron Man, with the brilliant exceptions of Tim Burton’s Batman (a Barman movie directed by Burton) and Batman Returns (a Tim Burton movie that happens to have Batman characters), interactive media based movies will eventually find the sweet spot. I feel that this sweet spot will be found when writers and directors take the characters from a video game IP and place them in an original cinematic story that skews more towards the focus being on the cinematic storytelling than adhering to brand recognition and the existing story that can be played, and has been played, on the console or computer. Take Burton’s approach to Batman Returns. Create a story that works for the screen that happens to have the characters from the video game.

Movies aren’t the only adaptations of interactive media; themed entertainment has also spent time adapting a game for an entire attraction. According to Theme Park Tourist (2014), popular seasonally operating Paramount’s Kings Island (purchased by Cedar Fair in 2007 and all Paramount property removed) spent $20MIL on a ride that lasted a mere five years. Based on the hit video game and blockbuster action movie Tomb Raider: The Ride was on par with Disney and Universal in respect to story, setting, and special audio/visual effects; however, after Paramount sold off its theme park investments to Cedar Fair, the ride got rebranded as The Crypt, a generic theme, and all direct associations with the movie and game Tomb Raider were removed following the 2007 operating year. Interestingly, the ride attendance continually dropped following the rebranding, and the ride was eventually moved to Kings Dominion in Virginia in 2012. Although there may be other reasons as to why the ride became less popular and eventually moved to another park, it is conceivable to conclude that there is a special relationship between the characters and story of the game and a themed entertainment attraction. Both the attraction and the game have the advantage of the human component–the ability to truly experience the elements of the game. 

Over all, I found the new Tomb Raider to be a fun watch! Certainly don’t feel that my time or money was wasted. I remember playing Tomb Raider on the original Playstation and Playstation II (it was soon after that, that I lost interest in gaming), and as a mild fan, I feel that this film did the characters and story justice. By the end of the movie, it is obvious that MGM’s intention is to attempt to produce a blockbuster franchise. And to the film’s credit, this first installment had a satisfying ending plus it quickly setup the next movie. If you like action-adventure movies or even a fan of the video game series, I feel that you will enjoy Alicia Vikander as Lara Croft: Tomb Raider!

The Strangers Prey at Night (2018) movie review

Terrifyingly good! “Is Tamara home?” If those words haunted your memories for months after the first time, you’re in for another round of terror. The original is the only nightmare-inducing horror movie to frighten me so much that it was years before I could watch it again. Of course, I was also much younger and did not appreciate horror films to the extent that I do today. Although the sequel is not AS terrifying as the original, it is still incredibly intense and takes your adrenaline for a good ride. Even after the movie ended and I was leaving the auditorium, my heart was still racing. There isn’t anything innovative or in particularly memorable about the movie except the high tension level the whole time, but it does approach the rape-revenge horror movie plot with a new twist. What I appreciate about this modified home-invasion horror plot is just how much fun it is to watch with everyone else in the auditorium. Ordinarily, Thursday night pre-screenings of horror films (and many other genres) are not completely booked, but the two shows at the Thursday night preview were nearly sold out. Should you choose to check into the creepy trailer park, you’re in for some solid scares.

On Mike and Cindy’s way to take their daughter McKinzie to a boarding school along with their son Luke, they check into a lakeside trailer park owned by Cindy’s aunt and uncle. Unbeknownst to them, they are checking into their worst nightmare as masked individuals stalk and prey upon the unsuspecting family. Even before one hand of cards can be dealt, the family receives a visit from a mysterious girl. Creeped out by the visit, the family begins to suspect that something is wrong. Shortly thereafter, the family finds themselves in a desperate fight for survival as three masked psychopaths seek to quench their insatiable thirst for blood. “Why? Well, why not???”

For the sake of not spoiling anything, I’m going to keep this one on the shorter side. But I wanted to touch on the plot because it differs from the pacing and structure of the original. Whereas the first movie (2008) was mostly a cut and dry home-invasion, this one takes the home-invasion in a different direction and adds in rape-revenge.

On the former, the setting of The Strangers Prey at Night is a whole trailer park and not just a single house; however, there are a few times throughout the movie that the family finds themselves close quarters with the three masked psychopaths. Despite this similarity with the original, this film does not provide nearly the level of claustrophobia that our central characters had in the first one. Still, the extreme confinement can be found in this installment because there is just one way in or out, and the rest is surrounded by a fence. Instead of just a home being invaded, an entire campground is under the siege of bloodthirsty psychos. In a way, this is far more dangerous because there are more places to hide, and therefore your senses will be greatly heightened to the world around you.

My latter point regarding the type plot found in this horror film points to a new take on the rape-revenge plot. Now before you question what I am talking about (for those who are unfamiliar with the term), the rape-revenge plot is characterized by the victim of a violent crime turning on his or her would-be killer and becoming the attacker him or herself. A couple great examples of this are in the films Last House on the Left and the grindhouse classics like Spit on Your Grave and Death Proof. Essentially Act I consists of the male or female character being raped (or another violent act such as torture or attempted murder), Act II follows the rehabilitation (or mostly, anyway) of the victim, and Act III features the male or female victim enacting revenge on and/or kills the rapist (or torturer). The aforementioned theme is found within the plot structure but does put the film’s unique flavor on it. To reveal what the twist is exactly would reveal too much about the movie.

Interestingly, this installment leaves the end open enough for a followup. Not entirely sure The Strangers needs to become a franchise–it really doesn’t–but it’s definitely set up to continue to make money with subsequent releases. If you’re looking for a solid fright night that does NOT principally rely upon jump scares, and successfully increases the tension throughout the movie that will keep your pulse rate racing, then this is definitely a movie for you. I also appreciate that the movie does not rely upon gore to make it a “horror” movie, but actually uses twists, turns, and anticipation to deliver the terror.

#VowToVanish | Full Review of Vanish Point at Adventure Island

#VowToVanish at Adventure Island’s newest thrill ride Vanish Point! Opening tomorrow, this is an incredibly exhilarating waterpark attraction that is guaranteed to reach epic levels of suspense as you anticipate the moment the trap door flies open and you plummet to the watery depths of sheer adventure!

Along with many other bloggers and legacy media professionals covering the themed entertainment industry, I was invited to be among the first to experience Vanish Point. Towering more than 70ft in the air, Vanish Point is part of a unique breed of water coasters that combines the concept of a freefall with a traditional tube style slide. My guide Michelle was exceptional! A real testament to the quality of hospitality Adventure Islands extends to their media guests. She made my afternoon incredibly pleasant and was always attentive to my needs as I was there solo.

Along with many other bloggers and legacy media professionals covering the themed entertainment industry, I was invited to be among the first to experience Vanish Point. Towering more than 70ft in the air, Vanish Point is part of a unique breed of water coasters that combines the concept of a freefall with a traditional tube style slide. My guide Michelle was exceptional! A real testament to the quality of hospitality Adventure Islands extends to their media guests. She made my afternoon incredibly pleasant and was always attentive to my needs as I was there solo.

Even before I began the climb to the top of the tower, I passed a screen on the ride sign that shows footage from inside the launch capsule. While many in the media community seemed to simply pass it by, that element of the queue design caught my attention. It’s no secret that we are a highly mediated society (meaning interacting with and passively watching some form of media), so this was a brilliant way to integrate social media into the attraction. Whereas this feature may not be traditional social media, it embodies the idea of the vicarious experience that inspires or dares you to also take part in the thrill of Vanish Point in order to socialize with fellow enthusiasts or guests such as yourself. The idea of bonding through a screen works fabulously with this attraction. And for those who are traveling with someone who is unable to experience the attraction, your friend or family member can watch your face as you prepare for the drop!

Once you’ve climbed to the top of the tower, you are ushered over to one of two capsules. The ride attendant places you inside the tube and closes the door. To quote a favorite attraction of mine “there’s no turning back now.” Though it’s only a few seconds, time seems to stand still as you await the inevitable drop. I’m reminded of that great scene from Emperor’s New Groove in which Yzma commands Kronk to “pull the lever, Kronk…” then the trap door opens and Yzma plummets to the river below whilst exclaiming “…wrong lever!” Just before the trap door opens, there is a countdown 3…2…1…but there is a moment between the one and when it opens. It was probably less than a second but felt so much longer. Then WOOSH! You race down the water slide, turning, twisting, falling until you finally hit the bottom of the slide. What an adrenaline rush! I’ve never experienced a water a water attraction quite like this one. It was immensely exciting, and I know you will enjoy it WHEN you visit Adventure Island beginning tomorrow, March 9th.

After the experience on Vanish Point, I was walked around the park by my wonderful guide, and given a brief tour of the parks various offerings. I also found out that the food and beverage menu is supposedly changing to include some exclusive treats to Adventure Island. No information on WHAT to expect, but the idea is tasty enough! Looking forward to what Adventure Islands includes in their seasonal food. There is truly something for everyone at Adventure Islands. Whether you prefer it mild or wild, you are sure to find adventure waiting for you in the island oasis.

#CorksAndCoasters: Full Review of Busch Gardens Tampa Food and Wine Festival

Delightful, delectable, delicious! It’s back, folks! And bigger, better than ever! Though only in its third year, Busch Gardens Tampa’s annual Food and Wine Festival demonstrates measurable growth in excellence in food, wine, brews, and entertainment. The number of kiosks and food and drink selection has increased, and the variety is outstanding. With a wide variety of sweet and savory foods as well as wine and beers from dry to sweet, you are sure to find multiple somethings to satisfy even the most discerning of pallets.

I highly recommend purchasing the punchable lanyard because it will speed up your time at the register and increase the enjoyment level of your experience. There is a sampler lanyard for every budget. Annual Passholders get the 15-item lanyard for the same price as the 12, and that’s what yours truly did. Every item I had last night was delicious! Used 8 of my punches so I can go back another weekend and sample some more. That’s right! If you do not use all your sample punches in one visit, you can bring your lanyard back another time. Pace yourself. There is so much to eat and drink that you’ll not want to overdo it in order to truly allow the unique flavor of every dish and delicacy to dance upon your taste buds.

Strolling along the main festival road in Gwazi Field, you’ll catch enticing aromas from the numerous kiosks aligning the meandering pathway past topiaries and vendors. If you have a question about anything at Food and Wine, incredibly helpful team members are always close by, and are eagerly awaiting to help direct you or offer suggestions to create a memorable experience that will earn your returned business. The printed festival guide makes locating what you want to eat and drink easy! In addition to food and drink listings, there is other helpful entertainment and park information as well. This is my third year at the festival, and I still pick up the guide because I want to make sure that I don’t miss a single opportunity for enjoyment. Since the concert last night was for a group that I am unfamiliar with and was mostly in Spanish (great for Spanish-speaking guests!), I did not take the time to chillax with the live music; however, I headed over to my favorite show at Busch Gardens and favorite theme park show period: Turn It Up: the Hottest Show on Ice.

So, what Food and Wine items did I select last night? I’m happy to share those with you! The first item on my list, which was recommended to me by a helpful team member, was the wine filled chocolate truffles! You heard me right. Two of life’s greatest enjoyments all rolled up into one amazing treat. If you love chocolate and wine like I do, you will not want to pass this item up. Following the chocolate truffles with wine, I went for the beef brisket on a spiced corn waffle with Amerbock BBQ sauce and paired that with Trapiche Oak Cask Malbec. Couldn’t ask for a better pairing of food and wine. I suppose I could’ve had the chocolate truffled filled with wine for dessert, but I just had to get those as soon as I found out about them.

Returning again this year is the wildly popular bison bacon sliders on a toasted brioche bun! Typically served with sriracha ketchup and a pickle, I don’t care for sriracha nor pickles, so the chefs in the food cabin were happy to modify my slider. I paired the slider with an Alexander Valley Merlot. After I finished my delicious bison slider, I headed over to the Moroccan Palace for Turn It Up! After the show, I made my way back over to the festival grounds to tickle my taste buds some more. For my final meal at the festival (for this visit anyway), I selected the Grilled Cheesecake Sandwich with raspberry drizzle and Short Rib and Brie grilled cheese on house-made brioche. Paired this savory and sweet offering with the William Hill Estate pinot noir. Scrumptious! Every item I selected during my first visit to the festival was a sheer pleasure!

I am looking forward to my next visit–I have 7 more punches on my sampler lanyard, after all. But will likely make a few more visits during the nearly two-month run of #CorksAndCoasters. If you are looking for some tips to enhance your experience, the festival is generally less crowded on Sunday than Saturday; however, the concerts can affect this. With the park hours extended until 9pm during the festival, you will have plenty of time for Busch Gardens’ famous coasters.

“Red Sparrow” film review

Intense. Riveting. Spine-tingling, A masterful spy thriller crafted in a classical fashion with sex appeal. Red Sparrow will harness your full attention from the opening. Directed by Francis Lawrence, this spy movie is the level of excitement that 2015’s Bridge of Spies wished it was. Whereas many espionage movies fail to develop a plot that keeps you guessing from beginning to end–allowing you to feel like a covert operative or detective–this film delivers a mesmerizing story filled with intriguing characters and close calls. In many ways, this film contains elements that could be likened to a Hitchcockian suspense thriller with influences from Billy Wilder and David Fincher. Jennifer Lawrence displays an uncanny performance that truly shows the versatility of the Oscar-winning actress. With tensions rising between the US and Russia in real life, this films comes at a perfect time because we may find ourselves in a cold war that’s reminiscent of the latter part of the 20th century. Not for those who are weak in the stomach, this film contains cringy visceral horror that will get under your skin. Without the need to rely on science-fiction gadgetry to carry the story, this film provides well-developed characters and an intriguing plot that’s filled with twists and turns.

Prima Bolshoi Ballet ballerina Dominika Egorova (Jennifer Lawrence) is faced with a bleak and uncertain future following a severe career-ending injury while on stage performing. Her high-ranking uncle persuades her to attend Sparrow School: an institution that trains seductive spies in order to pry information from targets by using extreme sensuality. Sparrows turn their minds and bodies into weapons for the state. Being determined to remain special, Dominika completes the sadistic training more quickly than the other students and is recruited for a covert assignment to track and report on an American CIA operative (Joel Edgerton) who Russia feels will lead them to the mole within their own ranks.

The beautiful opening of Red Sparrow is abruptly ended when Dominika suffers a horrific injury that instantly ends her ballet career. This acutely intense moment will cut you directly to the bone–you will undoubtedly wince or cringe, feel the break in your own legs. This is but a taste of what is to come throughout the movie. In an exquisite fashion, the gorgeous dance at the opening is juxtaposed against the alleged drug deal gone bad. Paralleling one another, the event that unfolds concurrently enable the plot to get a quickly paced fantastic start out the gate. Unfortunately, this excellent start does lead into a slower paced latter half of Act I. However, there is important background information that is revealed during Act I that foreshadows and sets up the remainder of the turning points in the plot. You will also notice the use of the color red in many places during the movie. Analyzing the shades of, and placement of the crimson hue has the potential to generate conversations between cinephiles.

The color red is not the only symbol in the movie that can be analyzed; there is a theme of your body belonging to the state. Essentially, this can be read as a commentary on celebrity. As a prima ballerina, Dominika’s body was weaponized for the stage and figuratively belonged to the Bolshoi and by extension to the public. Much in the same way her Sparrow weaponized body literally belongs to The State. It’s her body, but the Bolshoi and The State determine her career. But she is determined to not allow herself to become a commodity that can be abandoned, traded, or punished. This can be said about conventional celebrities and the public. In a manner of speaking, the public decides whether or not you are worth seeing on screen and how you should behave. Back during the days of the Studio System, this was a big problem because the Studio controlled your image, who you dated, slept with, when/if you had kids, your marriage, and more. There was mass exploitation in that system, and one of the reasons why it was ended. The empowering message of rebelling against The State, who is determined to own you and your body, can be witnessed through the covert actions of Dominika.

In the grand Hitchcockian fashion, there is a lot of suspense that increases tension but does not always provide a release. Though Hitch would have handled the level and pacing of the suspense more perfectly, you can read his famous bomb theory in Red Sparrow. Hitchcock knew how to take a two-dimensional situation and find a third-dimensional approach to impress the audiences and hold firm their attention. And to the film’s credit, there are a few times that the level of suspense coupled with the symphonic score channels Hitch. Unlike many spy movies that rely too heavily on a love story, the film brilliantly leaves you wondering whether or not Lawrence and Edgerton are in love or rather it is a facade employed in order to extract vital information for their respective allegiances. The level of romance and eroticism is just enough to add the sex-appeal to the relationship without the movie becoming about the romance between two individuals who serve two opposing countries.

Not for the faint of heart, there are some incredibly intense moments in the film that might make you queasy in the stomach. But the movie chooses to place more emphasis on the action, plot, and characters more so than that which threatens your eye. It’s certainly a new breed of spy movie, but it’s one that is incredibly interesting and will hold your attention for the more than 2hr runtime.