AMSTERDAM movie mini-review

There is a fascinating true story and great movie…in there…somewhere. David O. Russell’s star-studded Amsterdam is a bloated, poorly paced movie that places far more emphasis on repetitive, pedantic social commentary than it does on lean storytelling and strategic plotting. If not for the powerhouse cast, the movie would be nearly unwatchable. A litmus test I give a movie is (1) if I look at my watch and (2) if so, how often. If I am looking at the time, then I am not engrossed in the story. And I looked at my watch many times during this lengthy quasi-historical drama. Amsterdam demonstrably has little idea or security in what it wants to be. Is it a dark comedy? Is it a drama? Is it satire? All valid questions for which there is no clear answer, because it struggles to find the proper tone that best expresses its story. Although the social commentary on race relations quickly becomes redundant, it does highlight some areas of wartime history of which many, including myself, are likely unaware. Such as soldiers of color being forced to wear French uniforms–had no idea! So I am glad that this disrespectful chapter in history was highlighted for modern audiences. Clearly this movie should have been an Oscar vehicle for Russell, his cast, and crew, From beginning to end, it’s easy to read this film as a desperate attempt to win over general audiences and critics by convincing them that there is something to see here; unfortunately, what should have been an incredibly interesting mystery and untold true story suffocates under the poorly written and structured screenplay.

Ryan teaches Film Studies and Screenwriting at the University of Tampa and is a member of the Critics Association of Central Florida. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter. If you’re ever in Tampa or Orlando, feel free to catch a movie with him.

Follow him on Twitter: RLTerry1

“TENET” Film Review

By Leon Zitz

What starts out as a sleek and well executed, but still fairly standard, espionage film with some interesting sci-fi ideas, turns into a mind-blowing “time travel” action-thriller that will have you staring at the screen, mouth agape in awe. “Armed with only one word TENET, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time” (IMDb). And that is all you want or need to know going into this film.

The film is like a loop, closed in itself, similar to Nolan’s earlier film Memento but much more complex, even more complex than Inception. Previous events of the film will get re contextualized in the second half and inserts that viewers might not even have noticed start to become make sense and become important. TENET definitely warrants multiple viewings to catch all these little details, but the surface plot and the characters’ goals are kept simple so that even if not completely understanding why or how, the viewer is never lost in what is going on.

Aside from digital compositing, which is seamless, the film employs almost no computer generated effects, all action scenes are choreographed and shot practically. Unfortunately due to this age where everything you can think of is made possible computer generated effects, this might only become impressive to the viewer if he is made aware of how the effects were achieved. Fortunately, unlike some other recent productions which rely heavily on CGI, TENET will stand the test of time and may thus even become more impressive for future viewers.

The Film’s weak point is its characters. We don’t learn much about “Neil,” played by Robert Pattinson, and “The Protagonist,” played by John David Washington, aside from surface level information and they aren’t developed much until the very end of the film. Kenneth Branagh does a good job as the sometimes scenery chewing but still fairly standard villain character. The heart and soul of the movie is Elizabeth Debicki’s character “Ka,t” who is the most developed character in the film and arguably the most emotionally affected by the events of the film.

Needless to say this is not a character-driven film, instead TENET is highly plot driven but as long as viewers are aware of that they will be satisfied. If you are looking for more than your average spy action thriller but aren’t expecting a philosophical masterpiece then this is the film for you.

This article was written by our German correspondent Leon Zitz. Be sure to checkout his Instagram and YouTube pages. You can also checkout my review of his latest film Romeo Kills Juliette.

Ryan teaches screenwriting and American cinema at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Ryan is also the creator of the Four’s a Crowd sitcom podcast now streaming on your favorite podcatcher. Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! If you’re ever in Tampa or Orlando, feel free to catch a movie with or meet him in the theme parks!

Follow him on Twitter: RLTerry1