EMPIRE OF LIGHT film review

Underwhelming. Sam Mendes’ Empire of Light tries to be too many things, and winds up being none of them sufficiently enough. Furthermore, it’s a story out of time that would have played better had it come out 30-40 years ago. Moreover, it’s poorly paced, and Olivia Coleman’s Oscar-reaching performance is simply not enough to save this film that so desperately desires your affection. Is it a story about the challenges of a mixed race couple in the 1980s? Is it a story about the love and healing nature of cinema? Is it a story commenting on and challenging ageism in romance? Or, is it a story about trauma and mental illness? It’s all of those subjects–and–none of those. None of them effectively enough, anyway.

A romance develops in a beautiful old cinema on the south coast of England in the 1980s.

In an age in which mixed-race couples are increasingly common, movies about the healing power of cinema have been done–and much better (ie Cinema Paradiso), and films about mental illness are common, the story that needed to be the central focus was the one on ageism in dating. And yet, that subplot takes the furthest backseat to the others. Empire of Light never lands on any one outside/action story paired with an inside/emotional story. Neither does Coleman’s character effectively go though a growth arc–she is largely the same at the end of the movie as she is at the beginning–save the healing power of cinema (which isn’t her chief struggle).

This film stands as another example of a director with an idea(s) that should have worked with a screenwriter, because any screenwriter with his/her weight in salt would’ve cautioned Mendes against the plethora of subplots and inner-needs. A closer look at this film suggests that Mendes desired to create this generation’s Cinema Paradiso, but the movie simply doesn’t deliver on that theme or subplot. Like with all the other themes and motifs, the narrative feels desperately forced. I’ll leave you with this: where the film does excel.

Empire of Light ‘shines’ best through the brilliant eye of director of photography Roger Deakins. It’s because of his incredible talent that the film looks as gorgeous as it does. Furthermore, the setting and production design shine brilliantly. I wish that the outside/action story included the renovation of the older auditoriums and ballroom. Would’ve made for a fantastic manifestation of one of the inside/emotional stories.

Ryan teaches Film Studies and Screenwriting at the University of Tampa and is a member of the Critics Association of Central Florida. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter. If you’re ever in Tampa or Orlando, feel free to catch a movie with him.

Follow him on Twitter: RLTerry1

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AMSTERDAM movie mini-review

There is a fascinating true story and great movie…in there…somewhere. David O. Russell’s star-studded Amsterdam is a bloated, poorly paced movie that places far more emphasis on repetitive, pedantic social commentary than it does on lean storytelling and strategic plotting. If not for the powerhouse cast, the movie would be nearly unwatchable. A litmus test I give a movie is (1) if I look at my watch and (2) if so, how often. If I am looking at the time, then I am not engrossed in the story. And I looked at my watch many times during this lengthy quasi-historical drama. Amsterdam demonstrably has little idea or security in what it wants to be. Is it a dark comedy? Is it a drama? Is it satire? All valid questions for which there is no clear answer, because it struggles to find the proper tone that best expresses its story. Although the social commentary on race relations quickly becomes redundant, it does highlight some areas of wartime history of which many, including myself, are likely unaware. Such as soldiers of color being forced to wear French uniforms–had no idea! So I am glad that this disrespectful chapter in history was highlighted for modern audiences. Clearly this movie should have been an Oscar vehicle for Russell, his cast, and crew, From beginning to end, it’s easy to read this film as a desperate attempt to win over general audiences and critics by convincing them that there is something to see here; unfortunately, what should have been an incredibly interesting mystery and untold true story suffocates under the poorly written and structured screenplay.

Ryan teaches Film Studies and Screenwriting at the University of Tampa and is a member of the Critics Association of Central Florida. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter. If you’re ever in Tampa or Orlando, feel free to catch a movie with him.

Follow him on Twitter: RLTerry1

AMERICA’S HEART PROBLEM

As I look over the major events in our country over the last couple of years, I am left with one question: What does it mean to be human?

And what does that have to do with the ideologically polarized time in which we find ourselves, you may ask? EVERYTHING.

Studying and teaching film has its benefits way beyond cinematic critical analysis. Since film is a reflection of life, we can learn a lot about a people by analyzing motion picture art. Granted, much of what we study in film is in retrospect, but these same approaches can be used to study current trends in storytelling media, which often parallel events in real life.

For example, my area of expertise is the American Horror Film, and as I wrote in the chapter on horror cinema of the 1970s, in my forthcoming book Why Horror?, I found the parallels between 1970s America shockingly similar to 2020s America. From the fights over abortion to inflation to civil rights to the rise of the new right and new left, much of what we are experiencing now can trace its roots back to the chaos of the 1970s.

But I digress.

What does it mean to be human? 

Everything we are facing in our tumultuous socio-political landscape has its roots in that philosophical question. One of the many reasons why I love Star Trek, in particular The Next Generation, is because of its central theme: the persistent exploration of humanity: What does it mean to be human? If we can answer that question, then so many of our other problems will solve themselves. Can logic and reasoning solve everything? No. But it’s far less chaotic and more strategic than constantly addressing symptoms of a larger generational illness through ideological positioning.

What is that illness, exactly? I believe it is the lack of a moral compass.

While there has been a distorted, warped definition of what it means to be liberal, I want to remind you that pure liberalism is a philosophical approach that considers all available empirical and anecdotal evidence to arrive at a solution that opposes fascism and authoritarianism in all their forms. It is not—and should not be—used as a synonym for either the political left (or for progressivism), any more than conservatism (or legalism) should be used as a synonym for the political right.

It takes only one generation to bring about the demise of a society. Just like the Roman Empire imploded—fell apart from within—our own American Empire is crumbling from within. About one-and-a-half to two generations ago, our public school systems began to drift away from teaching morals and ethics in formal classrooms. Combine that with the dissolution of the American family and the widespread abandonment of parental responsibility for teaching morals and ethics, and we can trace most of our societal problems back to this shift.

Why? Because we began to devalue truth in exchange for opinion, expression, and relativism. And when there is no truth, there is no means to know what is right or wrong. Think of it this way: a compass rose would be useless for navigation if it didn’t point to the true north. If a user of a compass was able to simply choose which north they wanted, then it would render navigation an exercise in futility. There can’t be more than one north anymore than there can be more than one truth. Without compasses (or GPSs) that are fixed to recognize the geographic north, no one is able to successfully navigate.

By not teaching the difference between right and wrong, fact and opinion, etc., children and young people since the mid-to-late ‘90s onward have not been reared and educated to respect parents, leaders, peers, and even one’s adversaries. Contrary to popular belief, respect doesn’t mean weakness or complacency. One can completely and vehemently disagree with someone, yet still be respectful.

I cite how Maverick responds to his leaders in Top Gun: Maverick, or how Jean-Luc Picard responds to countless admirals in Star Trek: the Next Generation when he is at philosophical or diplomatic odds with them. Even when Captain Picard is addressing his subordinates, he is always respectful, yet may fundamentally disagree with them. A great example of this is when he wanted Lt. Worf to donate his blood to save the life of a Romulan, but Worf refused. Captain Picard could have ordered him, but he chose not to out of respect for Worf’s dignity.

America has a gun heart problem.

By eliminating morals and ethics from our public school classrooms, educators no longer teach what is right and wrong (in the eyes of the law and humanity).

Growing up in and being educated by a system that values relativism over logic and reasoning gives birth to the kind of rampant disrespect for humanity that we’ve seen in the Pulse Massacre (in which I lost a friend and former coworker), Sandy Hook, Parkland, and Robb Elementary schools, the mass shooting in Buffalo, NY, Columbine, Uvalde, and more. Are gun laws perhaps a little too loose? Sure, I’ll give you that. Should there be universal background checks? Probably. Should the age to buy a firearm be increased to 21? Perhaps. Should military assault-style rifles be banned to the general public? Many think so.

The shooters in all those examples placed greater value on what they wanted, what they believed, and what they felt was the appropriate course of action than on the value of each and every human life. When one is reared in an environment devoid of consistent respect for others, then there is no reason not to behave inhumanely. It’s not mental illness that is driving these mass shooters (although I’m sure there is some correlation), but it’s the devaluing of human life that is the root cause. After all, this abominable action is justified or true to them. It all gets back to the heart.

If we look at this issue from a biological perspective, from the time male puberty sets in, through adolescence, until early to mid-20s, young men have raging hormones. And while we tend to associate these hormones solely with sex drive, we often forget that these same hormones and other chemicals predispose a young man to increased aggression. While some countries choose to require military service after high school, the U.S. doesn’t have any programs like that. Why is this important? Because in countries wherein there is required military service after high school for young men, they are better able to channel their predisposition to aggression in constructive ways. Not only does this provide seat time while the chemicals level out, but it also forces young men to deal with and manage these emotions.

I’m not stating that this is the only option the U.S. has for providing a method for young men to manage this biological and cognitive developmental stage, but it does demonstrate the need for a means for young men to have an avenue through which they can be educated as to how to behave like gentlemen and control their urges. Whether in military service or education, young men should be taught the difference between recognizing an impulse and acting upon it. Between inaction and impulse, there is a realm of good taste that is begging for attention.

Moreover, this stage in life also demonstrates why it’s important for a young man to have a father or a father figure in his life, because he needs to know how to be a man. Without a father at home or even a father figure in a boy’s life, there is an increased risk of inability to deal with the raging hormones and other chemicals as childhood transitions into adulthood.

For every action we take, there are consequences, be they good, bad, or indifferent. And contrary to postmodern belief, we ARE responsible for our actions. Does that mean our actions aren’t influenced by our environment? No, they most certainly can be, and often are. But at the end of the day, we—not the world—pull the trigger on our actions and are responsible for our decision(s)

But addressing these issues only fixes symptoms (i.e. the clear bigotry that motivates a variety of violence and hate speech). And by only treating symptoms, the root cause will continue to fester and get more septic over time. We will be better off by treating the cause, and then the symptoms correct themselves. Much more efficient. Children and teens today (and I’d venture to include young adults) have little fundamental understanding of (1) what it means to be human and (2) human dignity. When human life is devalued, then the risk of violence increases exponentially.

When does life become human?

Think of it this way: a baby can’t not be human until it is any more than it is human until it isn’t. It’s either human or not. It’s not complicated. Logically, the fetus is either a human child or a benign tumor, because it cannot simultaneously be both. Moreover, if we are in agreement that ending human life (when not in self-defense of one’s life or defense of one’s country when at war) is murder (and I’d hope we’re all in agreement on that), then ending unborn human life is also murder. But, if a human is only human when we decide it is, then it’s not murder because there is no standard for human life.

A great example of protecting sentient life (in all forms) can be found in the Star Trek: the Next Generation episode “The Offspring.” This is the episode wherein Data creates his child Lal. We witness Picard protecting the human rights of Lal when Starfleet informs Data and Picard that it will be removing Lal from the Enterprise to study her. Picard delivers this wonderfully profound line, “There comes a time when men can no longer blindly follow orders.” And he is willing to put his career on the line for a life.

Science, science, science. We hear so much about science nowadays; however, many only cite science when it supports their ideology. Science is science, regardless of what one believes. The great thing about scientific observations is that they can be either proven or disproven.

While science cannot answer questions that are a matter of philosophy or faith, such as the origins of the universe or is God real, science can help us to understand a great many things, such as the heartbeat in a sentient being indicating life.

So if we agree that intentionally ending a human life is murder, and murder is immoral, then we have to then conclude that intentionally ending the life of an unborn child is also murder. Moreover, this decision also influences whether or not the murder of a pregnant woman is—in fact—a double homicide. If the unborn child isn’t human, then there isn’t a double homicide; but if the unborn child is human, then a double homicide has been committed. Again, the unborn child can’t simultaneously be both human and non-human, as that would be illogical. If we begin to decide when a baby is or isn’t human (based upon personal opinion or choice), then we will be living by double standards and ignoring the science.

Well, what about surprise pregnancies? Okay, perhaps we need to revisit high school biology. Other than an immaculate conception, no pregnancy is a complete surprise. If you’re hetero, and you do the deed, a possible consequence is pregnancy. It’s not rocket science. It’s barely high school science. What there are, are unplanned or unintended pregnancies. Big difference between surprise and unplanned.

The only sure-fire method for preventing pregnancy for hetero couples is to not have sex. But we’re all human, and have human needs. And according to Maslow’s Hierarchy of Needs, sex is a basic need. Therefore, the reasonable solution is to offer morning-after pills, easy/free access to contraceptives, and financial assistance for mothers that have little to no means to care for a child.

Fortunately for most people in the United States, there is likely a Department of Health office or clinic in your area, and they have condoms they will gladly give you. Many offices, you just walk in and take a bunch out of a basket. There IS easy and free access to contraceptives. For those who fear this SCOTUS decision could affect alternative pregnancy procedures, such as IVF or surrogacy, there simply isn’t evidence to support that conclusion because those procedures seek to create and foster human life, not end it.

Earlier in the Next Generation episode “The Offspring,” Data informs Picard that he can deactivate Lal if her creation is problematic. Picard sharply responds, “It’s a life Data, you cannot simply activate and deactivate it.”

Protected rights and expression

We are all deserving of respect. Respect from those with whom we agree and disagree. The gross lack of human dignity and respect I observe around me, whether in real life or online, is dangerous. When young people are brought up not to value human life (including the life of those with whom they disagree), then they will interpret respect and dignity through their own eyes. Schools and other organizations that are focused on consistently highlighting the differences between people are actually fueling the problem.

From a position of logic, there is no white America, black America, hetero America, homo America, or Hispanic America, there is only America. Likewise, there aren’t white humans, black humans, Hispanic humans, hetero humans, homo humans, etc. Only humans who happen to be one or more of the above. Each with their own respective worldviews, beliefs, dreams, and fears. Once we begin to think of ourselves as one people, one nation, then we can fix so many of our problems.

On a biological level, there are two sexes: male and female. That’s it. Not opinion. Fact. It’s science, plain and simple. That said, while we are either male or female biologically, the manner in which we express ourselves is not limited by that binary; we can express our gender any way we want. You can be a feminine man or a masculine woman, or even androgynous. It doesn’t change the anatomy or chemistry; but fortunately, we are not limited to a binary means of expression.

The latitude of creative personal expression is as wide as the color spectrum! Every human is deserving of respect and dignity. Be different! It’s okay! Be proud of who you are, in whatever aesthetic form that takes! Just know that some will not accept your gender expression; but that’s unfortunate for them, because they will miss out on getting to know you.

The recent Supreme Court ruling in favor of the coach from Washington state that was disciplined by his school administration for holding prayer after football games at the 50 yard line, is another hot topic. 

Instantly, I saw countless posts on Twitter citing the separation of church and state. What many people don’t realize is that the principle has far more to do with State-sponsored or State-mandated religion than it does religious expression.

Moreover, it is not the equivalent of freedom from religion. That is a gross misinterpretation. What this separation means is that the State will not forcibly impose religious beliefs on citizens. Even though there is a movement (largely within the woke ideology) to dissociate the United States from its foundation in morality, the Constitution and our laws are influenced by Judeo-Christian principles (and for this, let’s look at George Washington’s farewell address):

Of all the dispositions and habits which lead to political prosperity, religion and morality are indispensable supports. In vain would that man claim the tribute of patriotism who should labor to subvert these great pillars of human happiness, these firmest props of the duties of men and citizens. The mere politician, equally with the pious man, ought to respect and to cherish them. A volume could not trace all their connections with private and public felicity. Let it simply be asked where is the security for property, for reputation, for life, if the sense of religious obligation desert the oaths, which are the instruments of investigation in courts of justice? And let us with caution indulge the supposition that morality can be maintained without religion. Whatever may be conceded to the influence of refined education on minds of peculiar structure, reason and experience both forbid us to expect that national morality can prevail in exclusion of religious principle.

While morality and religion are at the foundation of our great country, federal, state, and local governments are not to force matters of faith on citizens. According to The Constitution, these rights are endowed by our creator; therefore, the Constitution protects innate rights, rather than granting rights that were not present to begin with. We have human rights from our very beginning as a human. Allowing for or permitting religious expression is not the equivalent of forcing it on someone.

Make It So

Life is unfair. Shocking, I know. And no amount of legislation can ever make it fair. Utopia is an idea, not a destination. Some people will always have it harder than others. But that is why we create systems that provide tools to individuals that want to reshape their future. It takes hard work. But just like working for your first car, you will value it so much more than if it was given to you. It works against all logic and reasoning to devalue one group in order to place greater value on another. Or blame one group for the problems of another. It’s counterproductive.

From the time we are born, we are selfish. We have to learn not to be selfish. If we are not teaching our children the value of respect, logic, and selflessness, then they will grow up ignoring those foundational concepts and grow in selfishness, which can lead to destructive behaviors. That would be a far more constructive conversation than the age at which discussions of sex and gender expression should take place.

Let’s do the next generation a favor by showing them that they need a moral compass to successfully navigate life and to know what it means to be human.

One of the reasons why Star Trek’s Q is fascinated by humanity, in particularly Picard, is humanity’s moral center, which is something lacking in the Q Continuum. Let’s start instilling into our children and young people the importance of morals, ethics, and logic. Next time you are faced with a loaded sociological or political question, think about it from a logical perspective, because it will help to place you on a stable path devoid of counterintuitive, cynical theories.

Ryan teaches Film Studies and Screenwriting at the University of Tampa. If you like this article, check out the others (which are mostly film reviews and deep dives) and FOLLOW this blog!

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“Green Book” full film review

A timely thought-provoking dramedy in the style of “Driving Miss Daisy” with a charming lead cast that provides a platform to analyze racism, class, and other prejudicial issues set in the Jim Crow era South. Based on the true story, writer-director Peter Farrelly uses a buddy road trip comedy approach to tell an important, hard-hitting story that is just as relevant today as it was during the Jim Crow days of the deep south. More than relevance though, it’s an important film that can potentially start conversations about racism, classism, and many other isms or social phobias we face today. Socioeconomic and racial bigotry still exists. Perhaps those issues aren’t as formal as the Jim Crow days, but these are issues that are still alive today and need to be addressed. Film is a powerful medium for challenging the status quo or starting conversations about topics that are otherwise hard to discuss. Sometimes, a film plays it safe while dealing with tough topics such as racism. Hidden Figures and The Help come to mind. The topic is definitely at the crux of the plot, but it doesn’t go right for the jugular of the offending party. However, the screenplay written by Farrelly, Nick Vallelonga (son of Tony, the central character), and Brian Currie is an unapologetic exploration of the realities of where parts of the country were and to some degree still are. The film’s heavier moments are counterbalanced by the comedic banter between Dr. Shirley (Mahershala Ali) and Tony (Vigo Mortensen), and it is infectious! You may read that this film’s plot is predictable in many ways, and that is not untrue. However, the power of this movie is not in the mechanics of the plot, but its topical power and character dynamics and conversation between the characters that gives the film the award-winning quality it has.

Based on a true story, Dr. Don Shirley (Ali) is a world-class African-American pianist who’s about to embark on a concert tour in the Deep South in 1962. In need of a driver and protection, Shirley recruits Tony Lip (Mortensen), a tough-talking bouncer from an Italian-American neighborhood in the Bronx. Despite their differences, the two men soon develop an unexpected bond while confronting racism and danger in an era of segregation.

Being from the deep south originally, there are many elements and encounters in this film that I have witnessed. Not that racism is limited to the deep south, as we can see evidence of it all over the country, but the racism depicted in the movie still exists, to this day, in the south. Perhaps it’s not as formal or widely accepted as it once was, but remnants of the Jim Crow days can still be found in the smaller towns. However, this film is about more than racism during the Jim Crow days, it’s also tackling classism between the highly educated, wealthy white collar professional and the streetly educated, lower middle class blue collar professional. Furthermore, the film also takes a moment to highlight the degree to which gay males were criminalized in the south. Corrupt law enforcement is not new to film or media, but this film makes it a point to not depict all white law enforcement officers the same. While many of the law enforcement officers are shown as unethical, Green Book includes a friendly, concerned officer who helps Tony and Dr. Shirley on their return trip home.

I love the visually-driven stark contrast between Dr. Shirley and Tony that is supported by strong dialogue and subtext. Within a short amount of time, we learn precisely what makes each of our leading characters tick and just how different they are. Shirley is a high-class, highly educated, white robe and gold jewelry wearing Jamaican-American concert pianist who lives above Carnegie Hall and Tony is a working-class Italian-American, Bronx-dwelling, bouncer at the famed Copacabana night club. They couldn’t be from two more different worlds. Yet, Shirley sees precisely what he needs in Tony as a valet/chauffeur as he makes his way through the bigoted south. Both actors deliver exemplary performances, packed with quite the savage zingers and sarcasm. Mortensen literally packed on the extra pounds that you saw in the movie, much in the same way we witnessed Charlize Theron put on the weight for her brilliant performance in Tully. Both actors are playing characters completely opposite of their typical ones. In his first role since Moonlight, Ali couldn’t be any further from his drug-dealing character in that movie. And we seldom get to see Mortensen in comedic roles, but his facial expressions and infectious energy are well-suited to his role in Green Book.

One of the most powerful takeaways from this film is not the fact the American south was (and still is to a lesser extent) a hotbed of bigotry and inequality that was direct, it’s the indirect racism that that hid behind smiles and “legacy” laws and still hides behind tradition today. In several scenes, the reasons for Shirley’s treatment was because of long-standing rules or laws that just are the way they are. Those in power do not question whether a rule is fair because that’s the way it’s always been. And I think that form of racism is even more dangerous than the more violent kind because it’s far more prevalent even today. The film also deals with classism because Shirley looks down upon Tony even before the road trip begins. From the moment that Shirley and Tony meet, Shirley looks down upon Tony and is consistently spouting savage comments. Whereas one’s level of education or job does not determine the level of class one displays in real life, I appreciate this trope in Green Book because it helps to paint the socioeconomic contrast that pairs nicely with the racial contrast in order to setup conflict along the road trip. Whereas racism may not be something you’ve directly experienced, there is a strong possibility that you may have encountered or experienced economic or educational prejudice. Although the “caught in the act” scene between Shirley and the other male guest at the YMCA was a little “on the nose,” because it happened at a YMCA, this scene provides an opportunity to show that homophobia was (and still is, to an extent) very real in the deep south. It was even criminalized, as evident by the law enforcement detaining the men in the movie. So, if you’ve never experienced racism or classism, maybe this is something you’ve experienced in a more modern context. These areas are so very important because they allow so many people in the audience to identify with one or more areas of prejudice.

The screenplay for Green Book is so incredibly well-written! But the movie magic that allows the film to be as impactful as it is, is due to the on screen chemistry between Mortensen and Ali. However, back to the screenplay. It was brought to my attention that last year’s Phantom Thread is similar in pacing to Green Book, and that is in part due to the “slow moving” plot. But here is why I did NOT like Phantom but love Green Book: every moment in Green Book is important and full of meaning. There is not one wasted moment in the plot. Each line of dialogue was carefully constructed to drive the character development and plot forward. There is a beautiful authenticity to every moment of this film. Sometimes that authenticity is offensive (the language and attitudes of many of the southerners) and other times it is refreshingly candid. I was completely sold on Ali’s and Mortensen’s respective characters in every movement and every speech. I believe each and every character to be true to life, full of dimension and depth. Perhaps that depth is scary but other times it is heartwarming. Excellent banter is difficult to write, but the screenwriters demonstrate an uncanny ability to take a scene and make it both funny and dramatic all at the same time.

I am not sure where this this film falls in my ranking of picks for the year, but I can honestly say that it is one of my favorites. My two favorite parts of this film are the performances and screenwriting. It’s a timeless story, based ON a true story, that is a narrative that we need today as we seem to face increased prejudice between various groups of people. Is Green Book going to cure the problem with racism and classism on display in the United States? No. But this film does show that by spending time with other people from different backgrounds or cultures, we can combat these actions by learning to love and accept those who are different from ourselves.

Ryan is a screenwriting professor at the University of Tampa. If you like this article, check out the others and FOLLOW this blog!

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