“The Gentlemen” Mini Film Review

Smart, sexy, stylish! Written and directed by Guy Ritchie, The Gentlemen is a non-stop thrill ride, full of intrigue and hilariously witty humor. Don’t allow the late January release date fool you, this is not a “January” movie. If you enjoy Guy Ritchie films, then know that this is Guy Ritchie to the max. Once you think you have it figured out, then he throws in another twist to up the ante in this highly entertaining film. Talk about a great cast! Hugh Grant steals every scene he is in. Perhaps this movie won’t garner a Best Ensemble Cast award, but this cast’s chemistry is outstanding. Every line of dialogue, every reaction, every scene is crafted with precision and razor-sharp wit. Guy Ritchie certainly returns to his signature hyperactive heist meets crime procedural style after spending some thankless time in Agrabah. Richie proves that he has a masterful command of a story that both takes itself seriously but is very much tongue-in-cheek the entire time, giving us a nearly 2hr movie that is highly engaging and entertaining the entire time. Although the premise of most crime procedurals and heists is nothing new, Richie’s original expression of this genre is innovative! Albeit not meta per se, there is a quasi-metaness to this story through the character of Fletcher, a tabloid reporter, (played by Grant). He confronts Mickey’s (Matthew McConaughey) right-hand man Raymond (Charlie Hunnam) with his screenplay that outlines Mickey’s entire drug operation. Most of the movie is told through the lens of a screenplay, complete with all the plot elements and character development. All the while, the foreground story ends up picking up where the screenplay leaves off. Incredibly interesting! Much like with QT’s Once Upon a Time in…Hollywood last year, Ritchie demonstrates greater concern for a well-executed entertaining story than a thought-provoking message. While we certainly need motion pictures that challenge us, we shouldn’t forget that we also need pictures that are simply fun! Well-written, directed, acted, produced, etc, but still highly entertaining at the end of the day. If you’re looking for a fantastically enjoyable time at the cinema this weekend, then checkout Guy Ritchie’s The Gentlemen.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

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“Last Christmas” mini movie review

Just the Christmas gift we needed this holiday season! Don’t be so quick to judge a holiday movie by its trailer. Much like we so often judge a book by its cover or a streaming movie based upon its thumbnail image, the same can be said for Christmas movies that look like they belong on Hallmark channel but somehow got a theatrical distribution. Paul Feig’s Last Christmas, written by Emma Thompson, is a heartwarming Christmas movie that is surprisingly deep and thought-provoking. If you’re a fan of his work, like I am (except for the Ghostbusters that doesn’t exist), you are familiar with his innate ability to take what looks like one movie, but then deliver something entirely different but completely brilliant in the execution that subverts expectations. Take Spy or last year’s A Simple Favor for examples. If you haven’t seen either, do yourself a favor and watch them! I absolutely adore how this movie takes what could simply be another paint-by-the-numbers romantic dramedy but provides audiences with a memorable movie built upon a simple plot and complex characters that audiences are sure to connect with. Kate played by Emilia Clarke (aka Mother of Dragons) is simply a treasure! And her costar Henry Golding, who plays Tom, is one part moral-compass and one part love interest. Follow Kate on a transformational journey that explores how constantly playing the victim and blaming everyone else for your problems can lead to destructive behavior. I appreciate the unconventional approach to Christmas movies this one takes. It doesn’t hold back on the cynicism that many people have about life or about the holiday season. The movie depicts true-to-life people that experience real struggles within the family unit and from the outside. In addition to the interpersonal relationship conflict, Kate’s family is also from the former Yugoslavia. This is an important subplot in the movie because the movie seeks to comment on the prejudice that some refugees-turned-citizens experience, especially in the midst of political turmoil. Like I said, this Christmas movie is surprisingly deep. The most powerful Christmas story ever (other than the Nativity) is Charles Dickens’ A Christmas Carol, and why is that? Because it’s a story of redemption. If Scrooge can be redeemed, we can all be redeemed. Kate is our Scrooge in this story. Perhaps that is why so many people love it, it parallels A Christmas Carol in beautiful ways, yet it doesn’t–on face value–appear to be an interpretation of it. Do yourself a favor and plan to make Last Christmas part of your holiday season.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

Follow him!

Twitter: RLTerry1

Instagram: RL_Terry