“Thor Ragnarok” movie review

Norse mythology meets Gladiator meets 80s vintage video game in this non-stop adrenaline pumping action film. Suffice it to say, everything you’ve heard about Thor Ragnarok from your friends is true. It is an incredibly fun movie that is equally well written and directed. For anyone who follows my blog, it is no secret that I typically do not like the Disney-Marvel films (and for good reason), but the focus of this review is on THIS particular film. I state that because, honestly, I very much enjoyed this film! So, it comes from liking the structure, characters, plot etc. not just from being a fan boy, or lack thereof in this case. Not only an excellent third sequel, but this movie can easily stand on its own. Whether you have watched the other MCU (Marvel Cinematic Universe) films or not, you can rest assured that you can enjoy this superhero movie. With the way the initial trailers were cut, I thought that this was MCU’s way of jumping onto the 80s nostalgia band wagon–not so. Oh, there is definitely an 80s video game vibe about the film, but the focus is on the characters and storytelling, not the nostalgia. There is also a self-aware element of this film. Not to the extent Deadpool is self-aware, but Chris Hemsworth’s Thor has a twinkle about his eye that winks at the audience so that we know that he is aware of the corniness and ridiculousness of the characters and plot. But the magic of this film is just how well balanced the content of the film is. There were many times that the plot lended itself to falling apart, but the solid cast held the film together and provided audiences with one of the best movies in the MCU.

When Thor learns of a dark, hidden family secret, he must confront the deadliest enemy he has ever faced off with in his life. But the legendary hero encounters far more than he ever expected. The mighty Thor finds himself imprisoned on a faraway planet and forced to battle in gladiator-style games. Little does he know that the winningest challenger on the planet is his former ally The Hulk. Thor must survive the deadly gladiator-like battles in order to build his team to defeat Hela, the Asgardian goddess of death who is destroying his home world.

One of the principle themes in this film that enables this one to be more and deeper than other MCU films is just how similar it is to a conventional war picture. There are hints of courts of intrigue as well. The complex plot provides a comprehensive foundation upon which a more superficial story can be developed in order to appeal to wide audiences, with few appreciating the deeper themes and subtext. But it takes more than effective and well-developed writing to build such a solid movie, it takes multi-dimensional characters portrayed by impeccable screen talent. You’ll find all of that in Thor Ragnarok. Although his screen time is brief, Anthony Hopkins’ Odin commands the screen with confidence, wisdom, and sincerity. Few actor’s can take a few minutes of screen time and put more cinematic magic in it than Hopkins. After all, he won his Oscar for Silence of the Lambs for his collectively few minutes on screen. Joining the cast are Jurassic Park’s Jeff Goldblum and the beautiful, talented Cate Blanchette. Goldblum’s Grandmaster of Sakkar is hilarious and brilliant. As you’d expect a Goldblum character in a film like this to be: detached intellectually from that which is seen as conventional, smart-alecky; yet, he is also petty, sadistic, and relentless. Blanchette’s Hela is elegant, sadistic, and intelligent. She is perfectly able to be the comic book-esque villain she needs to be, all while bringing about a pedigreed acting to it.

All the technical elements of the film works excellently together. The most memorable of those elements is the music, for me, followed by the visual effects. I absolutely loved the nod to Willy Wonka and the Chocolate Factory during Thor’s transport to through Sakkar. This works because (1) the scene it shot and edited similarly to the boat scene in the aforementioned movie and (2) Goldblum’s Grandmaster is a Willy Wonka type. Throughout the film, there are 80s video game sound effects and a score that could fit into a nostalgic 8bit video game. However, the nods to Willy Wonka and video games do not overpower the more conventional score. Whereas the visual effects could have gone overboard and made the film play off as a video game, the video game like effects where carefully integrated in order for the film to maintain a high show quality.

The film was initially sold as a funky, colorful, comedic MCU film. And there are times that the film also encroaches upon that animated feel, but it never crosses that line–thankfully. The more serious aspects to the film balance out the slapstick moments. All of this works together to execute perfect pacing and plot/character development. Like with most MCU films, the more adventurous parts of the film are not quite adventurous enough to be an adventure film and there is typically a predictable nature about the film. I find that this film is not as predictable as previous MCU movies, but there is still that experience with this one. There is one particular part to the showdown of the film that prohibits this from falling victim to another cliche MCU ending with an epic battle, bodies flying through the air, and cities on fire, but I cannot reveal that without giving away the ending.

Looking for a fun movie to watch with your friends? Then this is a solid choice. Although the film has its diegetic flaws, the ways it succeeds outweighs the shortcomings. You also do not have to have seen the other Thor movies and really don’t even need to have seen the previous Avengers films, albeit helpful to understand some of the minor plot points. It’s definitely one that has re-watchabbility.

“Doctor Strange” movie review

drstrangeA perfect blend of stunning visual effects, character development, and even a hint of the avant-garde in this strange superhero film of East-meets-West. Unpredictable. That is definitely not a word typically associated with superhero genre movies. Not that the plot was entirely unpredictable, but Benedict Cumberbatch delivers a very Patrick Stewart-esque performance as the neurosurgeon turned mystic Dr. Strange in the film that bares his name. This is a superhero film that strikes a strategic balance between traditional superhero storytelling and social commentary. Not without the trademark explosions and dynamic action sequences, Doctor Strange is clearly concerned with and focusses on the character development of Dr. Strange. In a film that could have so easily rested its laurels upon the innovative, intriguing, and exquisite visual effects, it chose to place more emphasis on the drama between characters. Ordinarily, if you follow my blog, you know that I do not typically write positively about superhero films, with some exceptions such as: Batman ReturnsDeadpoolX-Men: Days of Future Past, or Guardians of the Galaxy; however, Marvel/Disney’s Doctor Strange was incredibly enjoyable as both a movie AND film (and yes, there is a difference). For those in the audience who perhaps struggle with being self-centered, the plot and character development in Doctor Strange will likely ring true and act as a mirror of how you may actually come across to people; and furthermore, how to break the cycle. Although this is clearly a typical blockbuster movie, there are trace-amounts of many elements often found in art house films in the stylistic way some of the sequences are shot. Doctor Strange, a truly multidimensional experience.

From Italian sports cars, European watches, and Armani suits to a rundown far eastern temple, famous neurosurgeon Dr. Stephen Strange’s life radically changes after a severe car accident leaves him without full use of his hands. As an expert in the field of bio-medical science, Dr. Strange seeks assistance from traditional western medicine. Convinced that no one except he alone can repair the nerve damage in his hands, Dr. Strange turns to eastern medicine following an encounter with someone who now walks who was paralyzed. Learning that the mysterious enclave of monk-like mystics is a front to a battle beyond the plains of normal existence, Dr. Strange is faced with the decision to use his newly acquired abilities to help fight against the evil seeking to rip the fabric-work of the earth from beneath the feet of millions of innocent citizens or use his powers to regain full use of his hands. With such a deep desire to go back to his successful life in western medicine and to repair a relationship he squandered (Rachel McAdams), he is faced with a monumental decision.

No slow wind up here. Doctor Strange‘s prologue is a breathtaking array of choreography and a dizzying spectacle of Inception-like folding of matter and energy visual effects. Instead of wondering why or who, the audience will be in sheer amazement at the beauty of it all. Opening with a prologue like this was critically important for this comic book icon that many had not heard of prior to the announcement of the movie (‘many’ as in those who are unfamiliar with the comics). Director Scott Derrickson (Exorcism of Emily Rose and Sinister) has clearly approached the Marvel universe from a different direction that most others, and it shows just how perfect a decision it was of Marvel/Disney to select him for the job. Although I was greatly impressed with the visual effects and fight choreography, I was worried that I was going to need to take a dramamine to make it through the majority of the movie. But then, it happened. A veritable bait-and-switch. From an action-packed Matrix-y sequence through a view of Manhattan as seen through a kaleidoscope of shapes and distortions to an operating table, I did not know the direction this film was going. Perfect. So often superhero movies are basic–fun–but basic. I also appreciated the humorous juxtaposition between the seriousness of surgery against the backdrop of late 1970’s rock music. Just within the first few minutes of this film, I was convince that this movie was going to be unconventional but strangely enjoyable.

Such a great cast! Part of the success of any movie is the cast and the respective roles they deliver. Not merely selected for their respective appearances, the main cast of Doctor Strange each brings a unique blend of talent into the mix. Cumberbatch plays an eccentric ego-maniacal self-centered high on himself doctor extremely well. So well that his development was quite convincing on his journey from selfishness to selflessness. Playing opposite him most of the movie is Tilda Swinton (Wes Anderson veteran actress seen in movies such as The Grand Budapest HotelMoonrise Kingdom, and more recently in the Cohen brothers’ Hail, Caesar!) as the Ancient One. She provides the ideal counterbalance to Strange’s over-inflated ego. Difficult to read, I was never quite sure which team she was on, and you’ll have to watch the movie to find out. Her performance was dynamic and convincing. Cast in the role of spurned lover Dr. Christine Palmer, Rachel McAdams does her McAdams thing so incredibly well. I also greatly appreciate how even when dressed in hospital scrubs she still graces the screen with her beauty. She may have bet spurned by Strange, but she gives it right back to him. Each and every member of the principle and supporting cast truly contributed to the success of the storytelling in this film.

At the core of this film is solid writing. The characters are multidimensional and the writing contains a bountiful buffet of bright, brisk entertainment that typically seems to do justice to the feel of the comics. Not saying the all the Marvel Movies (whether Disney or Fox) are better comic book adaptations than D.C. (Warner Bros), but they operate on a tried and true method of delivering a visually driven story that appeals to general audiences. Due to the fact that Doctor Strange and other Marvel movies DO rely upon tried and true methods of cinematic storytelling, there is little to no risk for the production and distribution companies. On that note, the D.C. movies are typically more edgy and riskier. Despite the rather dark plot of Doctor Strange, there is sufficient humor here and there to keep the audience from entering into a stagnate emotional state.

Whether you are familiar with the comic book series Doctor Strange or not, this is definitely a movie and film worth watching. Even if you have not seen the other Marvel movies (which is doubtful but possible), you can watch this one and not feel lost at all. That is likely due to the fact that Disney/Marvel knew that most people were unfamiliar with this character and needed to be introduced to him and his universe. If you’re into innovative visual effects, then you will be in awe at the effects and editing of Doctor Strange as well.