I created this infographic using Piktochart for the Media Writing class I teach at the University of Tampa. This infograph outlines some of the correlating criteria in respect to the films that win the Best Picture Oscar at the Academy Awards.
An intriguing, provocative psychological thriller that’s an innovative example of neo-noir avant-garde cinema with a touch of mystery. Gore Verbinski’s A Cure for Wellness is a thought-provoking film that hooks you from the very beginning and continues to draw you into the narrative with its labyrinth of subplots and incredibly beautiful cinematography. Although it certainly borrows turning points and plot devices from past films, A Cure for Wellness provides audiences with an experience that is unique and protects the film from being pigeonholed into any one sub-genre of horror or directly compared to other movies that have similar attributes. With impeccable production designs and serene landscapes juxtaposed against cringe-worthy disturbing imagery, Verbinski’s ambitious film is one that cinephiles will appreciate and find enjoyment in discussing the various themes, symbols, and visual storytelling elements that seamlessly work together to create a cinematic experience that stands out against the homogeneous horror/mystery-thriller past films. Justin Haythe’s screenplay sets him up for continued success as he demonstrates, with this film, that he can cross into new genres and hook the audience early on. Despite the occasional slow-burning periods in the narrative, you will not likely feel the nearly 2.5hr runtime.
After he receives a corner office in a high rise building, a stock broker finds himself involved in an investigation that requires the presence of the entire board. Mr. Lockhart (Dane DeHaan) is forced by his fellow directors, on the board, to fly to Switzerland to retrieve the CEO in order to complete a proposed merger to save the company from closure. Little does he know that those who voluntarily check in to the mysterious wellness center seldom desire to leave the prestigious mountaintop retreat-like spa and its famous water. When the CEO of his company refuses to leave the comfort of the retreat, Lockhart decides to wait it out in the village below the hilltop. After a bizarre car accident on his way back into town from the institution, Lockhart finds himself a patient due to his broken leg. Under the guidance of Dr. Volmer (Jason Isaacs), Lockhart experiences all the wellness center has to offer to the patients and guests. However, he cannot help but feel that there is a darkness surrounding the cult-like daily operations at the spa and begins to dig into the history of the prestigious wellness institution. After meeting a rather unusual patient at the institution named Hannah (Mia Goth), Lockhart is determined to unravel the mystery of how so many people, including himself, are diagnosed with the same bizarre ailment that keeps them there for the cure.
Beautiful. The first cinematic element that will jump out at you will be the incredible cinematography and picturesque landscapes of the Swiss Alps. From the moment the film opens, there is a tone that inspires you to look at and listen for details throughout the film. The fact that the teasers and trailers reveal very little about the plot is beneficial to the overall experience of the film. Just when you think you have the plot figured out, you will be thrown for a loop and question what you thought was predictable. In all fairness, I figured out a very important aspect to the plot midway through after a particular line delivered by one of the central characters prompted me to have one of those aha moments. However, I was still continually intrigued by the film’s diegetic delivery and visual storytelling. The fact that I figured some rather crucial information did not detract from the experience. Early on, it is clear that there is something not right with the spa, and gathering information and piecing together the puzzle will draw you in closer to the film. Without giving anything away, there are definitely clues along the way that reveal the dark mystery and history behind the exclusive mountain retreat wellness institution.
Dane DeHaan delivers an excellent performance as Lockhart, and provides the perfect balance of entitled Wall Street prick, detective, and humanitarian on a rescue mission. Jason Isaacs, no stranger to playing a creepy villain, delivers a disturbingly convincing performance as the strange doctor overseeing the almost clandestine treatments for an unknown sickness. Mia Goth’s performance adds a great deal of uneasiness to the film by coming across as innocent, child-like, all the while hiding something creepy and peculiar about her very pretense at the facility. Bojan Bazelli’s cinematography is breathtaking and is successful at completely immersing the audience into the mountain top world of the Swiss Alps. Whether following a train or an extreme close-up of the human eye (a staple in horror films), the visual art he paints with the camera serves to provide solid visual storytelling. Directing such a complex film requires great patience, organization, and effective guidance. Verbinski channels his success with The Ring (2002) by integrating some similar stylistic techniques in A Cure for Wellness. Speaking of the title itself, the irony in the title isn’t realized until the third act; but, delivers an outstanding payoff that will prompt many discussions in a film studies class. Stylistically, the film sits at a crossroads between avant-garde horror and neo-noir with some science-fiction and mystery thrown in for good measure and intrigue.
Despite many reviews slamming the film for a complex system of subplots and not enough traditional terror in the narrative, this film is a fine example of an outstanding vision that is seldom seen on the silver screen due to the fact that it will not likely make a lot of money, but it adds critical value to the art of motion pictures. Instead of creating a film that would have included many of the more typical tropes in this hybrid science-fiction mystery/thriller, Verbinski chooses to meticulously craft art for the screen. For the squeamish, there are definitely some scenes that will churn your stomach and even some disturbing imagery that many will like to unsee. If you enjoy avant-garde cinema or even innovative neo-noir storytelling, then you will likely enjoy this film and appreciate the vision of the director as well as the beautifully complex themes, subplots, and symbolism.
Written by R.L. Terry
Edited by J.M. Wead
Want to visit the beach and Legoland while in Florida? Well, Legoland Florida Resort will be opening their newest resort hotel property in April. The Legoland Beach Retreat combines the best of scaled LEGO designs with many of the amenities and features of staying beachside. Whereas the actual beach is over an hour away, Legoland pulled out all the stops to create that beachy atmosphere for future guests.
The Beach Retreat is a more affordable option for larger families or those families who are traveling together to Legoland. Since the resort hotel accommodations are in the form of beach bungalows, there is plenty of room for you and the kids! Each bungalow is placed in a cove with other bungalows with a playground in the middle. Located off a large lake, this resort property feels every bit as close to the ocean as the Polynesian Resort does at Walt Disney World. Incredibly colorful! I loved the feeling of being a LEGO figure amidst a beachside neighborhood. For those who want to dine at the resort or simply grab a drink, then head to the Lighthouse!
Although the resort is still under construction, I was able to attend a media day the other day. Once the hotel is completed, I will definitely return to take more photos. But, I have a couple photos included with this article so you can get an idea of what the hotel will look like.
Legoland Florida is expanding rapidly, and that is exciting indeed! With a theme park, water park, deluxe hotel, and now moderate hotel, where will it expand next??? Oh yeah, don’t forget to check out the newly opened Ninjago World as well!
Nonstop antics, action, and thrills! Warner Bros. and Ratpac Dune present a movie that is equally one-hundred percent Batman whilst still completely LEGO. From the moment the opening title sequence of logos appears under the voiceover of a self-aware Batman, this brilliant animated film will take captive your attention and draw you in with a batarang of perfectly choreographed fight scenes and incredibly well timed self-reflexive humor. The LEGO Batman Movie is an entertaining combination of a contemporary story on the backdrop of Batman nostalgia. Whether you are a fan of the show from the 1960s, the Burton universe (as I am), the dark world of Nolan, or Snyder’s, you will find strategically placed references that fit exceptionally well into this LEGO universe. While the film is aimed at a younger audience, there are humor, easter eggs, and allusions to the various Batman shows and movies for adults to appreciate. Underscoring the over-the-top high concept plot, is a heartwarming story of love, family, and friends. This Batman movie pulls out all the stops as most, if not all, Batman’s villains receive screen time as well as other members of the Justice League with Batgirl and Robin. Oh yeah, the Joker IS actually in this Batman movie! With a 90% on Rotten Tomatoes and an 8.1 on IMDb, this film is sure to be a huge success this weekend.
When after a failed attempt at a takeover of Gotham by the Joker (Zach Galifianakis) and his henchmen, Batman (Will Arnett) is all too happy to accept all the credit for stopping the squad of villains. However, this time is different. The Joker and his henchmen give themselves up to the new Commissioner [Barbara] Gordon (Rosario Dawson). When the law enforcement and people of Gotham conclude that there is no longer a need for a masked vigilante, Batman finds himself having an identity crisis. Meanwhile, at a party, Bruce Wayne accidentally adopts young Richard Greyson (Michael Cera), and now is faced with the challenge of balancing his newfound role as a parent with Batman’s penchant for crime fighting. With pressures from Alfred (Ralph Fiennes) and Barbara Gordon mourning in Batman’s personal and professional lives, he must work through these challenges in order to save the city. Only this time, he may not be able to do it on his own.
What’s not to like??? The LEGO Batman Movie is one of those animated films that is perfect for (1) the whole family and groups of friends, as well as (2) legacy and new Batman fans. Just the animation and production design are positively mind blowing. With few exceptions, every design in the film from people to buildings and vehicles can be created with those iconic plastic building blocks. Much like with the previous LEGO movie, other LEGO universes get screen time as well (some of which are mentioned by name and others are implied), such as Lord of the Rings, Harry Potter, Jurassic Park, King Kong and more. With all the characters in the film, the focus is never shifted from Batman and Joker. There are many rabbit trails the film could have gone down, but it always stays true to the central characters. Overstimulation is another risk in a film like this one; but, for all the action sequences and ensemble casts, never once does the film feel that it is way too much to take in and enjoy. On top of the brilliant animation and design, is solid writing with excellent character development. Crafting the vision is director Chris McKay. Selecting the right director to handle all the elements of a LEGO movie is no short order. And Warner Bros and Ratpac Dune made a killer choice in McKay who brought us Robot Chicken: Star Wars: Episode III.
One of my personal favorite elements from the movie is the nostalgia meticulously and strategically woven into the plot. If you grew up watching the show from the 1960s or even reruns with your parents, you will be surprised with the echoes of the past and how they fit in perfectly with this Batman world written by Seth Grahame-Smith et al. Even the pow, bam, zap sound effect bubbles make a cameo appearance. The LEGO Batman Movie offers the best of all the Batman stories over the years. As I am not familiar with the Batman comics, I imagine that there are comic book references in the film for the enjoyment of that audience as well. Not as self-aware as Deadpool, this film does contain a hint of self-awareness, but never takes the place of the foreground action; however, it supports the main story nicely. Even the costumes are representative of many Batman universes. For the most part, Batman’s costume is rooted in the one worn by Michael Keaton in Batman and Batman Returns, but Batgirl and Robin’s costumes, respectively, are more reminiscent of the show from the 1960s. Joker is an excellent combination of the, in my opinion, definitive Joker: Jack Nicholson but hints of the more recent Jared Leto and Heath Ledger Jokers are in his costume, makeup, and behavior. We even get a more accurate representation of Harley Quinn in this film. There is quite literally something for everyone in LEGO Batman.
Looking for a great film to watch this weekend that doesn’t involve some sappy victimized Stockholm Syndrome-esque warped love story? Then head to your local theatre to catch The LEGO Batman Movie on the big screen! What better way to spend the weekend leading up to Valentine’s Day than laughing with your date??? Even if you’re spending Valentine’s Batman style–flying solo–you will still have a great time at this movie.
Following the ending of the Studio System, the now bankrupt motion picture studios were purchased by various conglomerates looking for new sources of income. One of the sources of income that studios began investing into was the concept of movie-based theme parks. With the opening of Walter Elias Disney’s Disneyland in 1955, Universal Studios made the decision to incorporate stand-alone attractions into its newly reopened studio tour. Both Disneyland and the future Universal Studios used their intellectual property (IP) as the basis for creating theme park rides, shows, and attractions. Although movie studios as a “park” began with Laemmle, in its current incarnation, the convergence of cinema and theme park began with Disneyland, and later was perfected by Walt Disney World and Universal Studios Florida. Since the movie studios already had dedicated movie-going audiences, it made sense to capitalize on the idea of incorporating the concepts from the movies into attractions that the general public could enjoy and be immersed in. This action both acts as advertising for the respective studios and generates income for the movies and park improvements…
For the full article on the Thrillz website, click HERE!
R.L. Terry ReelView 