“A Simple Favor” full movie review

Sleek, stylish, sexy! The best “lifetime movie” ever. Either the marketing of this film was the most misleading or the most brilliant! And yes, I truly believe that lifetime movie is a legit subgenre of suspense. Dark comedy meets neo-noir in this fantastic movie. It’s twisted and fun! Thrilling and comedic, Paul Feig’s film engages in a delicate balancing act that required extreme precision to ensure that the film not make any movement, miss a beat, or gloss over a turning point that could have would up disastrous. Much in the same way Feig’s Spy struck brilliant balance between comedy and serious spy movie, he proves that he has the ability to replicate the approach. Gives me hope for the highly anticipated Spy sequel that rumor has is happening. But we will have to wait and see if that rumor comes to fruition. Containing solid performances from Blake Lively and Anna Kendrick, the film also comments on the mind games woman and mothers play with one another. In fact, A Simple Favor delivers some unconventional yet thought-provoking commentary on motherhood and parenting. For all the commentary in the film, it never tries to be preachy or dogmatic about how women and mothers should behave or treat one another. Various parenting styles are played around with in hilarious ways. While the plot may seem like a satire or parody of Gone Girl, there is enough that is different that is certainly feels like a unique movie. There is nothing accidental about how all the elements came together to give us a fantastic movie; everything is intentionally executed with extreme care in order to deliver a lifetime movie that is suspenseful and, at times, slapstick funny.

Be careful when you fulfill a simple favor from a friend. Stephanie (Anna Kendrick) is a simple mom who’s extremely active in his son’s school and runs a successful “mommy” vlog. Emily is the director of public relations for a major fashion brand and is never active in her son’s school. Through a series of unpredictable events, Stephanie and Emily become best friends, even though on the surface, they couldn’t be any different from one another. One day, Emily asks Stephanie for a “simple favor” to pick her son up from school because of a work emergency. It soon becomes clear that Emily is not coming home. And Emily then begins a investigation into the disappearance of her friend. After the cops get involved, the mystery takes a turn for the bizarre, and Emily must find out what happened to her friend and mother Emily.

Immediately, the opening stylistic credit sequence informs me that this is not going to be a typical murder-mystery movie. The title sequence reminds me of the same one Feig used for Spy. Amidst the angular single color designs are images of women’s fashion. One of the takeaways from the trailer was the amazing costume design and fashion in the film. Setting the tone for a sexy thriller is successfully accomplished in using this imagery. It’s a throwback to the style of the 1960s spy movies that featured women in killer attire that was absolutely perfect in every way. Much like in television, movies have largely moved away from artistic opening title sequences. What I love about a creative opening title sequence is that it can set the tone for the rest of the movie. Think of it as the cover art or preface of a book. Since this movie is based on a book, I like how the opening title sequence seems to be a manifestation of the cover or opening of the book. From the opening title sequence effectively communicating the tone of what we are about to watch, the opening scenes of the film inform us precisely who Stephanie and Emily are. Stephanie is almost a caricature of an enthusiastic crazed Martha Stewart mom juxtaposed against Emily’s high-fashioned, corporate power cynical mom who still loved her kid. Conflict should derive from character interactions even before the plot creates conflict, and this film gives us two characters that provide exceptional and comedic conflict right at the beginning. The characters draw you into the story. It is obvious that the characters were developed first.

Before we even talk about the commentary on motherhood, there is a lot to explore in the respective personalities of Emily and Stephanie. Each personality and worldview is incredibly unique. What isn’t unique between the leading ladies is the fact that they are both incredibly intense individuals. Stephanie pours her tenacity into her vlog and being a “perfect mom” whereas Emily pours her energy into her career and keeping everyone who wants to gets close to her at bay. While Stephanie is enamored with Emily, she misses some indicators that there is something not quite right with Emily. But because of her desire to be friends with Emily, Stephanie chooses to overlook Emily’s bizarre behavior. Behavior that would drive the rest of us away such as being taken advantaged of, belittling, patronizing, just to name a few. There is a scene in which Emily snaps at Stephanie for taking a candid picture with an attitude that could cut glass. There is something Emily admires about Stephanie too. Stephanie’s constant positivity and genuine authenticity. Qualities that Emily does not have. And Stephanie admires the hyper-sexualization of Emily. In many ways, what makes them different, actually complements one another. Yin and Yang.

Beyond the mystery of A Simple Favor, which I won’t explore because it would spoil the plot, there is a subtext of commentary on motherhood. Both are mothers, yet one of them is clearly the femme fatal. The film sets Emily up as the femme fatal from the moment she steps out of her Porsche in the killer suit and devilish stiletto heels, topped with a fedora directly out of a film noir. Stephanie is the poster-child overachieving mom with her volunteering, smart mom outfits, and baking. Each is essentially an extreme of their respective type of mom. The unconventional intimacy between Emily and Stephanie allows Feig to have the support for the dramatic shifts and turning points in the plot. Whether you may be a dedicated stay-at-home mom (which, can be a full-time job–let’s be honest) or a jet-setting corporate work-life balance mom, the pressures of motherhood (or more broadly parenting for all the fathers out there) can bring out the worst in someone. While day spas, laughter, makeovers, or a glass of wine on a balcony may be perfectly fine most of the time to provide relief from the stresses of parenthood, sometimes a mom (or dad) needs something a bit more engaging, tawdry, hair-let-down, steamy, and intriguing. Something that provides some much-needed disorder to keep things interesting. And that is precisely what happens in A Simple Favor. Instead of taking either extreme position from which to be a parent, perhaps the best answer lies somewhere in the middle. Don’t forget that even overachievers need to let their hair down.

If you enjoyed Gone Girl and Spy, then you will undoubtedly enjoy this brilliant thriller that is both suspenseful and funny. Paul Feig is proving that he can consistently walk that fine line between comedy and thriller or comedy and suspense in order to deliver films that take themselves seriously as both a comedy and a more serious work. Furthermore, Feig proves that he can provide an excellent platform for charismatic female actors to showcase the range of their talent. A Simple Favor delivers a plot that is simple yet contains many intricate pieces and surprise reveals. You will be completely engaged the whole time.

Ryan is a screenwriting professor at the University of Tampa. If you like this article, check out the others and FOLLOW this blog!

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“Alpha” full film review

Visually stunning! You’re missing out if you do not choose to see Alpha in IMAX this weekend. The experience of many movies does not significantly change between standard and IMAX screenings, in my opinion; but because of the sweeping landscapes in Alpha, you’ll certainly want to experience it IMAX. However, I do not recommend watching it in 3D. The advanced screening to which I was invited was 3D, and I feel strongly that the cinematography is better appreciated in 2D. Alpha is one of those films that flies under the radar because it is quite niche in nature. Ordinarily, I am just as excited to see the smaller films as the big ones; but this is even a film that I wasn’t thinking much about. The power of visual storytelling is felt in this film that is set shortly after the last ice age, for there is minimal dialogue. And the dialogue that is in the film, is found in the subtitles because the film is in an unfamiliar language. Neither the foreign tongue nor the subtitles take away from the film. In fact, the absence of English and the minimal dialogue enable the audience to focus on the action. If you’re a dog lover or simply interested in anthropology, then this is a film for you.

Alpha tells the story of how the wild dog (or wolf) became man’s best friend. Taking place at the end of the last ice age, a northern European tribe of men is making the arduous journey across the tundra to the sacred hunting grounds where the bison roam before the first snow. On his first tribal hunt, Keda, son of the chief, is put to the test to evaluate his ability to provide for himself and his family, and eventually his tribe. While he “leads with his heart more than the spear” as his father notes, he father believes that he will make the tribe proud. Following a tragic accident during the hunt, Keda’s father and tribe fear him dead and must return to the settlement before the blistering winter sets in. Waking from a coma on the side of a cliff, Keda is determined to make it back to his home. Facing a perilous journey, he must pull on all the lessons he learned from his father in order to survive the vicious frontier. Along the way, Keda encounters a lone wolf left for dead, abandoned by his pack, with whom he develops a friendship after many weeks, and both help each other, against all odds, remain alive in the treacherous wilderness.

If you can make it through the first act, then you will greatly enjoy this intense film. Thankfully the first act was edited in such a way that is does have a hook at the beginning, but the remainder of the first act is relatively slow compared to the rest of the film. Acts two and three, provide audiences with a gripping story of survival against the elements and unforgiving landscape. Diegetically, Alpha is pretty straight forward high concept plot that is simple to grasp. Survival. However, due to the simplistic plot, the film is able to dive deep into character development. Simple plot, complex characters. Much like with A Quiet Place earlier this year, Alpha is a testament to the power of visual storytelling. The juxtaposition between the vast open vistas, hills, and valleys and the intimate story between Keda and Alpha, is fantastic. Quite the contrast. The stories of Keda and Alpha parallel one another, as both were left for dead by their respective tribes. In the tribes’ defense, both were genuinely thought to be dead. Alpha must work though wild instincts to trust Keda, as Keda is working to rehabilitate Alpha; likewise, Keda must work through his own weaknesses to teach himself how to survive and trust Alpha. Overcoming adversity and establishing trust are themes through the story. Even though the end is predictable, your attention is still captured for the duration of the film to witness just how Keda and Alpha are going to survive. The ending does hold a surprise for the audience, and for the characters I might add.

For lovers of anthropology or our canine friends, this is definitely a film that you will enjoy. Although the film has a PG-13 rating for intense moments, I would rate it PG. The film also possesses an inspirational nature about it, because we have all found ourselves in the wilderness trying to survive. Maybe we haven’t been stranded in the unforgiving tundra, but metaphorically we have been there.