SuperFULL. James Gunn’s Superman is bursting at the seams with plots and characters, resulting in an overwhelming experience. But, the lead characters and hero’s journey are truly super. While weak on narrative, Gunn’s take on the man of steel sticks the landing on the lead characters. And it’s the characters that will keep you sufficiently enough vested in the movie.

When Superman gets drawn into conflicts at home and abroad, his actions are questioned, giving tech billionaire Lex Luthor the opportunity to get the Man of Steel out of the way for good. Will intrepid reporter Lois Lane and Superman’s four-legged companion, Krypto, be able to help him before it’s too late?

While the plotting and many characters lack fine-tuning, David Corenswet’s Clark/Superman and Nicholas Hoult’s Lex Luthor feel like extensions of their comic book origins–in all the best ways possible. Corenswet delivers a Superman that displays the strength and powers that are synonymous with the character, but Gunn adds in a discernible human dimension that has long-since been missing in Superman to make him more human, more relatable. Hoult’s Lex Luthor is nightmarishly deplorable and demonstrates the power of greed. Rachel Brosnahan’s Lois Lane strikes a fantastic balance between hard-hitting journalist and romantic; the chemistry between Corenswet and Brosnahan land on an ideal formula for character development and an old-fashioned romance.

Gunn underscores the movie with some thoughtful social commentary on the fickleness of society, terrifying power of social media, and fickle nature of broadcast media. He cleverly embeds this timely commentary beneath the movie’s spectacle, offering a pointed critique of our shallow, performative culture. Through Clark’s interactions with a world obsessed with optics and outrage, the film holds a mirror to the hollow validation of social media, where sincerity is traded for virality and truth becomes secondary to trend. Gunn also confronts the fickle nature of society itself — how easily the public elevates heroes only to tear them down at the slightest misstep, revealing more about our own insecurities than the hero’s flaws. Even broadcast media doesn’t escape unscathed; the film paints it as a machine of half-truths and spectacle, perpetuating narratives that distort rather than illuminate. In these ways, Superman emerges not just as a story of a man learning to save the world, but as a subtle indictment of a world that seems increasingly uninterested in being saved — at least, not sincerely.

James Gunn’s choice to craft a more human, more relatable Superman is not just a bold creative pivot — it’s an overdue course correction for a character who, for decades, has too often felt like a distant monument rather than a man. Traditionally, Superman has been written and portrayed as a flawless demigod: morally unassailable, physically unstoppable, and emotionally impenetrable — admirable, yes, but also alienating and, frankly, boring. Gunn understands that audiences connect most deeply not with perfection but with struggle, doubt, and vulnerability. By leaning into Clark Kent’s humanity — his insecurities, his quiet kindness, his yearning to belong — Gunn breathes new life into a character long encased in marble. In doing so, he not only makes Superman interesting again but also reminds us that heroism is not about being invincible; it’s about being profoundly, recognizably human.

For all its noble intentions and flashes of brilliance, Gunn’s Superman suffers from a narrative that simply has far too much going on — and not in a way that feels rich or layered, but cluttered and exhausting. In trying to weave together a pantheon of ancillary characters, subplots, and Easter eggs, the film forgets that its emotional core should be Clark Kent’s journey, not a checklist of cameos and teases for future installments. The supporting players, while individually intriguing on paper, pile up to such an extent that they suffocate the story rather than enrich it, leaving audiences with a nagging sense of being overwhelmed rather than immersed. Instead of honing in on what makes Superman compelling, the movie disperses its energy in too many directions, diluting its impact and leaving the viewer wishing it had trusted more in simplicity — and in its titular hero.

Definitely not your dad or grandfather’s Superman; however, this is a Superman that remains super yet connects with audiences through the human dimension.

Ryan is the general manager for 90.7 WKGC Public Media in Panama City and host of the public radio show ReelTalk “where you can join the cinematic conversations frame by frame each week.” Additionally, he is the author of the upcoming film studies book titled Monsters, Madness, and Mayhem: Why People Love Horror. After teaching film studies for over eight years at the University of Tampa, he transitioned from the classroom to public media. He is a member of the Critics Association of Central Florida and Indie Film Critics of America. If you like this article, check out the others and FOLLOW this blog! Follow him on Twitter: RLTerry1 and LetterBoxd: RLTerry