Ryan’s Top 10 Films of 2019

Ryan's Top 10 Films of 2019 (1)Here it is! My Top 10 Films of 2019. Last week, I published my Top 10 Films of the Decade, but here is my selection for Best Films of 2019. It’s been quite the banner year for cinema, and it was so difficult to narrow my list down to 10 plus a handful of honorable mentions, but I am ready to share it with the world.

10. Last Christmas: Paul Feig’s Last Christmas, written by Emma Thompson, is a heartwarming Christmas movie that is surprisingly deep and thought-provoking. I appreciate the unconventional approach to Christmas movies this one takes. It doesn’t hold back on the cynicism that many people have about life or about the holiday season. The movie depicts true-to-life people that experience real struggles within the family unit and from the outside. 

9. Ready or Not: Outstanding! Ready or Not is a brilliant horror comedy from start to finish. Fantastic screenplay, cast, direction, effects, everything works flawlessly. Probably the most fun movie of the summer. It’s a no holds barred dark comedy full of entertaining, campy dialogue and gruesome kills. Not since the cult classic Clue, has there been such an excellent horror comedy heavily influenced by the concept of a game. Samara Weaving slays audiences as the wedding dress wearing Grace as she transforms into this movie’s answer to Kill Bill.

8. Bombshell: Explosive! Bombshell is a brilliantly orchestrated and riveting film that takes you behind the scenes at Fox News in the months leading up to the oust of news business mogul Roger Ailes. Follow Megyn Kelly, Gretchen Carlson, and (fictionalized) Kayla as they battle the courts of public opinion and the seemingly impenetrable fortress of Fox News to take down the repulsive Roger Ailes. I went into this film prepared for a snark-filled satire, but what I was presented with was a meticulously written and directed docudrama that struck a fantastic balance between feature news story, so to speak, and motion picture.

7. Knives Out: Spectacularly crafted Whodunit! The kind of movie that would make J.B. Fletcher proud. Written and directed by Rian Johnson, Knives Out is a sleek modern interpretation of the a classic murder-mystery movie. He pays homage to Agatha Christie’s Poirot mysteries in terms of premise, but subverts what audiences expect out of a Christie mystery with his original expression, told through an outstanding screenplay complete with everything you want to get out of a Whodunit. You get it all: virtually everyone has a strong motive, plenty of deception, and a fortune at stake.

6. Doctor Sleep: A brilliantly unsettling and crisp horror film! Mike Flanagan’s Doctor Sleep is both an adaptation of the Stephen King novel, by the same name, and a direct sequel to Stanley Kubrick’s The Shining. Although many unplanned sequels to iconic classics are challenged to justify their own existence, and often fail to live up to the magic of the original, Flanagan defies the fate that so often befalls sequels and delivers a compelling film worthy to be connected to Kubrick’s cinematic masterpiece. Whereas the storytelling could have taken the easy way out, knowing that you would blindly accept virtually everything as long as you get to check back into The Overlook, it still offers a compelling, challenging narrative that brilliantly sets up the showdown at the most infamous hotel in all literature.

5. Jojo Rabbit: A complex film about a complex subject, but finds a delicate balance between humor and respect for the subject matter. Taika Waititi is offering a new perspective through the mind of a child of Nazi Germany. If Cabaret depicted the age of innocence that ended with the rise of the Third Reich, then JoJo Rabbit depicts innocence and disillusionment in the final days of the war. On the surface, this film comments on how Jojo’s worldview of the Jews transforms; however, there are nods to other groups that were also seen as undesirables such as gays. The fact that is wasn’t only the Jews whom found themselves targets for annihilation is often forgotten by the masses. Though there are times that Waititi comes close to crossing the fine line that he is dancing, he never crosses it, which allows the film to be enjoyable and comment on coming of age in a rather provocative way.

4. Little Women: Familiar yet fresh! Greta Gerwig’s Little Women is modern story of the complex emotions, societal expectations, and ambitions of women masquerading around as a period drama. It feels both “of its time” and “today.” While to the casual observer, this may seem like a story for women, young and older alike, it is a powerful story for anyone that has dreams but feels trapped by whatever societal or familial forces. Little Women is incredibly heartfelt and uplifts the human spirit. There is something for everyone in this movie that remains committed to its literary roots, yet plants itself in a modern garden to be appreciated by and inspire all those whom choose to watch it. Greta Gerwig’s masterful storytelling is evident from beginning to end, and all the performances are excellent. You will undoubtedly fall in love with this story all over again, or will fall in love for the first time.

3. A Beautiful Day in the Neighborhood: Outstanding motion picture that celebrates the power of kindness in a real tangible way. Marielle Heller’s A Beautiful Day in the Neighborhood starring Tom Hanks as Fred Rogers and Matthew Rhys as the skeptical journalist Lloyd Vogel. While you may think that this is a movie about the beloved children’s television host, Mister Rogers is a supporting character in this move that is truly about Lloyd Vogel’s personal journey through grief, forgiveness, and learning kindness. It’s a portrait about being human, and all the struggles and obstacles that come with it. Perhaps there has been no greater (non-documentary/bio pic) motion picture that has so accurately captured the human kindness at its best. Mister Rogers was not only an influential children’s television host, but he left a powerful legacy for everyone.

2. Once Upon a Time in…Hollywood: “The Hollywood that never was, and always will be” in this QT film that subverts expectations and delivers in spades. The ninth film from writer-director Quentin Tarantino is a brilliant historical fiction inspired by real events and people in film/television and Hollywood history. If you’ve been to Disney’s Hollywood Studios, you’ll recognize the opening quote. For the cinephile or film/TV/Hollywood history geek, this film will sweep you up in the story and setting; however, general audiences may find it difficult to connect to the otherwise fantastic story. Thankfully, the performances from the three leads DiCaprio, Pitt, and Robbie and strong supporting cast will keep you entertained for the rather lengthy runtime regardless if historic Hollywood is of interest to you or not. Once Upon a Time in… Hollywood represents a brilliantly entertaining homage to what is largely considered the end of the Golden Age in Hollywood.

Before I reveal my No.1 pick, here are some honorable mentions:

And the No.1 film of the year is…Judy: A truly gripping motion picture that will bring you to tears during this somewhere over the rainbow redemption story. Bring tissues. Renee Zellweger is captivating as Judy Garland, and you’ll swear that you’re watching Garland on the big screen. Although we may be familiar with the broad strokes career of the legendary entertainer, this film goes beyond the headlines and tabloids to deliver a true life story that could ironically be titled A Star is Born, or perhaps reborn. Ironic in that this film shows the life of a movie star after the lights have faded and the offers stop coming in, much like the movie she starred in. It’s a rise and fall story, of sorts, but is more precisely a fall and rise story as the movie focusses in on the last year of Judy Garland’s life. Whether you are a fan of the iconic diva or not, if you love command performances, then you do not want to miss the uncanny performance of Zellweger as Judy. All the way down to the mannerisms, vocal inflections, and over all behavior, she IS Judy. Although we all know of the tragic ending, no mistaking it, this film is an inspirational story of redemption.

There you have it, folks! My Top 10 of 2019. It’s been a great year at the cinema, and I look forward to what 2020 has in store for us.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

Follow him!

Twitter: RLTerry1

Instagram: RL_Terry

“Ad Astra” Film Review

A thought-provoking science-fiction exploration of the depths of self and space. Fox Searchlight’s Ad Astra starring Brad Pitt and Tommy Lee Jones is a visually stunning tour de force that will stick with you long after the credits roll. Not since Stanley Kubrick’s masterpiece 2001: A Space Odyssey have I experienced such a pure science-fiction motion picture. The plot is so simple, yet the characters highly complex. And the questions posited by the film provide an opportunity to not only engage your senses but also your mind. On the surface, it’s a search and rescue; but beneath that premise, the conflict is built around the idea of man vs himself and father-son relationships. What happens to our minds and relationships when we devote ourselves so intensely to our academic or vocational pursuits that life is flying past us? More specifically, this film’s thesis can be summed up in one impactful, memorable quote from the movie, “he could only ever see what wasn’t there and missed what was right in front of his face.” Perhaps I do not have it quoted precisely correct, but that line spoke volumes to me. Because I will admit to you that I often become so consumed by my studies, social media presence, and what I do not yet have that I sometimes neglect to value what I have right in front of me. In many ways, this film serves as a mirror to not only me, but to all those who allow work or other ancillary elements of our lives to consume our every thought instead of appreciating the relationships we have and the needs/wants that have been met. Powerful stuff. Not only does this film deliver an outstanding original story, but the cinematography, score, editing, and production design are stellar. It’s a testament to the ability motion pictures have to evoke us emotionally and physiologically. We may spend most of the movie with one character, but it never feels boring (maybe a little slow in places, but definitely not boring). Certainly one to watch while it is in theaters for the full cinematic experience.

Astronaut Roy McBride (Brad Pitt) travels to the outer edges of the solar system to find his missing father (Tommy Lee Jones) and unravel a mystery that threatens the survival of our planet. His journey will uncover secrets that challenge the nature of human existence and our place in the cosmos. (IMDb)

While I compare this movie to 2001: A Space Odyssey, their respective plots are different, so it does not feel like a movie that secretly seeks to remake the science-fiction classic. The strength of Ad Astra lies in the exemplary screenwriting. We have a clearly defined central character, an external goal, and the subplot driven by the need that supports the motivation to achieve the goal. Every scene meticulously peals back layers that reveal to us the depths of Pitt’s character of Roy and consistently point us to his journey to locate his father on Neptune. Although Roy is not an extremely dynamic character, and there may not be a hero’s journey, we do witness a positive growth arc. In a manner of speaking, he experiences an existential redemption that corrects the course of his psychological trajectory. If you’re seeking a contemporary film that boasts an excellent opportunity for a character study, then the two principle characters in Ad Astra will be brilliant subjects. Jones’ character of Clifford McBride may not have nearly the screen time that his son has; however, his presence is felt throughout the film. We see the father in the son, and by extension we can extrapolate that Roy was on the path to become his father. Not unlike the path that Scrooge was on before his encounter with Marley and the three ghosts. Only when faced with the reality of what his future looks like, and the effects on friends and family thereof, does Roy see the need to change. Man is often his worst enemy, an enemy that we are eternally cursed to battle in perpetuity.

Not only does this film deliver outstanding writing, but it equally delivers mesmerizing visuals that earn the film high marks in technical achievement. Never do the effects detract away from the narrative, but they are incredibly impressive. Everything feels real. Like this is a story that could believably take place in say 2100 (maybe it could have been called 2100: A Space Odyssey). When speaking on science-fiction movies with my screenwriting students, I mention that many sci-fi screenwriters spend so much time on the technology and world building that the characters suffer. Needless to say, I will be able to use this movie as a prime example of how to write a character-driven science-fiction motion picture. The technology that is used in the film feels just a few decades ahead of what we presently have, so we can connect with the people and the technology that is used much better than in more fantasy-like science-fiction movies. The cinematography shines brightly in the dark of space. If I didn’t know better, I’d say this film was shot in space because of just how real the movement of the characters was and the technique through which each and every scene was lit and shot. So smooth are the movements of the camera and the editing that brings the story together that, as the audience, you forget that you aren’t a fly on the wall of this spectacular film.

Preparing for my own review, I often like to peruse what others have said. So I sometimes read reviews or listen to podcasts to get a feel for other opinions that are out there in order to expose myself to a wide variety of opinions as a way of collecting evidence to support my own opinion on a film. And upon doing that for this review, it didn’t take long before I came across a few options that fixated on the lack of screen time for Roy’s estranged wife  played by Liv Tyler. Furthermore, opinions along these lines suggested that there needed to be a more significant female presence in the film. I disagree with these opinions because this is a film about a father-son relationship and the idea of a man battling his own internal demons, so to speak. Liv Tyler plays an important role in representing that which Roy lost as a result of his self-centered career-driven behaviors. However, she also serves as a totem for him because it is the thought of a life without her entirely that brings Roy back to earth. She is an important character in this story despite not having much to say. Her presence is a powerful reminder to Pitt that he does not want to wind up like his father. Even if Tyler was not in the movie, at the end of the day, this IS a movie about the relationship between a father and son. While mother-daughter, mother-son, or father-daughter movies are much more common, there is a need in our cinematic library for father-son movies to explore those relationships.

Do yourself a father and go see Ad Astra in theaters! Experience it in Dolby Cinema or IMAX if you can because the visual spectacle elements of this film deserve that crystal clear, larger than life treatment. At little more than two hours, the film’s pacing is pretty good for most of the story; that being said, there are a few places that my attention did drift. But it wasn’t for long, and was always hooked again. Perhaps this movie could have been shortened to 1:45-50 instead of the just over 2hr run time. I am already thinking of seeing this film again, because I know there are elements that I may have missed the first time through.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com!

Follow him!

Twitter: RLTerry1

Instagram: RL_Terry