A Quiet Place Part 2 Review

The less quiet sequel exchanges atmospheric horror for increased action and thrills.

For the conversation with me and Minorities Report Pod, click HERE.

Picking up where the first one left audiences, A Quiet Place Part 2 is bigger, louder, and delivers more monsters than Part 1. While you won’t be living with the same level of tension that you had in the first one, the sequel offers plenty of gripping action sequences and those eerily quiet moments where your neighbor’s Reese’s Pieces bag cracking may make you jump in your seat.

This movie is certainly making waves in the box office, and has many claiming “cinema is back.” Well, back would imply that it went away, which would be incorrect; cinemas started reopening last July. Anyway. What I can agree with is that it is the first new theatrical release to receive an incredibly warm welcome by those that have been attending the cinema since last July and those that are just now returning. In many ways, this movie could be considered event cinema because of the response from audiences during previews last Thursday through the holiday weekend (speaking of which, I hope you had a meaningful, enjoyable Memorial Day weekend).

Before picking up where you left off in the first movie, you will witness the first day that the aliens arrived. Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path. Along the way, they meet other survivors, but things are not at all what they seem.

There is no debate that A Quiet Place Part 2 is an excellently made movie. From the set design to the acting to the technical elements, everything works very well. And talk about audio design and engineering! The approach Krasinki took to place us in the shoes of Regan was brilliant. While it by no means was to illustrate an accurate portrait of what it must be like to be deaf, it was true to the world that we are in, in the film. Those moments that we are not hearing what Regan isn’t hearing, are certainly some of the most unnerving and frightening moments in the film. While I take issue with the story sacrificing atmospheric and methodical horror for more action, thrills, and monsters, I cannot deny that even the writing is solid, for the story Krasinki desired to tell, that is.

But what is it? Is it still a horror movie? And that is why I am writing my review. To tackle that very question. I could write about how well everything was executed, but you’ve heard all that as this film has been very well received, by in large, by audiences and critics alike.

After I watched it, I was left with a feeling of meh, and I couldn’t quite figure out why. It wasn’t the film’s technical execution, it wasn’t the performances, it wasn’t the direction, per se, so what was it? And after I saw an analogy using Alien:Aliens and Terminator:Terminator2, it hit me. A Quiet Place Part 2 isn’t horror (no matter what you’ve heard);. In fact, it’s less horror than Aliens is.

Why is this even important? Does it impact the quality of the film? No. But it’s important to talk about because the first installment was horror and the sequel was billed as a horror movie. What we have here is a bait’n switch. The experience of a cinematic work can (albeit not always) be impacted by the expectations you have for a particular film. I was all geared up for a first-run horror film in the cinema; but what I got was a family drama with a hefty amount of action and some horror-adjacency.

It was brought up on the Minorities Report Pod episode I guested on to review this movie that this switch from horror to action may have been unavoidable because the monsters are no longer unfamiliar to us; therefore, the tools that worked for horror are no longer applicable. While I can understand where that argument is coming from, simply because we are now familiar with the aliens/monsters, that doesn’t mean the film needed to leave the prestige of horror behind for something more attractive to mass audiences. Many horror sequels continue to be horror even as we become more familiar with the world and characters. Examples: Annabelle Creation, SCRE4M, ANOES: Dream Warriors, Conjuring 2, Halloween H20 and H40, The Babysitter: Killer Queen, and the list could go on.

During the live Q&A with Krasinski and J.J. Abrams after the film screening I was in, Abrams stated, “it shouldn’t be thought of as a horror movie, because it’s so much more.” Wow. Just wow. Abrams has to gaul to suggest that if a film is too good, if it is rich with social commentary and character development, that it can’t possibly be a horror film. This is completely untrue. Horror films are far more truthful than any direct drama. These are the films, over the century, that are still being studied today. Many of the greatest films of all time are horror, and they are great because they still have so much to teach us about ourselves and society.

Through the horror film, we can better understand just how complex life really is and even what it means to be human. Topics such as gender roles, parenting, sexuality, faith, religion, government, the family can all be best explored through the horror film. While Krasinski does include some great social commentary that is well-executed, I got on my little soap box because Abrams is wrong in his opinion on why A Quiet Place Part 2 has to be more than a horror film.

While it is not horror, A Quiet Place Part 2 is an accessible family drama/action movie with some heartwarming character moments, and some occasional horror-adjacency. It’s certainly an exciting film that is action-packed from beginning to end. There may not be anything particularly memorable about this movie, save the exceptional audio engineering and the bear trap, but you are sure to enjoy this lean film. Krasinski stated that his career as a writer/director was heavily influenced by Hitchcock. And while Krasinski has yet to master the art of suspense with a camera, he does show a commitment to one of Hitch’s rules for filmmaking, “start each scene as close to the end [of the scene] as possible.” In other words, Krasinski does an excellent job of trimming the fat, leaving audiences with an action-packed, thrill ride for just over 90-minutes.

This image has an empty alt attribute; its file name is profile_pic.jpg

Ryan teaches screenwriting and film studies at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! If you’re ever in Tampa or Orlando, feel free to catch a movie with or meet him in the theme parks!

Follow him on Twitter: RLTerry1

“A Quiet Place” horror film review

Heart-pounding. Spine-chilling. A creepy creature-feature that will leave you speechless. The demonstrable excellence in terrifying visual storytelling can effectively be summed up by the queen of silent film herself Norma Desmond, “we didn’t need dialogue, we had faces” (Sunset Boulevard). A Quiet Place truly earns its place among “certified fresh” horror films. Not since Don’t Breath and 10 Cloverfield Lane have I encountered such a thrillingly intelligent motion picture. Writer-director John Krasinski’s post-apocalyptic horror masterpiece showcases the power of visual storytelling within the horror genre. Furthermore Krasinski brilliantly channeled the soul of the iconic (mostly Universal Pictures) silent and early horror films for his modern interpretation of the creature-feature. No gimmicks here. Only a solid plot that builds an incredible, immersive cinematic experience upon the foundation of a simple plot with simple limitations. Simple plot, complex characters. That basic screenwriting principle is where so many filmmakers and writers go astray. Film is a visual medium, often supported by well-crafted, lean dialogue, and this film has visual storytelling in spades. This film represents one of the best examples of embracing the concept of “show don’t tell.”

Shhhh. Don’t make a sound. One family finds themselves surviving a post-apocalyptic world now inhabited by an alien species that hunts by sound.

There has certainly been a resurgence of exceptional horror films over the last few years. I mentioned Don’t Breath and 10 Cloverfield Lane earlier, we also have the Academy Award nominated Get Out from last year and many others. While many may shrug their shoulders at horror because it is a proliferated genre with many cheep, tawdry horror flicks, this same genre can be incredibly intelligent in how it makes an observation of society and offers commentary, a new perspective, or provides a means to a discussion. Some of the most critically acclaimed films over the decades have been horror. Being among the first films commercially released, horror has also stood the test of time and provides audiences with a experience that challenges worldviews, provokes physiological responses, and fuels nightmares and imaginations.

One of the most brilliant aspects to A Quiet Place is the film’s innate ability to instantly hook the audience with loud silence. Going into the movie, audiences know that the arachnid-like creatures kill anything within an earshot. Therefore, the audiences hang onto every bump, snap, or thud as the tension rises and suspense is drawn out to terrifying levels. Impeccable audience engagement. It takes a special kind of movie to completely immerse the audience into the world of the film in a multidimensional way. In terms of viability of the film and cross-promotion, this movie certainly has what it takes to be a popular and successful adaptation for a house at Universal’s Halloween Horror Nights or Busch Gardens’ Howl-O-Scream. Definitely has a place among the best horror film experiences to date.

The successful suspense and tension building can be attributed to seldom getting a good look at the alien-arachnid-like creatures. Had the audience seen the creature repeatedly throughout the film, it would lose fright value. As Hitchcock stated, “there is nothing scarier than an unopened door.” Meaning, the filmmaker’s ability to transfer the terror on screen to the minds of the audience is far more powerful and impressive than relying upon on-the-nose scares and jump-scare gimmicks. Well-crafted suspense and rising tension carries far more weight, and has the ability to support a narrative so much more effectively than a cheap scare. Although the atmosphere in this film may remind you of Don’t Breath, and rightly so, Krasinski’s film does not quite measure up to the macabre, terrifying atmosphere that Fede Alvarez provided audiences; however, Krasinski’s A Quiet Place is extremely close to the aforementioned and deserves the accolades that it has received.

In terms of how to closely read A Quiet Place, the film provides exceptional social commentary on the perils parenting and, by extension, protecting one’s offspring. In fact, I imagine that the experience for parents watching this film exceeds the levels of terror felt by those of us who do not have kids. There is also plenty of material on how far a parent is willing to go in order to protect their children. I also appreciate the film’s commentary on expected mothers, and how they stop at nothing to protect their unborn child from that which seeks to do it harm. Responding to and working through grave tragedy is another heavy and shocking subject matter in the film. We all respond to death differently; many of us grieve differently than one another. Some bottle up all the negative feelings for fear of how to deal with them, and others blame themselves because they feel that there is something that could’ve been done differently to protect a lost loved one. On a lighter note, the film also provides metaphor on how to work with and handle your older kids when they seek to push the boundaries–boundaries that may be dangerous and place them in harm’s way. There is so much here to talk about, and I have just touched on the surface. That is why horror is the best genre for creatively exploring psycho-social constructs and other observations about humanity and the world in which we live.

Quietly make your way to your seat in the auditorium. A Quiet Place is definitely a film to be experienced on the big screen with a theatre full of others who seek to be frightened. Enjoy the refreshing originality of a film that could have so easily went by way of so many other creatures features that lack anything memorable, and just blend into the background with countless others in this subgenre of horror. It may not have the well-defined external goal and end game of Don’t Breath, but it is certainly exciting and fun! You’ll certainly be absorbed into this terrifying post-apocalyptic world, where YOU are afraid to go bump in the night.