The Protégé (2021)

Nonstop action, perfectly punctuated with humor and thrills! Don’t miss The Protege as it blasts its way into cinemas this week from the director that brought us Casino Royale. THE most summer movie of 2021!

Everything about this explosive action thriller works brilliantly, and it truly is the don’t miss movie of the summer. From beginning to end, you will be glued to your seat as the story unfolds. The Protégé takes the action plot of a 1980s action movie and combines it with contemporary characters to deliver a movie that is simultaneously both familiar and fresh. This movie is the whole package: high flying action, killer fight sequences with outstanding choreography, and a well-developed lead cast that you will love to see on screen.

Rescued as a child by the legendary assassin Moody, Anna is the world’s most skilled contract killer. However, when Moody is brutally killed, she vows revenge for the man who taught her everything she knows. As Anna becomes entangled with an enigmatic killer, their confrontation turns deadly, and the loose ends of a life spent killing weave themselves ever tighter.

Where so many action movies suffer is in the screenwriting. Not so with this one. The dialogue snaps, crackles, and pops, and there is plenty of humor to break up the darker elements of the film. Even with its 2hr runtime, you will never feel restless or bored because the pacing and plotting are both on point! Audiences will be delighted at the ideal balance in both violence and humor. But when you have Samuel L and Michael Keaton, both known for their action and comedic chops, you know you’re guaranteed to be highly entertained! Rounding out the lead cast is Maggie Q, and she is a force to be reckoned with as a ruthless assassin that is also a delight to watch as she kicks ass. Where these characters stand out compared to comparable ones in contemporary action movies is remembering that these same strong characters also need to be vulnerable, relatable, and appropriately funny. Never once does this movie falter in taking its high concept seriously, but it knows when to interject comedic lines and kills that help to break up the more violent elements in order to help the senses reset. Crafting moments that are strategically used for emotional resets (even brief ones) allows the filmmaker to keep the audience engaged without ever feeling bored or exhausted.

It saddens me to see that the review embargo for The Protege was until the early screenings on Thursday, because this is a movie that needs to be seen on the BIG SCREEN! While there is some thoughtful social commentary on strong, leading women that can still be incredibly sexy (on that note: Michelle Pfeiffer’s Catwoman has been proving that since 1992), non-traditional families (otherwise known as found families), and toxic parenting, this movie never forgets that it is an entertainment piece that can be both exciting and thoughtful. It never sacrifices thrilling storytelling for an agenda. Furthermore, it boasts a diverse cast that is also never made into the center piece. The film isn’t saying “look at our diverse cast.” No, it is saying “look at our outstanding characters” that happen to look like the people you and I interact with on a weekly basis. That is how you promote representation in cinema in movies that twenty years ago would’ve been filled with predominantly white characters.

As I was watching this, I kept thinking of Die Hard. Not that it’s a similar plot. It isn’t. But it does deliver a similar story in terms of tone and action. And there is probably no better action film to emulate in some cinematic form or fashion. What makes Die Hard the best action movie of all time, in my opinion, is the characters and dialogue. Sure the action is great, but we remember the characters themselves, the things they said, and how they reacted to emotionally charged situations the most. While The Protégé may not be on the same level as Die Hard (hard to meet or beat), it is striving for that level of excellence in terms of storytelling and audience experience.

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Ryan teaches American and World Cinema at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! If you’re ever in Tampa or Orlando, feel free to catch a movie with or meet him in the theme parks!

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“Captain Marvel” Film Review

Written by guest contributor and one of the hosts of the Minorities Report Podcast The Raul Navedo

We’ve all, at least once in our lives, crushed on someone much like Carol Danvers. Someone cool, fun, has a good sense of humor that’s easy on the eyes, and is a total bad ass that can shoot photon lasers from their arms… Brie Larson’s Carol Danvers/Captain Marvel has all of these in spades. Likable from the jump, Carol yearns to be the best Kree “Noble Warrior Hero” in all of Hala. The only problem is that she can’t shake the dreams that haunt her. Dreams of a past she can’t be sure is her own; and furthermore, slow her progress to becoming a true Kree.

The hate is real, people! Critics are coming after this delightful performance by Larson viciously, and without reason. Don’t get me wrong, Captain Marvel has many flaws; but very few, if any, can be blamed on our star. I was as concerned as anyone when I heard Larson was casted as our glowing heroine whom would be flying freely through space, and whom would be kicking some serious Skrull ass. After Room,I was convinced that she was a great actress, but being a superhero doesn’t require incredible acting chops as much as it requires a certain charisma that I just couldn’t see in her. If you recall, though our superstar Avengers cast is beloved NOW, there were some serious concerns after most of them had their debut films (RDJ being the exception). Most of them had to grow into their respective roles, so it wasn’t until the second films that they became the heroes they were working to portray in our hearts. Not the case with Larson’s CM. She is fun, complex and dynamic, spanning the spectrum of emotions in a single scene.

Let me tell you guys something, a character being likable/unlikable does not a great/bad movie make. Harley Quinn is extremely likable in Suicide Squad and yet… And our lead in Manchester by the Sea is unlikeable and yet it is an incredible film. The art of writing real and complex characters is the ability to write them as they truly are. Angry, funny, sad, charismatic, annoying, reclusive, broken. Stop bashing films because YOU didn’t understand the characters as they were depicted. The Kree train their “noble warrior heroes” to think and not feel. Emotions are the enemy of sound thinking and are therefore a detriment to being a great warrior. Carol wants so badly to be this way–to prove she is a true Kree, but it is against her nature so she is conflicted. Her desire to not feel makes her unlikable because people without emotions are sociopaths, are un-relatable and therefore are not likable! She was written this way, people. And it is her inability to follow through with this Kree “noble warrior hero” prerequisite that makes her so damn likable!

But enough about her. I believe that what truly hurts this film is the same thing that hurt me when I was a young lad in the throws of passion for the very first time. Lack of experience. Our directing duo, Anna Boden and Ryan Fleck, have worked together on a number of projects that pale in comparison to the endeavor that is an MCU film. The writing suffered from poor dialogue and pacing at times. There were lines that just didn’t need to be there that provided information that the audience had already gathered. Action sequences that felt rushed because the rest of the script wasn’t as tight as it should be. Carol’s very first mission is so oddly paced and executed that you can’t enjoy it.

It takes a trained mind to know what needs to be trimmed and what needs to be expanded, whether in the script or in the editing room. It takes a trained ear to hear a line during a table read or on set that you know needs to be changed or taken out. These are things that not all audience members can catch or express but that most can feel. Some might just say it wasn’t good. Some might say it was fun but lacked heart. I say it was a great effort that lacked refinement. Wonder Woman had many flaws but most people were able to overlook it because it had so much heart it was tangible. It wasn’t just because Gal Gadot did a great job, it’s because Patty Jenkins has developed her skills over the years to make her a very gifted storyteller. We can forgive flat cinematography and lighting. We’ve been doing it for years with many of these MCU films who’s visuals lack depth. We can forgive a great many things that contribute to making great film. What we cannot forgive is lack of heart and emotional depth. Captain Marvel has all the building blocks, but it fell just short of being great. Fleck and Boden are well on their way there and I am excited to see their next project.

Don’t get me wrong, I am sure the blame does not solely land on their shoulders but as a great director once said “When a film does very poorly the director gets all of the blame and when a it does exceptionally well the director gets too much credit.” It comes with the territory, unfortunately.

I still highly recommend that people go see Captain Marvel. Just lower your expectations a bit and you’ll definitely enjoy it!

(From Ryan)

I hope you enjoyed this review from Raul. He is one of my longest and best friends, and spends much time watching and talking about movies as he manages a high traffic AMC Movie Theatre in North Carolina. Follow him on Twitter!

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter!

Follow him!

Twitter: RLTerry1

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