2019: the Year of the Park

2019 is shaping up to be quite the year for U.S. theme parks in Florida and California. Many major theme parks have made announcements in the last few weeks that are of out-of-this-world Jurassic proportions! Looking to history, it feels as if we are in a “space race” of sorts. Except, instead of the United States and Russia vying to be the first in space or one the moon, major US theme parks are breaking new ground, pushing boundaries, and innovating new experiences to vie for your money. Arguably, the biggest expansion is Galaxy’s Edge at Disney’s Hollywood Studios (DHS) and Disneyland, followed by Lego Movie World and Sesame Street Land at Legoland Florida and SeaWorld Orlando respectively, the new Harry Potter themed rollercoaster at Universal Orlando’s Islands of Adventure, Jurassic World replacing Jurassic Park at Universal Studios Hollywood, and lastly Mickey & Minnie’s Runaway Railway also at DHS. Just one of any of the aforementioned announcements would be big news, but collectively it is quite possibly the most massive collection of openings at any given time in recent years.

The sheer economic impact of these attractions on each of their respective parks will be of epic proportions. Beginning with Universal’s Islands of Adventure (IOA) in 1999, the last decade has seen a colossal convergence of cinema and theme parks like no other! And even more so since the opening of the Wizarding World of Harry Potter (WWoHP) at IOA in 2010. From the original concept of the movie park immersing guests into the magic of filmmaking to creating immersive environments that place the park guest into the world of the movie itself, the movie park has grown by leaps and bounds. As the process to make a film became less magical, the parks compensated by wowing guests with the ability to feel as if they are characters in the film itself. Attendance at theme parks took a dramatic downturn after the housing collapse and financial crash of 2007; and with theme parks being a vacation destination or luxury for many, they had to innovate new ways to attract guests–give them new reasons to return to the parks. By creating new experiences that were unlike any other, the parks knew they could increase their bottom line and share of the marketplace. Universal’s addition of Harry Potter and Disney’s addition of Pandora were major impacts. Moreover, the addition of Galaxy’s Edge (Star Wars land) at Disney’s Hollywood Studios & Disneyland Resort and the eventual Nintendo expansion at Universal Orlando Resort will each likely bring unprecedented numbers of guests into the parks.

News from Disney and Universal on new lands is not exactly groundbreaking–the news anyway–but when SeaWorld and Legoland are tossing their hats in, for a piece of the 2019 action, then you know that a wave of innovation is sweeping through the parks of Florida and California. California is interesting. For the longest time, the majority of the big theme park news came out of Florida but more recently the California Disney and Universal parks have made big expansions and announcements. Most recently, Radiator Springs at Disney’s California Adventure and WWoHP at Universal Hollywood opened to rave reviews and dramatically increased park attendance. Next year is bringing about an unprecedented number of additions to theme parks that will even more greatly increase the revenue and attendance than we’ve seen in the last several years. And it’s not just the parks that are going to feel the impact of all the 2019 openings. The local hotels, resorts, beaches, and secondary attractions (zoos, aquariums, museums, etc) will also feel a huge boost from the new theme park lands and rides.

More people than ever will be flocking to the parks next year. And let’s face it, the majority of those numbers will be boarding the Millennium Falcon and Mickey & Minnie’s very first attraction, but the numbers heading to experience their favorite Lego movies, Harry Potter, or your furriest friends at Sesame Street land will be impressive. Local hotels and resorts need to start planning on the massive influx of theme park guests, some of which may be visiting for the first time in a long time or for the first time ever. Although a tourist may spend most of their time at the parks, beach, etc when coming to Florida, the hotel stay can play an important role in the over all experience of the trip. Often times, it’s the hotel (whether on or off property) that sets the initial tone of the trip. So, I hope that non-Universal/Disney/Lego hotels are keeping up with the news because they are about to see crowds likely never seen in any other year, except for when a new park opens.

So far, we’ve heard big news from most the major theme parks of Florida and California, but Busch Gardens Tampa seems to be the wallflower this time around. It’s entirely possible that we will hear of a new attraction offering at Busch Gardens in 2019 but so far there do not seem to be any indicators for that. Fortunately, Busch Gardens may continue the complimentary beer promotion in order to not get completely left behind in 2019. But who knows, 2018 is only about halfway done, so there is still time for Busch to make a 2019 announcement as well. If so, hopefully it will revolve around the space occupied by the former Gwazi wooden coaster.

Okay so here’s a breakdown of what’s coming to theme parks in 2019, so far.

Walt Disney World

Star Wars Galaxy’s Edge– a new land with a 14 acres expansion, transporting guests to a never-before-seen planet, a remote trading port and one of the last stops before wild space where Star Wars characters and their stories come to life. And yes, you’ll be able to fly the Millennium Falcon!

Mickey & Minnie’s Runaway Railway– After screening an exclusive cartoon in the theatre, Mickey & Minnie’s Runaway Railway will put you inside the wacky and unpredictable world of a Mickey Mouse Cartoon Short where you’re the star and anything can happen.

Universal Studios Florida

Harry Potter rollercoaster– The all-new attraction will take guests on a journey that incorporates the characters, creatures and transportative adventures of the wildly successful book and movie series when it opens in 2019. In its announcement, Universal positioned the ride as one of the most “highly-themed coaster experiences” they’ve ever created — which is major, considering The Wizarding World of Harry Potter is already known for immersive attractions utilizing ride systems and technology in ways rarely seen at other theme parks.

SeaWorld Orlando

Sesame Street Land– “We are excited to transport our guests into the colorful and creative world of Sesame Street through immersive theming, character interactions and interactive play,” said SeaWorld Orlando President Jim Dean in a statement. Sesame StreetLland also brings with it SeaWorld’s firs daily parade!

Legoland Florida

Lego Movie World– Based on “The LEGO Movie” and the upcoming sequel, the new world puts guests in the middle of Bricksburg, the city where Emmet lives in the movie. The area will feature two new rides, character meet-and-greets, and a giant themed playscape.

Universal Studios Hollywood

Jurassic World the Ride– Details of the “Jurassic World Ride” are being kept under wraps. But a press release release describes the plans as “epic,” featuring “never-before-seen dinosaurs, enhanced storytelling, lush scenic design, an entirely new color scheme and unparalleled state-of the art technology.”

Disneyland Resort

Star Wars Galaxy’s Edge– As of now, there are only two new rides in development. There’s the Millennium Falcon ride, where players are ranked on how well they perform their mission (if you bang up the ship, expect trouble at the cantina). There’s also one in the works where guests are inside a Star Destroyer hanger bay during a major battle between the First Order and the Resistance, though there isn’t a lot of information available on that one yet.

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“I, Tonya” film review

Of skates and class. Margot Robbie stars as the first US woman to successfully land a triple axel…also the most infamous woman in the history of US Figure Skating in what is likely one of the most difficult and controversial biographical films ever produced. Tonya Harding is back in the headlines and on TV, and even on the ice if you caught last night’s 2-hour Truth and Lies special on ABC. While most Olympiad names are forgotten within a short amount of time, Harding and Nancy Kerrigan’s names will always have notoriety through the years. Nearly 25 years later, we find ourselves still talking about Tonya Harding. The biopic I, Tonya directed by Craig Gillespie and written by Steven Rogers provides audiences with an unapologetic glimpse into Harding’s early life through “the incident.” It is unlike any biographical film that I have ever seen before. Most often, biopics slant toward making the central character more likable than perhaps they were in real life. This film approaches Harding from the perspective of not shying away from her foul-mouthed, inability to take responsibility, violent temper; instead, showing us an authentic Harding who struggled through life to break the chains of classless poverty and emerge onto the scene as a professional figure skating record-setting champion. While this movie does not set out to prove what really happened, it does show what is likely to have happened. Although “the incident” is what everyone remembers, this movie shows a struggling young person attempting to change but thwarted at every angle by hearing that she cannot because she isn’t what America is looking for and has no class. But why couldn’t it have been just about the skating???

Tonya Harding (Margot Robbie) took to ice like a fish takes to water. She was an ice skating prodigy from the soft age of four when she took her first lesson from coach Diane Rawlinson (Julianne Nicholson). Growing up poor, she faced obstacle at every triple toe loop. From mental and physical abuse to sexual abuse, she weathered it all. Her mother LaVona (Allison Janney) was a monster of a woman who pushed and pushed in order to toughen “soft” Tonya. Even hot-tempered Tonya found love–albeit brief–with Jeff Gillooly (Sebastian Stan). The mental and physical abuse continued and only worsened after she set the world record for being the first US woman to successfully land a triple axel in 1991. But she would come in fourth in the 1992 Olympics. She fell into despair after that crushing defeat. When the US Figure Skating association gives Harding a second chance at the 1994 Winter Olympics, all seems like it is finally going her way, and she would finally experience the success she dreamt of her entire life, until “the incident.” Of course, as we all know, she went on to become a national punchline, material for comedians and sitcoms, and the most well-known name in the US after Bill Clinton.

Even though crime and ice skating are central elements in this film, it is truly a commentary on class and abuse. From the moment the movie opens with Harding and her mother smoking a cigarette at the ice rink in Harding’s hometown of Portland juxtaposing them against the pretty and proper coach with her students, we know that we are about to watch a story of class warfare. All Harding wanted was to excel at the sport she was naturally gifted at. Only one small problem: society and the figure skating association made it incredibly difficult–if not nearly impossible–for Tonya Harding to break free of her roots in classless poverty. But don’t allow the beginning of the film fool you into thinking she Harding is a kind soul who finds herself the underdog, she has a volatile temper and foul mouth that constantly gets her into trouble during practice and in competition. This film is an underdog story, but quite the unconventional one. Because we already know going in that she went from the first woman to land a triple axel, national champion to disgraced skater and unsuccessful boxer. For all its various plot points, the common theme throughout the movie is whether or not to allow your financial station in life to determine your behavior on and off the ice. Class has little to do with money, but rather, is a state of mind and demeanor. Perhaps we have a better idea of why Tonya behaved the way she did. The film never excuses her behavior or indirect knowledge (after the fact) of what her husband mastermind, but peels back the 24-hr 1990s news coverage in order to empathize and understand what made Tonya tick.

Is it possible for a square peg to fit into a round hole? Certainly, the life of a figure skater, especially one who represents the US on the global stage, is incredibly structured, polished, and constructed in such a way that the skater always looks his or her best to the public–a facade if you will. But, the once bright career of Harding serves as evidence that if you don’t come from the right family, have the right costume (or clothes), or speak eloquently, then the arena has no place for you. Perhaps that is why Harding still has fans despite her infamy. Although according to the film, she could have spoken up a lot sooner to help the investigation along instead of being fully consumed by having to make the 1994 Olympic team and indirectly covering for her ex-husband, she was dealt a dirty hand by judges and rivals who felt she just didn’t belong with them; and America generally liked an underdog. Unfortunately, this underdog got caught up in a scandal the followed a long history of irreverent behavior. The media coverage certainly did not help Harding’s case any. With the availability of CNN’s 24-hour news coverage, birthed out of the Gulf War now able to capture everything in order to have stories constantly grabbing audience attention, the film paints a picture that the media treated her unfairly and convicted her before the court’s decision to prohibit her from ever competing or coaching again, and the subsequent stripping of titles. Just some food for thought.

The topic of abuse is not shied away from in this film. We witness Tonya suffering from the brutal tongue of her mother, as well as constant physical abuse. Because there lacked the number of social programs for the protection of children and teenagers we have today, and schools were not as in tuned to abuse at home, she had little choice but to deal. Eventually, she would succumb to lashing out in similar ways to what which she experienced every day growing up in that house–house, not home. Her mother attempts to rationalize and excise her behavior because she tells Tonya that fear and anger will drive her to be a champion, but that doesn’t change the lasting affect the lifelong abuse had upon Tonya. It’s entirely possible that Tonya sought out Jeff because she was used ot abuse and felt that she needed it. Talk about warped.

The quality of this biopic is incredible! I absolutely loved the “interview” footage in the 4:3  format whereas the main narrative was in 16:9. Felt like we were watching actual news coverage in 1998. At first, I thought we were, but then I recognized Margot Robbie behind the exquisite makeup and costuming job. It has such an organic–no pretense–feel to the film. Robbie and her costars had me fully convinced that they were their respective characters. All around, the commitment to character was outstanding. Robbie commented in an interview that she studied footage of Harding for over a year, and it shows brilliantly! When the actual footage rolls at the end of the film, it is incredibly difficult to tell the real Tonya from her screen counterpart. Robbie’s monologue in front of the mirror is certainly one for the record books because of just how authentic and powerful it is. The production design and cinematography create a time machine; you will feel as though you have been whisked back 20-30 years throughout the film. Authenticity in spades. Director Craig Gillespie should be immensely proud of the film he crafted! Excellent writing, acting, technical elements. This biographic motion picture has it all. And will certainly get you to once again talk about Tonya Harding.

Highly recommend for those who enjoy controversial biographical films. The high profile critics are not exaggerating when referring to it as one of, if not the, best film of the year. There is so much to like, and for some, hate about this film. Whether you believe her to be criminal or not, there is no doubt that you will be blown away by the quality of this motion picture.