Netflix “YOU” Season 2 Review

Wow! That was bonkers good! I don’t know about you, but I binged the entire series in two nights. Simply couldn’t put it down, a fitting bibliophile metaphor as it were. Your favorite book-loving serial killer is back–and he’s moved. Now living in LA, a city he repeatedly detests, Joe (now Will) has his eyes set on a new object of his undying affection, appropriately named Love. He fled Brooklyn to LA to reinvent himself and find a new life–as so many people so when they movie to Los Angeles. But his eyes are not on the silver screen, they are on a hipster organic grocery store and book shoppe. Once he begins his job there, the hijinx are in high gear! After the critical success and highly positive audience reception of Season One, I honestly didn’t expect Season Two to hit the bar that the first one did–I was wrong. After being informed on the Bingeables Podcast during our recording of Don’t Trust the B in Apt 23 that Season Two was even better than Season One, I was intrigued! While it was already on my list of shows to watch, I quickly moved it to the front of the queue. In order to talk about how and why this season works as well, if not better, than the first, it will be necessary for me to go into spoilers. So consider this your spoiler warning. If you plan to see it, and have not, stop here, go binge the show, then come back. Believe me, you’ll want to binge it because it is just that good!

One of the main characteristics of the experience watching YOU that was such a staple in season one was just how much we rooted for our antihero Joe Goldberg, despite him being a sadistic, book thumping, stalker. Perhaps it’s his good looks, oddly loving heart (and I do mean odd), and authenticity. While we may find his behaviors detestable, contemptible, and reprehensible, there is a refreshing since of authenticity that we seldom witness anymore in an age of social media facades and social pretenses. It’s this fascinating dichotomy that we love about Joe/Will. For purposes of this article, I will refer to him as Will, as that is his name for most of this season. Whereas in Season One, Will was lacking an equally intelligent and cunning character of opposition, he has met his match in Candace–yes–that Candace. You can’t outrun murder, or in this case, attempted murder. Candice is back, and she is pissed.

We pickup at the tail end of Season One when Candace surprises Joe at the bookstore. Only this time, she is in control of the situation. But does she turn him into the police? No, that would be too easy. Her goal is to ruin him and make him as scared as she was. She prefers executing a slow, painful defeat. He decides to flee to the one city that he hates more than any other: Los Angeles. Where else do you go to reinvent yourself and hide from the world? Once Will relocates to LA, the hijinks and prolific number of crimes ensue!

All those thrills and chills from season one are back with vengeance in season two. Furthermore, the series continues positing the questions and making observations about masculinity, femininity, friendships, romantic relationships, and social media. One of the biggest differences between this season and the last is that we now have the stalker becoming the stalked. So there is the stalking between Love and Will, but then Will is being stocked by Candice. And even Candice is being stalked during the season. So many layers! Don’t worry, all these layers are not confusing. There is plenty of exposition laying pipeline along the way to understand the various dynamics. While Will goes even darker than in the previous season, you will undoubtedly still root for this antihero. The added complexity of Candace gives way to a more intriguing plot that will have you on the edge of your seat. In addition to the present story, you also get to learn more details about how the relationship between Candace and Joe ended. And you will be blown away! No wonder why Joe was so shocked to see her at the end of Season One.

At first, Will recognizes his psychological problems and refuses to engage in romantic thoughts or behaviors with Love, but soon he falls into his old ways but approached them differently. There is far more rationalization than before, and that makes everything so much more frightening. It doesn’t take long for Will to give up on keeping Love at arm’s length, he’s soon back into his old ways as she is now the object of his affection. More so than in the first season in which Will targeted people that came between him and Beck, this time, he targets those who seek to blow the cover on his darker side that could end his friendship turned relationship with Love. Unlike Beck, Love genuinely returns Will’s affections, which actually complicates things. In addition to his romantic affections, Will also quasi adopts a teenage girl in his apartment complex because he feels that she needs someone to talk to and look after her since her sister (her guardian) is off chasing stories a lot of the time. This friendship adds in another relationship that Will has to protect at all costs. Not only must he not disappoint Love (and her brother, with whom she has a co-dependent relationship) but he must not disappoint his neighbor.

Although I saw the big twist coming shortly before it was revealed, it was still a pleasant surprise! It was the perfect way to end this absolutely bonkers season. While Will thought he was alone in his personal struggles, he now knows that others share his same penchant for stalking and “protecting” loved ones. But therein lies the conflict and a newfound fear for Will, he now knows that he may become someone whom needs You’s special blend of stalking and protecting. He goes from apex predator, if you will, to being knocked down a rung on the food chain.

I appreciate You‘s commentary on modern relationships, masculinity, and femininity. A lot has changed in dating over the last 10-20 years, and You has a way of creatively exploring all the added complexities that social media and the re-defining of traditional gender roles in relationships. You also depicts different kinds of relationships. We have the warped-yet-traditional romantic relationship between Will and Love, the bro-mantic friendship between Forty and Will, the lesbian relationship between Love’s best friends, and the quasi-parent-child relationship between Will and Ellie (his neighbor’s kid sister). Each of the aforementioned relationships contain their own respective set of unique dynamics that Will must navigate in order to keep his dark secret hidden from those whom he legitimately loves. Of course, with a devoted love like his, you may be better off with enemies. Beyond friendship and romantic relationships, You also provides commentary on sexuality and the expression of it. This season plays around with the various ways people express their sexuality and personalities. Characters that you first think are heterosexual are, in fact, homosexual, and those whom you first think are homosexual are, in fact, heterosexual. It’s fascinating to see characters refusing to comply with the de facto rules society has for both groups of people, and express themselves however they like regardless of sexual orientation.

We witness much more of the Dexter side to Will. And, the wildly popular show gets referenced in this season. Like Dexter, Will has a quality about him that we just cannot seem to help but root for. Not in the same way as Dexter, because he primarily only killed those whom were criminals in some form or fashion. Although Will demonstrates some of the same habits, he also regularly kills innocent people that find out his secret, and that’s the different between the two anti-heroes. But not all the killing is due to Will’s penchant for forcibly creating relationships. Love joins in on the action when she realizes that Will is not unlike herself. Interestingly, it is not Will whom has the highest body count, it’s Love. The one kill that Will does have is technically accidental, whereas Love’s are completely intentional crimes of passion. Simply stated, Love and Will are made for one another.

What a fantastic season! And a third season has been greenlit, so we may get to see what Will makes of his new next door neighbor.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

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“The Gift” movie review

TheGiftWho knew a slow-burning plot could be well-paced at the same time. The Gift is the latest movie released by Blumhouse and performed quite well over the opening weekend. Although billed as a suspense/thriller/stalker movie, it plays as a dark drama with a few intense jump scares. Unlike many movies in this sub-genre of horror, this one is surprisingly well-directed and written. In fact, there was only one exchange of dialog that I felt was extremely OTN (“on the nose,” meaning stating the obvious). Structurally, the plot is solid and leaves very little time for the audience to grow restless. Another interesting component to the movie is being predisposed early-on to side with and feel particular ways about the respective characters; but then after some big reveals, you begin to question your allegiance and favoritism. Perhaps you may find yourself rooting for whom you first admonished. There is much that is left up to interpretation, but not in a way that leaves you feeling negatively about unanswered questions. It’s one of those horror movies that encourages you to think differently about situations and characters.

The Gift is about Simon (Jason Bateman) and Robyn (Rebecca Hall) who move to LA for Simon’s new job. Relocating from Chicago, Simon and Robyn are excited to buy their new mid-century house and develop a life in a new city (which is actually childhood home of Simon). During an ordinary shopping excursion to a homewares store, the couple runs into a former high school classmate of Simon’s named Gordo (Joel Edgerton). After several conversations and a dinner invitation, Simon begins to suspect that there is something not quite right with Gordo and tells Gordo never to visit them again. Despite the harsh treatment from Simon, Gordo leaves gifts for the couple on their front porch, only some gifts should remain wrapped.

Other than a couple jump scares and eerie music, the movie is more of a mystery/drama than a thriller. It lacks that visceral thrill that curdles the blood throughout the movie. But despite that, it’s incredibly well paced and written. The excellent direction did not go without notice. Often times, movies that feature the director in a principle acting roll suffer because it is very difficult for a director to focus on orchestrating the storytelling and acting at the same time. Joel Edgerton is nearly unique in his demonstrable ability to successfully tell a visual story and deliver excelling acting. My only negative critique to the writing and the directing is the blatant absence of a climax/showdown. I was expecting something big to happen toward the end of the movie, in which the culmination of all the reveals and investigations come to fruition; but I was disappointed and felt unsatisfied with the resolution. Even though this is a different take on the whole stalker concept, I feel that the plot should have included a showdown in order to add a definitive thrilling element to the story.

Sometimes I think I know how a movie is going to play out; and often times, through my research and productions of my own, feel confident in my ability to read a movie through the trailer and the advertising. Not the case with this one. Honestly, I was expecting another Lifetime movie trying to make it big in the cinema (much in the vein of January’s Boy Next Door); however, I was pleasantly surprised and mostly happy with how this one played out and how well it was directed. It definitely leaves you to interpret actions, in the movie, for yourself and it also contains some very cool symbolism and subtext.