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About R.L. Terry

Ryan “Professor Horror” Terry teaches film studies and screenwriting at the University of Tampa. He holds graduate and undergraduate degrees in film and media studies. He has regularly published film reviews since 2014 and has been a featured speaker at Tampa Bay Comic Con, Spooky Empire, and the historic Tampa Theatre. His work has appeared in both political and entertainment magazines.

“Rat Race” movie review

RatRaceTalk about a throwback movie this week! Ordinarily, most Mondays each week are reserved for Macabre Movie Monday with some friends of mine. We screen a horror movie and talk about it. It’s a tradition that began with an American Horror Film graduate class I took as part of my M.A. at the University of South Florida. However, my roommate is not terribly fond of horror movies and I know he grows tired of them week after week. Haha. So, we agreed to watch a comedy this past Monday. I cannot remember how, but when we thought of a fun comedy to watch, my friend Dani and I almost in unison shouted Rat Race. Such a star-studded comedy. And other than SmashMouth, it really still holds up today. Well, SmashMouth and the fact that airport security is vastly different than it was when this was shot. Although I watched it when I was a kid, it’s amazing to look at it now and wonder why my parents allowed my sister and I to watch it. Well, I am glad they did because I have always thought of this comedy as one of my favorites. If you have never seen it, and enjoy watching comedies for which you can turn off your brain and laugh until you cry, then definitely watch this one. Let’s go back to 2001 and talk about Paramount Pictures’ Rat Race.

What do you get when you combine greed, money, Las Vegas, manipulation, the ticking time bomb plot, and a star-studded ensemble cast? You get Rat Race! Eccentric casino tycoon Donald Sinclair (John Cleese) selects 6 ordinary people (and by extension, their families) to race against each other for great fortune in Silver City, New Mexico. $2Mil is stashed in a locker in an old train station and there is only one rule for the lucky 6, “no rules.” Unknown to the lucky six, Sinclair is monitoring their every move with some of the biggest high rollers in the world who love to bet on any and everything. From the famous Venetian to Silver City, this group of people will stop at nothing to get their respective hands on the money first. Whether it’s commandeering a rocket car or crashing a WWII memorial service dressed as Hitler, there is little that will come between a contestant and the fortune that awaits!

Ensemble cast films are nothing new. They’ve been around as long as the medium itself. So, the fact that Rat Race is an ensemble movie is nothing unique or special; however, the fact that it is so incredibly successful in combining the subplots and individual adventures of the six racers with the main plot is something to be admired about this film. Each of the six (and their families) have a story within the main story of the film. The writers did an excellent job at spending just the right amount of time with the individual stories without sacrificing time spent with the main plot of the film. As I have mentioned in reviews before, whether film or television, no story exists without conflict; likewise, no comedy exists without “drama.” Many film scholars and writers describe the comedy genre as drama in disguise. Let me clarify a little bit. When the casual movie-goer thinks of drama, they typically think of a film that is rather heavy, primarily dialog driven, and mostly serious. Those same casual movie-goers would likely describe comedy as funny movie with lovable characters, witty dialog, lots of laughable moments, with little degree of seriousness about it. Well-developed and written comedies are those films who integrate humor into the conflict-driven drama between two or more people. In other words, a drama is primarily focussed on the drama of a situation whereas comedy is primarily focussed don the humor of a situation. The best comedies are those that have prolific conflict between characters, but a humorous twist is added to the mix. Why did I say all this? Because in order to understand the brilliance of Rat Race it is important to recognize that it holds up so well because it’s full of drama that has irony, satire, and facetiousness thrown into the mix.

Besides the writing, this film also successfully continues to cause uncontrollable laughter because of the fantastic cast. Just look at this list of leading talent: Rowan Atkinson, John Cleese, John Lovitz, Whoopi Goldberg, Cuba Gooding Jr, Breckin Meyer, Seth Green, and Kathy Najimy. In addition to that amazing list, you also have a great group of chief supporting players and an A-list cameo: Amy Smart, Wayne Knight, Dave Thomas, Dean Cain, Vince Vieluf, Paul Rodriguez, and Lanei Chapman, and special appearance by Kathy Bates as the squirrel lady. There were also many others extras and atmospheric players that helped pull together this brilliant comedy including the performance by 90/2000s hit band SmashMouth. All the elements are here for a successful comedy! Between the writing, directing, and this phenomenal cast list, how could this movie not do well??? On that note, the movie did not fair so well with critics then and even now; scores poorly on MetaCritic, Rotten Tomatoes (no surprise there), and IMDb. However, I argue that any comedy that can still hold up and significantly create a room full of laughter over and over, is a successful comedy. Comedies are seldom going to win awards, significantly contribute to the world of the arts, or serve as inspiration for someone; but Rat Race offers an escape from the doldrums of reality and whisks you away to an over-the-top world of money, hookers, gambling, crazy exes, a buss full of Lucys, and Nazis. It offers an incredibly entertaining journey that still has a heartwarming ending.

I think it’s the utter unashamed ridiculousness of the whole plot that keeps me entertained. Furthermore, it does such a good job of telling a funny story that is both clever and well-paced. One of the best parts of watching this movie is getting to feel like at least one of the leading or supporting characters. Each have a unique set of traits that can identify with someone of a similar personality. You’ll probably also see some of your friends as one or more of the characters. These characters are so much fun to watch and just when you think it can’t get anymore ironic, unfortunate, or satirical, it surprises you. Trying to remember the first time I watched it, and even to some extent this time, I remember thinking that it really isn’t that predictable. Not predictable in that it is so ridiculous! But that’s what I love about this comedy film. It sticks to a tried and true ticking-time-bomb plot with characters that are unconventional and unpredictable in every way. Well, mostly anyway. Haha. I think my favorite part of the movie is the Pear family crashing onto the stage at the WWI Vets convention in Hitler’s car with Randy (Lovitz) trying to speak but the cigarette lighter burnt his tongue and he has a Hitler mustache caused by Eva Braun’s dark lipstick. I know, right?!?

If you are ever looking to just kick back and enjoy a comedy that is guaranteed to make you laugh hysterically, then check out Paramount Pictures’ Rat Race (2001). Whether you just want to see some of your favorite Oscar, Golden Globe, or Emmy winners in an over-the-top comedic race to the finish or just a fun movie that will keep you entertained, this one is a winner!

Busch Gardens’ “Cobra’s Curse” roller coaster review

Thrillz-LogoIndoor queue. If that seems like an odd opening remark, then you obviously have not been to Busch Gardens Tampa Bay (BGTB). Cobra’s Curse is the first attraction to include an indoor interactive queue at BGTB. Not interactive in how the queue is at Magic Kingdom’s Space Mountain, but the queue does include real snakes (varieties of cobra), props, and a pretty cool map projection room. Speaking of the map projection room, if you are a long-time visitor to the park, then you may recognize that room as the central piece to the former King Tut museum walkthrough—it’s where the famous sarcophagus of the boy pharaoh was displayed. It is exciting to see that BGTB is including show systems technologies in this queue and I hope this is a trend that will continue. Upon a closer examination of the map projection wall with the giant cobra, you will notice that the small hieroglyphics are kind of doing their own thing. Some of them even fall off the screen or get into comedic skirmishes. The main attraction of the map projection room is the cobra that goes through a couple of different story cycles. Each story with its respective special effects. Although the quality is a little on the cheesy side, I got admit that this is groundbreaking for the park. In all honesty, it reminds me of an early Universal Studios queue—not quite up to par with the current indoor queues; but honestly, not that far off either. I really enjoyed the room! It all gets back to storytelling. Although this attraction is not connected to any intellectual property (IP), it does a good job of immersing the park guests into the world of Ancient Egypt complete with a cobra and a curse. What more do you need??? The color scheme chosen flows very well and contains many complementary colors in the queue and on the ride itself. Word to the wise: since the ride platform lacks any single-use cubbies at the load point, so be sure to use the lockers to store your phone, wallet, etc.

If you are wondering what kind of coaster this is, I would suggest that my impression of it lends it to a coaster that is definitely more exciting than The Barnstormer or Flight of the Hippogriff, but less thrilling than Cheetah Hunt. Don’t let that dissuade you from enjoying it! There are lots of elements to enjoy on the coaster. But for families of elementary schools kids who haven’t quite hit the height requirement for many coasters, the whole family can enjoy this one. And not just families, but anyone. There is something for everyone on this fun ride. How many coasters offer an elevator style lift??? Well this is the first at BGTB… “….features an outdoor vertical lift that’s never been done before” (At Busch Gardens Tampa Bay). I really enjoyed the audio effects that accompany you on the elevator lift up to the face of the cobra. Then you swing out and ride out the curse of the cobra. Cobra’s Curse offers a smooth ride in cars that boast plenty of legroom for those of us with long legs. Fortunately, I had the privilege of experiencing Cobra’s Curse earlier this week on the first day that BGTB was permitting non-team member guests to ride it. However, I was unable to write my article until now because there is something very important to note. You are probably familiar with the spinning cars, as that was a major part of the marketing campaign. That being said, the first time I rode it, my friend (who is, in full disclosure, a photographer in the park) and I did not experience much spinning. That was odd because she told me that she and her boyfriend (who is a manager at the park and a friend of mine) got their car to spin a lot. Upon speaking with her boyfriend about the ride design, it was clear that the degree to which your respective car spins is directly affected by the weight distribution. So, if weight is fairly evenly distributed in the car, then it’s going to be difficult to get the vehicle to make many revolutions. Also, I learned from a team member that you do not want cars 2 or 8 if you want to better your chances of spinning. After riding the vehicle again yesterday, I can now support the hypothesis of weight distribution, for I experienced many more spins than my initial ride experience.

Another really cool element to Cobra’s Curse isn’t even in the queue or the ride itself; it’s the grounds and gift shop. Why the grounds? This is one of the fewest coasters out there that you can get up close and personal with. The design of the coast is such that you can meander beneath its track to get a great view of the riders! Being next to the Serengeti preserve also offers animals to enjoy while you wait for your friends to get off the ride. Montu always seemed kind of far away from the rest of the park; but adding Cobra’s Curse mitigates that feeling a great deal. Just as the queue offers more than just a covered place to wait for the ride, the gift shop contains more than just merchandise. There is an interactive area for kids and anyone else who enjoys activities. Maybe you’ll find the next great pharaoh! Haha. All in all, I was very pleased with BGTB’s newest member of the attraction family and look forward to riding it again!

“Finding Dory” movie review

Finding_DoryA cute but ultimately emotionally static sequel to a beloved animated film. Disney-Pixar’s highly anticipated sequel Finding Dory makes a splash this week. Following the critically acclaimed success and continued popularity of Finding NemoFinding Dory hopes to find a place in your heart as well. Unfortunately, this film struggles to leave as lasting an impact as the first movie. Many film and Disney enthusiasts, approaching this film, knew that it was most likely going to be either a Cars 2 or a Toy Story 2; it falls somewhere between the two, but closer to the former. Not straying too far from from the plot of its predecessor, Finding Dory‘s message about disabilities turned strengths get a little lost in the emotionally static feel and somewhat forced turning points and dialog. The film certainly has its moments of laughter and surprise, but those are few and far between. Using its predecessor as an example, it is highly unlikely that Ellen DeGeneres could have been replaced by any other voice actor and the character of Dory still remain as endearing; however, honestly in this film, not just Ellen, but any of the other voice actors could have been replaced and the characters and plot play out just the same. A film needs to be a roller coaster of sorts–have its ups and downs–but Finding Dory pretty well stays rather somber the entire time. But yes, it does have some funny and pull-at-your-heart-strings moments. All in all, this movie feels like a forced sequel that wasn’t entirely necessary but produced in response to the high demand for a return to the world of Dory, Marlin, Nemo, and their friends.

Many years before Dory (Ellen DeGeneres) and Marlin (Albert Brooks) bumped into each other, Dory was just a baby fish with two loving parents. Struggling with short-term memory loss from an early age, Dory’s parents worked with her everyday to learn and grow. One day, she found herself all alone and couldn’t find her parents. And over the course of years searching, she found her way to the reef where she encountered a frantic dad searching for his son; and well, the rest is history. Moving up to present day. With an inability to shake the feeling that she keeps forgetting something really important, Dory finally remembers that she lost her parents. Although the memories are vague and spotty, she knows for certain that she needs to find them. After begging Marlin to go on another adventure out past the drop off, Marlin and Nemo agree to partner with Dory in search of her parents. From one side of the ocean to the other, nothing will stop Dory from locating her long lost parents to reunite as a family.

Like with Zootopia as well as other Disney films, there is usually a message in the subtext of its animated features and shorts. Finding Dory clearly has a message about perceived disabilities. Perceived in that, what is otherwise a physical or emotional disability, can be used to develop strengths. Most of the characters that you will encounter in this movie have some kind of disability. Dory and her memory is the main one, but there are definitely others. I don’t want to give much away, so we’ll just leave it at that. Although I feel the approach to writing this message into the diegesis of the film was a bit forced or heavy-handed, it doesn’t take away from the fact that it was handled very well and is mostly seamlessly integrated into the plot and mild character development. The two characters who offer the audience the most, in terms of character arc and development are Dory and her septopus friend Hank (Ed O’Neill). What’s a septopus? Just watch the film and find out. Both characters are mildly entertaining but lack that magical spark that was so much a part of Finding Nemo. One area that sequins sometimes find themselves in, is pulling from the first movie so much that you leave the sequel wondering why it was even necessary. Thankfully, that really isn’t the case with Finding Dory. But you’ll be happy to know that you will see some familiar faces from the first one, including everyone’s favorite sea turtle and stingray. Among the new characters in the movie, my absolute favorite was Becky!! Such a hot mess and quite possibly a little disturbing. Those eyes, though. She was so instrumental in my enjoyment of the movie!

I had the fortune of screening the film with one of the lead vocalists from Disney’s Animal Kingdom’s Finding Nemo the Musical. And I won’t disclose who it was, but he “totally” eats, breaths, and sleeps Nemo and his friends. This was a fantastic opportunity to include an analysis of, not only my point of view on the film, but someone else’s who has a lot of time and energy vested in this property. I half expected him to disagree with me after the movie ended when we began discussing it. But, it turns out that he feels very much the same as I do. He was able to point out some elements that were actually taken from the show at Animal Kingdom, which was really cool! It’s a show that I watch fairly often as well, as I am a former Cast Member myself and current Annual Passholder. Having the ability to discuss Finding Dory in regards to how it fits in with not only its predecessor but the live show was fantastic! He echoes many my same opinions on the movie, but also adds that the kid behind us told their mom that it was amazing. So, in terms of how well this film plays out for children, it does a great job. Many of the young people are about the same age I was when I saw the first one. I think what I missed most in Finding Dory as opposed to Finding Nemo is the lack of comedy. There is definitely some funny moments in the film but the comedic timing and structure simply doesn’t hold a candle to its predecessor. Reminds me of a quality just above a straight to DVD/BluRay or a commercial-free Disney Channel Original Movie. Let’s remember this: Toy Story 2 was also a fairly week sequel–albeit entertaining and heartwarming–and then it came back with the phenomenal tear-jerker Toy Story 3, so it is entirely possible that the Nemo property will go through the same evolution.

Competing against Central Intelligence and a handful of limited releases, Finding Dory is sure to beat out the competition this weekend. And for what it’s worth, it is a fun movie that warms those of us in our 20s and 30s with childlike nostalgia of when we first saw Nemo. Is this destined to be the next great Disney-Pixar film? Probably not. However, that doesn’t mean that you cannot enjoy it with your friends or family. Certainly, it is a wonderful movie to be enjoyed with those who love seeing familiar characters and meeting new ones. I just wouldn’t go into the movie looking for an excellent and dynamic story.

“The Golden Girls” Television Show Review

The_Golden_Girls_opening_screenshotThank you for bein’ a friend! Those now iconic lyrics opened Touchstone Television’s (Walt Disney Company) show on NBC for 180 episodes over 7 successful seasons. Earning multiple awards from Emmys to Golden Globes, this series is also one of only three sitcoms in which each principle actor received an individual Emmy. The Golden Girls was ranked in the top ten shows for six out of its seven seasons, TV Guide (2013) ranked it 54/60 in the highest rated programs of all time, and the Writers Guild of America (WGA) ranks it at 69 out of the top 101 best written series of all time. So many accolades. Created by Susan Harris, the show ran along side another 80s hit The Facts of Life. The theme song, written by Andrew Gold and recorded by Cynthia Fee, is also ranked among the top theme songs of all time. No wonder why it is still running and bringing us endless laughter (currently runs on Hallmark Channel). Much like I Love Lucy has never been off the “air” in its entire existence, The Golden Girls has also been kept on a channel somewhere since it first debuted on September 14, 1985. From laughter to tears, these four women have been such a part of Americana and continue to be referenced in pop culture. Not limited to any particular demographic or cultural group, this show transcends all kinds of racial, ethnic, gender, economic, and cultural barriers. But why has this sitcom (situation comedy) continued to be popular for now 31 years? Let’s explore!

GG_HouseIt’s been 31 years since we were first introduced to Dorothy, Blanche, Rose, and Sophia at an upper middle-class home in the residential neighborhoods of Miami, FL. Ever since 1985, these four single older women have been coming into our living rooms and, for many, have become part of the family. The sitcom represents a radical move by the Walt Disney Company and NBC in that the show featured so many taboos, at that time, in broadcast television. In many ways, the show was 2-3 decades ahead of its time. The very unique nature of the show is part of why it was such success. However, the continued success of the show goes way beyond just being uncanny for its day. For a show to stand the test of time, it cannot be, in whole anyway, (1) a product of its generation (2) contain proliferated pop culture references that significantly support the plot (3) must have exquisite writing (4) have a phenomenal cast that is as interesting to watch and listen to as the plots are engaging and (5) contains characters that one can identify with decades down the road. Over all, the show has to be unique, timely, and just written and acted exceptionally well. As this is a sitcom, in short, the jokes and conflict have to still be relevant in society for many years down the road. Although entire critical analysis articles could be written about each of the characters (and actors) respectively, the focus of this article is a general overview of why the show is endearing even to this day.

GG Cast CrewBehind every successful show (especially dialog-driven ones), there is solid writing. After creating the show and writing a few episodes, Susan Harris became less directly involved in the series. The head writers of the show (for four seasons) were Kathy Speer and Terry Grossman who would each receive numerous awards during the series’ run. Following the fourth season, they turned the reigns over to Mort Nathan and Barry Fanaro who would also go to win awards as well. Other than eccentric 80s attire, it’s the comedic conflict, sarcasm, quick witted remarks, and self-deprecating humor that keeps audiences coming back for more. No matter how many times I have seen each episode, I still laugh every time; the shows never becomes boring. The four women boasted incredibly sharp humor and were very secure in themselves. The creative leadership knew that the show had to leave its mark on television. Quite regularly, the plots were used to not necessarily address outrageous ideas, but important ones. Important ideas and values that had not been addressed in television before. What stands out most about the writing? The fact that progressive values were part of the show’s DNA. From ethnic, racial, religious, cannot forget sex and dating, and of course aging. At its core, the Golden Girls simply made aging fabulous! A good test to understand just how brilliant the writing and comedy is by turning off the picture and listening to the show as if it was a radio broadcast. Most likely, you will find yourself laughing just as much as if you were watching it. You can follow the story without the visuals to accompany it.

GG_Group_ShotBut isn’t television a visual medium? Yes. However, sitcoms are much more similar to live theatre than small cinema. Part of this is because a traditional sitcom is shot in front of a live audience. Just like stage actors feed off of the laughs from the audience, sitcom actors go through similar motions during a performance. Brilliant dialog and plot structure animates characters, and boy were these ladies animated! You won’t find four closer friends. These ladies could insult one another viciously and still remain intimately, but platonically, close. Each and every episode was so very interesting and feels new overtime. Not even a show like Friends holds up as well as The Golden Girls. The relationship between the four women was incredibly dynamic. Hardly an episode goes by that there aren’t alliances, betrayals, misunderstandings, or love triangles. Sometimes we venture to doctor’s offices, restaurants, or the parks; however, most of the time is spent inside the sun drenched Florida multi-champer house. Comparing the show’s floorpan to the exterior of the house, such a floorpan simply cannot exist. Haha. But that’s part of the fun. Unlike movie or television drama, a situation comedy is able to bend logic and make up for that with comedic timing and material. Moreover, the fashion of the girls definitely cannot be ignored. From flashy to trashy, these girls have it covered. The best part of the fashion choices is that, for the most part, the choice of clothing is an extension of the characters themselves. The fashion alone, is something that could be analyzed and actually has been in the past.

GG around tableWhile aging, women’s rights, and dating were reoccurring themes and tied directly to the show’s premise, other once taboo social topics were important milestones in the series’ development as well. Although there are a few social issues that could be mentioned, the one that is the most prominent after the ones that have been mentioned are topics dealing with gay men and women. Nearly a quarter of a century before the Supreme Court’s historic ruling on the legal definition of marriage equality, The Golden Girls had already tackled that subject and brought it into the mainstream. There are a few times that a gay character was the focus of a show, but the episode that stands out the most is when Blanche finds out that her brother is gay (and later there is an episode where he introduces her to his fiancé). This is one of the toughest episodes for Blanche and one other best examples of character development. She faced a situation that thousands of parents and siblings face everyday across the country. Before Will and GraceGleeThe New Normal, and other popular shows, these four women highlighted real world problems and social issues that continue to be battled today. Indirectly, gay social issues and stigmas were also dealt with. In the episode where Rose is contacted by a hospital regarding the possibility of her having contracted HIV through a blood transfusion, the girls take the then-unpopular stance that HIV/AIDS was not a punishment for being gay but a disease that knows no social, ethnic, sexual orientation, or religious barriers. They brought out the fact that it could happen to anyone. The brilliance of how these once-taboo subjects were handled is seen in how, amongst conflict and tears, the girls somehow still managed to bring humor into the mix, and leave you with a smile.

GG hugAfter watching this show for many years, it still has the ability to make me laugh uncontrollably at times. And, that sentiment is felt by many who have continued to visit the home of Dorothy, Blanche, Rose, and Sophia over the decades. There is so much to explore in this show, and why it continues to be popular today. From the writing to the acting and humorous conflicts to dealing with hard topics of bigotry, disease, sexual orientation, and aging, The Golden Girls continues to be a show that can help you laugh on the worst of days. Although there are shows that have attempted to be a modern day Golden Girls, none can hold a candle to these amazing performers and writers. There is a magic quality to the show that can never be duplicated.