Ryan’s 12 Movies of Christmas

Christmastime is here again! And you may be wondering what to watch all month long. That is, unless you’re planning to watch Hallmark Channel or Freeform all month. If you’re looking for something that doesn’t follow the small town girl versus big city guy but falls for the small town heartthrob, then checkout this curation of titles! Some of my favorites are traditional Christmas movies, whilst others are more unconventional. But they all have one thing in common, the story, plot, and/or characters are significantly affected by Christmas.

With so many movies to watch at Christmastime, it’s hard to narrow down any list, much less down to 10! So, I thought I would go with 12 because of the 12 Days of Christmas.

Fun fact: Technically, the 12 Days of Christmas marks the time between Christ’s birth and the symbolic arrival of the magi (which, interestingly, wasn’t for about two years after the birth). The 12 Days of Christmas concludes with Three Kings Day in January. But I digress.

Here are my 12 Movies of Christmas (in no particular order)!

Batman Returns

Batman Returns, a Christmas movie? Why yes! Prologue to credits, the movie takes place at Christmas and we are reminded of it being Christmas throughout the movie. From the lighting of the Gotham City Christmas tree to the Bruce Wayne’s final line, “…peace on earth, good will towards men–and women,” Christmas is everywhere in this film! And who can forget the romantic exchange between Catwoman and Batman, “Mistletoe can be deadly if you eat it. But a kiss can be even deadlier if you mean it.” No Christmas is complete without Tim Burton’s arthouse film masquerading around as superhero movie!

I regard this movie as the most Batman movie ever! Even though the title character is only on screen for about 15-minutes. While Keaton’s Batman is the definitive, in my opinion, we don’t love this movie simply because of that, we love it because of the incomparable Michelle Pfeiffer’s tour de force performance as Catwoman! And with good reason, she’s Incredibly sexy, seductive, slightly psycho, playful, and conniving. Pfeiffer’s seductive Catwoman is juxtaposed against Danny DeVito’s monstrous Penguin, and throw in the self-centered and ruthless Christopher Walken’s Max Shreck, and you have a brilliant cast bringing to life.

Die Hard

Every year, the debate over whether or not Die Hard is a Christmas movie inspires many discourses on social media, and I am here to set the record straight. Indeed, Die Hard IS a Christmas movie. For many of the same reasons Batman Returns is a Christmas movie. The whole reason the plot of Die Hard exists is because of the office Christmas party! In fact, John McClane reminds us, “got invited to the office Christmas party by mistake. Who knew?” Moreover, it takes place on Christmas Eve. Not Thanksgiving nor the Fourth of July. It could have been set any week of the year, but wasn’t; it takes place at Christmas. And the soundtrack is full of Christmas songs.

This really is Bruce Willis’ most inconic role! He redefined what it meant to be an action hero! The fact he was an everyman made him more relatable than others and provided him with the platform to deliver the funny as well as the action. Moreover, we have one of the best villains of all time in the late Allen Rickman’s Hans Grüber. While he is incredibly ruthless, he is also highly entertaining. And it’s the balance between violent action and laughter that makes Die Hard a great film, and a fantastic Christmas movie.

A Christmas Carol (Patrick Stewart and Disney 2009 versions)

Charles Dickens’ titular Christmas ghost story was adapted early on in the days of cinema. In fact, there are silent movie adaptations dating back to 1901. And for good reason: it’s timeless! It has been adapted for big and small screens, radio, and stage more times than any other literary work. And because of that, everyone has his or her favorite versions of Scrooge’s powerful redemption story.

To boldly go where no Scrooge has gone before! Many notable actors over the decades have played the towering literary figure, but only one is also a Starfleet captain. Sir Patrick Stewart brought Scrooge to the small screen in the 1999 TNT movie-of-the-week. More than any other, Stewart’s portrayal as Scrooge is my favorite! Not only does the performative dimension of the character benefit from Stewart’s gravitas as a Shakespearean actor, but also benefits from his years as Captain Picard, completely with all the nuance that makes him the definitive Starfleet captain.

While Stewart’s Scrooge is my favorite Scrooge, my pick for best page to screen adaptation of the narrative as a whole is Disney’s A Christmas Carol from 2009. It’s an exhilarating visual array of breathtaking motion-capture animation with a touch of the macabre!

Directed by Robert Zemeckis, it is an outstanding adaptation of the literary classic. One of the principle differences between this and other adaptations is just how supercharged it is with visual effects, intense chase scenes, and flying through the streets of London. But, as Scrooge himself acknowledged, spirits can do anything–they’re spirits. Zemeckis does not hold back on the dark elements of the story. After all, how else was Scrooge going be so scared that he would make a 180º and change his miserly ways??? He was scared by his future.

How the Grinch Stole Christmas (1966)

While there have been several page to screen adaptations of Dr. Seuss’ masterful literary work, there is only one that I watch annually. And that is the original 1966 version narrated by Universal Monster veteran actor Boris Karloff. Some might argue that this version isn’t a movie, because it was on TV and only about 25mins in length. But I counter that argument with the simple fact that films are not films based upon run time, but based upon the structure of the narrative and intended purpose. Perhaps How the Grinch Stole Christmas is a short film, but a film nevertheless. After A Christmas Carol, no other fictional literary work has had a greater impact upon the Christmas season than HTGSC. At different seasons of life, we can all identify with both The Grinch and the Whos. Dr. Seuss wrote HTGSC as a critique on the increasing commercialization of Christmas. Something we can certainly identify with nearly 60 years later. While the decorations are beautiful and the giving and receiving of gifts is so much fun, Dr. Seuss reminds us through The Grinch, ” Maybe Christmas, he thought…doesn’t come from a store. Maybe Christmas, perhaps…means a little bit more!”

Black Christmas (1974)

Move over Ralphie for Bob Clark’s original Christmas story. Released in 1974 and predating John Carpenter’s Halloween by four years, Clark’s Black Christmas is actually the the first modern slasher film. It is one of the most terrifying horror films that I have ever watched. And it’s not because it’s particularly violent or gory, but because of its incredibly unsettling atmosphere caused by the mysterious, vulgar phone calls and the creepy POV of the slasher entering the sorority house during the Christmas party. That bit of dramatic irony paired with the sequence of disturbing events, work together to generate nightmare-inducing thoughts and imagery in the mind of the audience. If you’re looking for another holiday horror movie to add to your list of Christmas films to watch, then you definitely want to add this one to your lineup.

Although there are scenes that take place outside of the house, the horrific events largely take place inside a house. A house–more specifically–a home–where you should be and feel safe. The invasion, the penetration of safety is a terrifying prospect for anyone who has ever walked into their home alone wondering if someone may be there. The idea that someone may be in your house sticks with you long after the movie ends. And that is the power of the unnerving horror of Black Christmas.

Silent Night Deadly Night (1984)

Silent Night Deadly Night is a wildly uneven horror movie that jerks audiences around from the deadly serious to the highly campy. Seen as controversial when it released in 1984 to today, this is one bonkers Christmas horror movie, and one of the most unique out there. This movie takes the idea of simply plot, complex characters to all new dizzying levels. At its core, it’s about a traumatized young man going on a killing spree while dressed as Santa Claus. Not so unusual, right? But therein is where the film lulls you into a sense of expectation of that to which you may be more accustomed. After the simplistic beginning, the film goes off int he most bizarre and entertaining direction. You may ask yourself “what did I just watch,” but you won’t care because it was that much fun!

The Polar Express (2004)

This big screen adaption of the children’s literary (modern) classic The Polar Express is a complete delightful! Sure to thrill and stir the hears of audiences of all ages. While it may seem like another children’s Christmas movie on the surface, there are really two films here (1) the one for children and (2) the other for adults. For children, it’s a fantastic adventure, full of excitement, splendor, and prolific Christmas cheer. For adults, the film goes much deeper. The film forces adults to reconcile adult maturity and cynicism against childhood innocence and hope. Our central character finds himself–albeit begrudgingly–on a quest for a renewed belief in the spirit of Christmas. Along the way, he meets others on a magical train to the North Pole that are seeking their own goals finding or growing in confidence, courage, and humility. We never know if the adventure is merely in the mind of our central character, or if he really did board The Polar Express, but there is plenty of heart to perhaps help you hear the silver jingle bells of Christmas again.

The Christmas List (1997)

My mom and I watch this every year together when I go home over Christmas break! We were first introduced to it on the (then) Family Channel, and caught it on TV for many years thereafter (even as the Family Channel got absorbed by other companies. Eventually it wasn’t shown anymore, so I bought it on eBay. So, if you want to watch it, you’ll need to find it on eBay or perhaps you can catch it on YouTube. But I digress.

Mimi Rogers stars as Melody Parris, a perfume sales professional at Montgomery Ward style department store. When her best friend places her Christmas list in Santa’s mailbox, Melody suddenly begins to get everything on the list, but it doesn’t always turn out how she imagined it would. The Christmas List is an incredibly uplifting Christmas movie that is sure to bring joy to all those that put in a little effort to find it. It’s especially relatable for those of us that are in our 30s and still single, perhaps even waiting for our lives to start. When we realize that the waiting for life to start, has become our life. Sure, the plot is a bit whimsical, but that’s part of what makes this a fun movie! It’s also quite funny! And not in an ironic way, genuinely hilarious at points. You don’t want to miss out on sharing in the journey as Melody discovers the spirit of Christmas and refocuses her life in a more productive direction!

Krampus

Twas truly a nightmare before Christmas! What would happen if Charles Dickens, Dr. Seuss, and the Brothers Grimm would combine their unparalleled literary social commentary and storytelling abilities for a Christmas movie? The answer is Krampus. Based on an actual legend of German origin, Krampus is the antithesis of Santa Claus. Whereas this narrative is not based solely on the legend per se, many of the insidious characters are rooted in the legend. In an unconventional way, this movie highlights what Seuss and Dickens wrote about in their timeless tales: Christmas becoming more commercialized and about selfish material gain rather than the spirit of sacrifice, giving, and relationships. Just like Scrooge was so terrified emotionally and physically by the ghosts of Christmas past, present, and yet to come, that he believed in Christmas with all his heart, you may also call your behavior, this holiday season, into question as a result of coming face to face with Krampus. Directed by Michael Dougherty, of Trick r Treat fame, you don’t want to miss adding Krampus to your Christmas lineup!

Last Christmas (2019)

Paul Feig’s Last Christmas is a heartwarming Christmas movie that is surprisingly deep and thought-provoking. It stars everyone’s favorite Mother of Dragons Emilia Clark as our central character of Kate! Follow Kate on a transformational journey that explores how constantly playing the victim and blaming everyone else for your problems can lead to destructive behavior.

I appreciate the unconventional approach to Christmas movies this one takes. It doesn’t hold back on the cynicism that many people have about life or about the holiday season. The movie depicts true-to-life people that experience real struggles within the family unit and from the outside. In addition to the interpersonal relationship conflict, Kate’s family is also from the former Yugoslavia. This is an important subplot in the movie because the movie seeks to comment on the prejudice that some refugees-turned-citizens experience, especially in the midst of political turmoil. Like I said, this Christmas movie is surprisingly deep.

The most powerful Christmas story ever (other than the Nativity) is Charles Dickens’ A Christmas Carol, and why is that? Because it’s a story of redemption. If Scrooge can be redeemed, we can all be redeemed. Kate is our Scrooge in this story. Perhaps that is why so many people love it, it parallels A Christmas Carol in beautiful ways, yet it doesn’t–on face value–appear to be an interpretation of it. Do yourself a favor and plan to make Last Christmas part of your holiday season.

Gremlins

Can’t you hear that infectious theme music by Jerry Goldsmith now?!? Joe Dante’s Gremlins is one of the most brilliant horror comedies ever! And I say comedy because the entire movie is played for laughs! All the way down to how a young lady learns there is no Santa Claus. The campy violence and juxtaposition between Christmas imagery and horror is uncanny! Lightning in a bottle, that’s precisely what this is. It’s as if Joe Dante and Spielberg said “let’s take the idyllic, cozy suburban setting from It’s a Wonderful Life and use it as the backdrop of a creature feature! The setting and characters in it manage to simultaneously be timeless, nostalgic, and ridiculous.

Like Die Hard and Batman Returns, this movie could have taken place any any other time of year, but Christmas was selected because there is no time of year that is more idyllic than Christmas. It really is an ingenious movie! Gizmo, the cuddly magwai, yanks at our heartstrings, all the while, fantastic suspense is building because we know the rules. And when the gremlins hatch, the idyllic town becomes a wacky, satirical, spectacle of total chaos.s! But even in the darkest moments, Dante finds a way to increase the levity so nothing is ever too dark. At its core, Gremlins is a satirical spin on materialism, but it never forgets to have fun and thrill audiences all at the same time.

It’s a Wonderful Life

Frank Capra’s masterpiece is timeless! I can’t imagine a Christmas going by without watching it with my parents. What’s funny, is that this movie is considered by many to be the greatest Christmas movie of all time, but most of the movie doesn’t even take place at Christmas. It starts at Christmas and ends at Christmas (although it is the same day), but most of the narrative takes place at other times of year in George Bailey’s past.

Films concerning suicide or suicidal thoughts are not new today, but back in the 1940s, it was nearly unheard of. Much like Gremlins pits the idyllic suburban Christmas backdrop against violent (yet playful) creatures, Philip Van Doren Stern’s screenplay combined with Capra’s genius work together to juxtapose real-world, relatable feelings against the most wonderful time of the year. Capra’s film would not be the classic that it is without the outstanding cast that brings the story to life for the screen. I love how the film takes audiences on a rollercoaster through conflicts big and small. Paired with visceral mood swings the film gets to the very heart of what it means to be human–and the value every life has on this earth. While it would have been easy for the film to maintain a somber tone throughout, it is not without comedy. The end result is a supremely entertaining film that takes that which is most relatable and simple to craft a compelling narrative. No matter what one faces, “no man is alone whom has friends…”

Honorable Mentions

The Rankin-Bass Classics

No Christmas movie list would be complete with out mentioning the Rankin-Bass claymation and traditionally animated mid-20th century classics! The Little Drummer Boy, Frosty, Rudolph, Kris Kringle, they’re all here! Chances are, you make one or more of the Rankin-Bass television specials part of your Christmas every year. Rudolph the Red Nosed Reindeer is actually the longest continually airing television special in TV history! Outside of Frosty and a new others, the majority of the RB specials are claymation, which is an artform that is nearly gone, save the recent Pinocchio and 2016’s Kubo and the Two Strings. It’s not simply witnessing the hand of the artist in these specials that make them–well–special, it’s the uncanny ability for each of these to transport you back to your childhood home, sitting in your PJs with hot cocoa or a bowl of popcorn, watching the television specials with your family or friends. RB’s love of the whimsical, relational, and spiritual dynamics of Christmas rings loud and clear in each of their specials.

Violent Night (late add, but had to mention!)

Highly entertaining and hilarious! Better watch out burglars, Santa’s coming to town. Universal Pictures’ Violent Night hits theatres this week. And you don’t want to miss this fantastically fun horror-adjacent Christmas action movie, which is equal parts Die Hard and Home Alone with some Krampus thrown in for good measure–and it that still has plenty of Christmas spirit! Not since Krampus have we had such unconventional Christmas movie in cinemas. Not quite unsettling enough to be a horror movie, but gorier than a typical action movie, Violent Night sits comfortably in the middle (but a little closer to action). One of the things that makes both Gremlins and Krampus work so well is that the violence is played for laughs, and audiences will find that to also be true in this movie. Even though the violence is prolific, it is schlocky and even campy, at times. Despite the creative, gory kills and pulse-pounding action sequences, Violent Night takes times to impart valuable lessons in family, hope, and even redemption. It simultaneously acknowledges how hard the holidays can be on folks that have become disillusioned with Christmas and yet manages to show the importance of never losing hope in the magic of Christmastime. Even though we may not know how it works; it’s important not to allow cynicism of this world to overpower the optimism of hope the holidays bring. With a solid screenplay, effective direction, and entertaining kills, Violent Night is an instant modern classic

Merry Christmas!!

Ryan teaches Film Studies and Screenwriting at the University of Tampa and is a member of the Critics Association of Central Florida. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter. If you’re ever in Tampa or Orlando, feel free to catch a movie with him.

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“Black Christmas” (2019) Horror Movie Review

The gift of the season too horrible for even Scrooge, pre-visits from the Christmas spirits. It’s pretty much a horror movie that Krampus gives away because it is so horrifyingly bad. Last year, I watched for the first time and reviewed the Bob Clarks’ cult classic Black Christmas (1974), and found it to be an outstanding horror film. Then I watched the 2006 remake and thought that no remake could be as bad as that one. I. Was. Wrong. Enter: Black Christmas (2019). This movie is a prime example of bludgeoning the audience with a message/agenda 2×4 with a complete disregard of proper storytelling. Gone is the terrifying atmosphere of the original or schlockyness of the remake. All that we have here is a post-modern sexist message of hate full of one-dimensional characters. To say that there is a plot–even a bad one–is a vast overstatement. This movie is neither entertaining nor empowering. If you watch it, you will ask yourself what Jason Blum and Universal Pictures thinking. I suppose they are thinking of a potential house at Halloween Horror Nights 30 next year. And on that note, I agree that this movie will translate to a fun HHN30 house. But that’s pretty much it.

There is ZERO subtext, no nuance, no likable characters, and when it takes a supernatural turn, you will sit back with your eyes rolling around. And let’s address the PG-13 rating. Had this been rated R, then the kills would have at least been a little better, as they are, they lack anything memorable. A horror film, like this one, rated PG-13 simply works against it from the onset, not to mention the travesty the (if you can call it this) story is. This movie does the title Black Christmas harm. If for no other reason, perhaps the good thing to come out of this one is that horror fans will seek out the original! This movie’s heavy-handed cash grab and irreverent treatment of the #MeToo movement is offensive in and of itself. How can anyone take the movement seriously when movies like this perpetuate an obnoxious caricature of it??? Speaking of perpetuating negative development, this movie also preaches a sermon of post-modern sexism in which women can say anything about and do anything to a man simply because he is a man. However, if a movie like this were made that gender swapped the characters, then it would be protested to the highest degree.

I’m not here to negatively critique this movie because I dislike the agenda-driven message, but I am here to provide a review of a poorly written and directed movie. Being a cis gay male, I often identify with female characters, but I couldn’t connect to any one of these women. As far as acting, it’s par for the course for a bad horror movie. To call this movie a slasher, is disrespectful to the genre. It is not a slasher. Had this movie stuck to the original plot, but brought it into the 21st century, then I think it could have actually been pretty good. Such a great opportunity to play around with an iconic property. In terms of the representation of women, horror has always been on the forefront, a pioneer in writing strong female characters that are brave, smart, vulnerable, and cunning all at the same time. So I am not sure why this movie felt the need to preach strong female characters. Hello! The term “final girl” is derived from horror films. Where this film could have been clever is to subvert our expectations and have a “final boy” and female villain instead, if it truly wanted to flip this property on its head. The female empowerment message could have easily come from that setup. A female slasher killing off frat guys that mistreat their girlfriends or hookups. That already sounds better.

Ryan teaches screenwriting at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! You can catch Ryan most weeks at Studio Movie Grill Tampa, so if you’re in the area, feel free to catch a movie with him!

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“Black Christmas” full horror film review

Move over Ralphie for Bob Clark’s original Christmas story. Released in 1974 and predating John Carpenter’s Halloween by four years, Clark’s Black Christmas is actually the the first modern slasher film. In fact, many have argued that Carpenter’s iconic holiday horror film, that made Michael Myers a household name, is an unofficial sequel to Black Christmas. Bob Clark laid the groundwork for Michael to terrorize Haddonfield; but, both Black Christmas and Halloween along with 1979’s When a Stranger Calls collectively created the foundation upon which the 1980s slashers were built. Although I had heard of this film prior to this year, I did not make time to watch it until many of my podcast friends talked about it. So, for the weekly film screening with my cinephile penpal a couple of weeks ago. Originally, I had not intended to review it since so many others have covered it this Christmas season; however, after being encouraged to review it by a few of my friends in the #PodernFamily community, I’m going to talk about my opinions on this film. In short, it is one of the most terrifying horror films that I have ever watched. And it’s not because it’s particularly violent or gory, but because of its incredibly unsettling atmosphere caused by the mysterious, vulgar phone calls and the creepy POV of the slasher entering the sorority house during the Christmas party. That bit of dramatic irony paired with the sequence of disturbing events, work together to generate nightmare-inducing thoughts and imagery in the mind of the audience.

Now for the IMDb summary before we dive deeper! As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb’s friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.

The first moment in the movie to truly catch my attention was the POV of the serial killer. Before watching this, I was under the impression that the first horror film to open with a POV in this fashion was Carpenter’s Halloween. It was at that moment that I looked up the release year and shocked to find that Black Christmas was released four years prior. The unnerving atmosphere of dread is generated in part by the dramatic irony of the killer being in the house and the vulgar mysterious phone calls that consistently plague the sorority girls. Although there are scenes that take place outside of the house, the horrific events largely take place inside a house. A house–more specifically–a home–where you should be and feel safe. The invasion, the penetration of safety is a terrifying prospect for anyone who has ever walked into their home alone wondering if someone may be there. The idea that someone may be in your house sticks with you long after the movie ends. And that is the power of the unnerving horror of Black Christmas. I argue that the level of terror is higher in this movie than Halloween because of just when this story takes place. Both Halloween and Black Christmas concern themselves with a serial killer sneaking inside the home unbeknownst to the owners but Black Christmas takes place at the time of year that we should feel the warmest and safest. It’s that stark contrast between the magic of Christmas and the horror befalling the sorority house that impacts us more than the events in Haddonfield on Halloween. Halloween is a time that we expect to be scared, whereas Christmas is a time that we expect to be warm and safe.

Unlike the merciless or meta-kills of Jason or Freddy, the killer only known as Billy specializes in psychological horror. Although there is more to Jason than just killing teens and college students, he essentially seeks to rack up as many kills as possible. Much in the same way, Freddy enjoys increasing his kill count too. However, Billy stands in contrast because he is not merely concerned with racking up a body count as he is truly terrifying the girls and their house mom. The actions of Billy are a vehicle for the fears of the audience. His victims and methods of execution, if you will, comment on the character types that he’s going after. Moreover, the beauty of Billy’s true identity remaining mysterious is that he can be whomever you want him to be. Furthermore, the victims can be whomever you want them to be. It’s the type of horror film that provides the audience with the ability to place themselves in the shoes of the killer. But Billy isn’t the only star of the film, we spend sufficient time with each of the characters to understand their personalities and desires. This makes them more than just eye candy for Billy or the audience. We can empathize with each of the victims and those with him they have friendships or a relationship. There are few moments that we get to see Billy. For the most part, we are always looking through Billy’s eyes. Billy has nothing distinct about him. No motive, mask, backstory, proprietary weapon–nothing. And it works so incredibly well! It’s this lack of anything in particular that would make him out to be someone unique that terrifies us. He can literally be anyone who is simply terrifying these girls because “they were home” (where have we heard that before?) or they left the door unlocked or a window open.

Hitchcock stated stated on more than one occasion that (and I am paraphrasing) there is no greater fear than that of an opened door. Bob Clark takes a queue from Hitch in that he relies heavily upon that which in unseen or unknown. Relying upon that which is unseen forces the audience to engage the film on a personal level by creating scenarios for the violence off screen. Another quote of Hitchcock is related to Clark’s approach in this film, “always make the audience suffer as much as possible.” And there are plenty of scenes in Black Christmas that will induce suffering in the minds of the audience. We aren’t given a backstory on or motives of the killer, but evidence suggests that he has a preoccupation with the idea of pregnancy or motherhood. Moreover, there are different types of mothers or maternity examples in the film from a sorority house mother to a knocked-up college student contemplating an abortion. Interestingly, this is where Black Christmas refuses to conform to the morality play underscoring many horror films in which teen and college students engaging in deviant or indiscriminate sexual behaviors are the ones killed off. The point-of-view movements and kills take you out of your seat and into the narrative as a quasi accomplice to the murders. Of course, we are not prevued to all the murders as there is a rape and murder in the same area that is said to be linked to Billy but we never truly learn the origin of these murders or even the true identity of Billy.

Although Black Christmas is a serious slasher, it is not without its comedic moments. The sorority mom and her booze will keep you laughing while one of the police officers will have you rolling over in your chair with his complete incompetence and lack of knowledge of fellatio. The film never falls into the area of self-aware or parody, but it does successfully balance out the dark narrative with the more lighthearted elements.

If you’re looking for another holiday horror movie to add to your list of Christmas films to watch, then you definitely want to add this one to your lineup. It’s perfectly dark and sinister, takes place in an ominous sorority house that provides us with an incredibly creepy atmosphere, and infamous ending. Instead of shelving it until the holiday season each year, it should be treated like Halloween and other slashers. It’s good year-round! It’s an important film in the horror library because it was the first to give us so many of the tropes that would show up later, and even thought to be originally attributed to later films.

Ryan is a screenwriting professor at the University of Tampa. If you like this article, check out the others and FOLLOW this blog!

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