Possesses dino DNA, but missing strands and sequences, leaving an uneven and forgettable movie. Jurassic World: Rebirth begins with an intriguing enough premise, but the characters are poorly written, which is then amplified by way of a subplot that only serves to clutter the story. After a rough first two acts–except for a thrilling and fantastically written T-Rex chase scene (that was part of Crichton’s original novel and script for Jurassic Park)–the third act is surprisingly exciting and suspenseful, and at times terrifying.

Zora Bennett (Scarlet Johansson) leads a team of skilled operatives to the most dangerous place on Earth, an island research facility for Jurassic World. Their mission is to secure genetic material from dinosaurs whose DNA can provide life-saving benefits to mankind. As the top-secret expedition becomes more and more risky, they soon make a sinister, shocking discovery that’s been hidden from the world for decades.

Perhaps Koepp’s screenwriting works best when the original version of a script is written by the novel’s author (which, I know wasn’t possible for this movie in more ways than one), and he then crafts the original version to be more effective for the screen. To put it simply, no one knows what is going on or when/where they are. Harsh? Not really, when the movie opens with lazy exposition through on screen text describing an event that happened 17 years ago…keep that in mind, 17 years (placing it in line with Jurassic World not Jurassic Park). But then the characters talk about the research and development facility as if it was connected to the original park–not possible. Even popcorn movies should adhere to the logic of their own world building. It’s as if no one thought about the events that unfold in this movie, and how they relate to the previous movies. Kind of basic storytelling logic.

There are many elements of this movie that fail to make any logical sense (and again, that is the logic setup by the movie itself) or are setup, and never developed or connected to any motivation or stakes. To go into them, would take too much time.

Aside from logic problems, the movie is plagued by poorly written characters, an extraneous, shoehorned subplot, and weak first and second acts (with one exception in the second act that was thrilling). While I appreciate the minimalistic cast of characters compared to the cast of characters in all the Jurassic World movies, there are two competing groups that are pretty much independent of one another and could have each been in their own movie altogether. Yet, somehow, they are sloppily fused together in this movie. For argument’s sake, we’ll call them the Mercenaries and the Family. The Mercenaries and their outside/action plot are fine–I’d even go so far as to say ‘that’ story is sufficiently interesting. The Family and their plot felt extraneous and ultimately of little importance to anything that happened. It’s as if there were two different movie ideas (1) centered on the Harvesters and (2) the Family. And I think either by itself would have made for a better movie than putting them together. These decisions left the movie feeling muddled and crowded.

There is a T-Rex sequence in the second act that is fantastic! It very much harkens back to the sci-fi horror-adjacency of the original movie. Of course it helps that Crichton’s original Jurassic Park novel and screenplay thereof contained a similar sequence. Fun fact: this sequence in the novel and original Crichton screenplay served as the inspiration for Jurassic Park: The Ride at Universal Studios parks. It plays out wonderfully in this movie, like a short film in and of itself, because it’s setup well, developed strategically, and resolved thrillingly.

Even though there are a couple of characters that are almost fun or compelling to watch (almost), the rest are more disposable than a red solo cup at a frat party. You’ll find yourself rooting for the dinosaurs to win. Of all the characters, there is one particularly so annoying and deplorably behaved, that you’ll want the first dinosaur you see to pick him off, (and question why on earth his girlfriend would be with him and why the dad would let the boyfriend walk all over him–answer, bad writing). Other characters are one-dimensional or the casting choice never sells the character. All around, there are many character and casting problems, resulting in a movie wherein you’ll hope the next dino attack happens soon–and preferably ends with one less character.

Where the movie “finds a way” to leave you on a high note, is in the third act. Despite the slapdash screenwriting throughout the first and second acts, the third act is wildly entertaining and even at times, terrifying! It almost compensates for the first hour and forty-five minutes. The (weird) dinos are “monsters” again, and the various chase sequences each offer something different (even though one is a recreation of the Kitchen Scene from the original movie). The stakes are raised and the level of terror leaps off the screen. So often, movies start well and fail to stick the landing; with this one, it fails to stick the launch but definitely sticks the landing.

SUffice it to say, if you took the first two acts from The Lost World: Jurassic Park, and paired them with the third act from Jurassic World: Rebirth, then you’d actually have a pretty good, memorable movie.

As an OG Jurassic Park fan (and Lost World apologist, except for the third act), I hate having to write reviews such as this one for a franchise installment. But, the more I thought about this movie, the more stupid it became. I suppose it’ll make for a fun enough 4th of July weekend watch, but doesn’t do much beyond that.

Perhaps, these movies will “find a way” back to greatness one day–doubtful as it seems.

Ryan is the general manager for 90.7 WKGC Public Media in Panama City and host of the public radio show ReelTalk “where you can join the cinematic conversations frame by frame each week.” Additionally, he is the author of the upcoming film studies book titled Monsters, Madness, and Mayhem: Why People Love Horror. After teaching film studies for over eight years at the University of Tampa, he transitioned from the classroom to public media. He is a member of the Critics Association of Central Florida and Indie Film Critics of America. If you like this article, check out the others and FOLLOW this blog! Follow him on Twitter: RLTerry1 and LetterBoxd: RLTerry