Christmastime is “Magical” at Universal Orlando

Universal Orlando guests can now experience the magic of Christmastime in the Wizarding World of Harry Potter (WWoHP) Hogsmeade and Diagon Alley. You’ve asked for a holiday overlay in the Wizarding World, and now you can experience it. From Christmas Pudding at the Leaky Cauldron to the Magic of Hogwarts Castle mapped projection show, your holiday spirits will be uplifted throughout the Wizarding World. This marked the first year that the WWoHP receives a Christmas overlay during the holiday season, and it is not to be missed. Between Grinchmas (see my review from last year as it is largely unchanged) at Islands of Adventure, the Mannheim Steamroller, Holiday Parade, and Harry Potter Christmas at Universal Studios (as well as HP IoA), you will find plenty to fill your day. In fact, my friend Dani and I found so much to do that we didn’t experience one ride because the time just wasn’t there. But when you’ve ridden everything hundreds of times, you feel that there is the time to spend on the limited time engagements.

For months, I have been looking forward to the brand new Harry Potter Holiday offerings at Universal Orlando. This will be the first time that JK’s WWoHP will receive a seasonal overlay of decorations and attraction offerings. Now that WWoHP has received the Christmas treatment, perhaps Halloween will be next! Between both parks at Universal Orlando Resort, there is a world of holiday happiness around every corner, or in this case, through walls. With so much going on, it can be a little daunting to try to fit everything into a day. For annual passholders who visit regularly, this won’t seem as tough because the rides can be skipped. For those who are visiting on vacation, definitely consult the Universal Orlando app or website for show schedules in order to map out your day to make sure you get everything in (for vacationers, you definitely need to plan 2 full days minimum). On our way to the park, Dani and I looked at the park schedule on our way across the I-4 and made a general itinerary of the order in which we wanted to experience the limited time engagements. If you plan out your itinerary, you’ll find that getting to see the shows and parades you want will be much easier and definitely less stressful once in the park.

Our first stop was Diagon Alley to see the There’s Nothing Like a Holiday Spell Celestina Warbeck show. I adore this show, and often watch it when I am in the park. Her voice, the costumes, and music genuinely create the atmosphere of a 1940s jazz nightclub. The Celestina Warbeck show still has the quintessential Wizarding flare to it, and the original songs were superb! Expecting no less, Celestina’s Christmas gown was drop dead gorgeous and her Banshees were killer as well. Although the vocal artists/character performers who portray Celestina always look like they are having a great time, the degree of enthusiasm from Celestina was greatly increased during the show. I imagine it’s due to the show being new, and it’s a break from the regular song lineup. If I could suggest one way to start your holidays at Universal Orlando, this is the show that I would recommend hands down. And get this, at the finale of the show, Diagon Alley is covered in snow flurries!

After leaving the Celestina show, Dani and I made our way to the Leaky Cauldron to see the decorations and to see if they had some seasonal offerings on their menu. To our delight, there were some additional items AND a Christmas Pudding for dessert! I’ve read of Christmas Pudding in Charles Dickens’ timeless masterpiece A Christmas Carol, but never had the opportunity to try one. Without even knowing what was in it, Dani and I both ordered the pudding with her banger sandwich (her regular) and my Guinness lamb & beef stew (my regular). Although the interior of The Leaky Cauldron is not nearly as decorated as the streets of Diagon Alley, the subtle additions of pine garland created a festive atmosphere. After eating out main courses, it was time to dive into our Christmas Pudding. The mini pudding came out in the shape of a bundt cake with icing on the side to drizzle over top of the pudding. I was aware that British puddings were more like buddy cakes, but still to see a pudding in that shape was pretty cool. Once the icing was drizzled, Dani and I sunk our forks into the moist pudding and took our respective bites simultaneously. It was unanimous–YUMM! We both absolutely loved the pudding. Its flavor reminded us both of a spice cake with currents. Hints of cinnamon and sugar were also found in the pudding. We would both definitely order the Christmas pudding again.

After our early dinner, we were ready to board the Hogwarts Express to Hogsmeade for the Magic of Hogwarts Castle show. Upon approach to Kings Cross Station, we saw the wait was 60mins; so needless to say, we decided to walk to IoA. On our way, we stopped in the Universal props store where they sell old props to attractions. With HHN having ended just a couple weeks prior, there were many HHN props and decorations for sale. Annual Passholders do not get a discount at this store, but it’s definitely worth a browse because you may find a piece to a show or ride that you enjoy. Once we arrived at IoA, we were greeted with a new holiday mix of music at the Port of Entry instead of the whimsical tunes that are present for most of the year. On our way to WWoHP Hogsmeade, we passed through Dr. Seuss Landing. In no area is there a greater feeling of Christmas than in Seuss Landing. Much like Dickens is credited for inventing Christmas in how we commonly celebrate it, Seuss has also been incredibly instrumental in fostering the Christmas spirit through his brilliant book How the Grinch Stole Christmas. Since we saw the show last year, we did not make the time to see Grinchmas again this time. But, I plan to watch it before the holiday season is over. If you haven’t seem it, definitely check it out as it is the live theatrical presentation of How the Grinch Stole Christmas. As The Lorax is a favorite book of ours, we stopped to take a picture with he who “speaks for the trees” since he decorated the Onceler’s place for Christmas.

We arrived at the base of Hogwarts Castle about 1hr prior to showtime, and there were already about a dozen or so groups of people sitting down in the taped off viewing area for the show. With the queue for Forbidden Journey reading 45mins, we decided to go ahead and select our spot for the new show on its debut weekend. It’s a good thing that we did, because in no time at tall, the area was filling up quickly. Since the show begins at sundown (the times guide states dusk–believe me, it’s after sundown), the start time varies based upon sunset. As the sun goes down, you’ll notice that the cliffs beneath the castle begin to get covered in snow. I’m aware that is mapped prediction, but the snow dropped cliffs look quite real. You’ll begin to hear the familiar Harry Potter theme as snow falls over the castle, and that marks the beginning of the show. And, such an amazing show it is! Simply breathtaking. It has a great blend of familiar images from the movies as well as Christmas animations. The song selection was excellent and paired with eat animations nicely. Whether you have seen the Harry Potter movies or not will not negatively impact your experience of this seasonal show. It is enjoyable for everyone! There is a warmth that iminates from Hogwarts during the show that will have you completely wrapped in the magic of the season.

After making our way through the overly crowded and disorganized streets of Hogsmeade (I’ve heard Universal modified the guest flow of traffic on night two, which is good because leaving the courtyard was horrendous Saturday night), we quickly headed for the Christmas Music of Mannheim Steamroller concert at Universal Studios. I don’t know about you, but I grew up with the music of Mannheim Steamroller at Christmastime, and I look forward to their limited time engagement at Universal Studios Florida every year. Even if you do not know them by name, it is highly likely that you are familiar with Chip Davis’ combination of synth and orchestra pieces. The company at Universal is the Mannheim Steamroller Orlando compliment and not the full company (because they are touring at this time), but the sound is just as big and the showmanship is excellent. Since my mom does not live around here, I made sure to FaceTime with her so she could vicariously enjoy the concert with me from 500mi away. Attending the concert was the perfect way to end our day of holiday enjoyment at Universal Orlando.

Suffice it to say, Universal Orlando has done an outstanding job with its special limited time holly jolly holiday offerings this year. The addition of the Christmas overlay in the WWoHP more than doubles the festive events going on now. Don’t miss out on the “magic” of Christmas at Universal Studios and Islands of Adventure this holiday season.

 

Christmas Arrives at Disney’s Hollywood Studios

The Holiday season is in full swing at Disney’s Hollywood Studios! Sunset Seasons Greetings debuted last week along with the return of Jingle Bell Jingle BAM. Accompanied by snow flurries surrounding you on Hollywood and Sunset Boulevards, you will be energized by the joy and cheer of crowds of guests singing some of your favorite Christmas songs–you’ll definitely want to join in. Although the park still feels empty at Christmastime without the late Osborne Family Spectacle of Dancing Lights, the seasonal offerings at the park do help to fill the void. The present shows still fall short of the immersive experience of the incredible brilliance and beauty of the famous dancing light show. But I digress. My friend Dani and I had a fun time watching the two nighttime Christmas spectaculars….(more)

Sunset Seasons Greetings is Hollywood Studios’ newest seasonal offering for Christmastime that takes place on the Hollywood Tower Hotel (a-k-a The Tower of Terror). Initial impressions of the show leave me with the evaluation that it’s a cute show. Like so many other Disney nighttime shows these days, it relies upon mapped projection technology instead of precisely choreographed dancing Christmas lights. There are four different animation sequences and they repeat until 8pm. Between each roughly minute-long map projection animation transforming the Tower of Terror into a colorful array of images and shapes, there is a transitional animation on the Fantasmic billboard (note: Fantasmic is now sponsored by Pop Secret–not sure that’s the brand you want associated with your show) that highlights a different aspect to the Holiday season. My favorite sequence on the billboard was the one featuring clips from Mickey’s Christmas Carol. Each mapped projection show on the Tower features different music and imagery–each unique. To watch the show from start to finish takes 10-12mins. Since this is a show throughout the evening that rotates, it definitely alleviates any concerns of overcrowding on along Sunset Blvd.

Returning for its second year is Jingle Bell Jingle BAM. For a full review of the show, please see my article from last year. After experiencing the changes that Disney World made to the show, I must say that it feels a lot more Christmassy than it did last year. Last year, I was left wondering where all the Holiday spirit was. Perhaps others felt as strongly as I did that this “Christmas” show lacked Christmas, and Hollywood Studios decided to integrate more of a holiday feel to make it feel like a special seasonal offering. I especially appreciated the singalong of It’s the Most Wonderful Time of the Year as well as other Christmas standards. There truly is a little something for everyone at this new iteration of the infant show. After the show, my friend Dani and I still remarked that everything we experienced throughout the evening still does not feel as magical as the Osborne Family Spectacle of Dancing Lights, but we still had a great time!

If you are planning to visit Disney World this holiday season, don’t miss these seasonal nighttime spectacular offerings at Hollywood Studios.

Support Local! Exploring Central Florida’s Community Haunts

Written by Ryan L. Terry & Derek Rosenberg

While Universal parks have Halloween Horror Nights, Busch Gardens parks host Howl-O-Scream, Knott’s Berry Farm celebrates Halloween with Knott’s Scary Farm as well as many other theme parks’ Halloween events, don’t forget that your area may also offer some great local haunts to terrify you during this festive season made up of what haunts you in your nightmares. Whether you are searching for a local haunt that has that quintessential small town Halloween feel or you seek a haunt that takes you where no theme park can without getting sued, there is likely a haunted house or trail located within driving distance of your house that beckons for you to brave the horrors that lie within.

I must confess, I have not supported my local Central Florida area haunts in the past–and that’s always bothered me. Always spent my time at the Universal, Disney, Busch Gardens, and SeaWorld events. So this year, I made it a point to make it to at least one, if not more, in order to support local Halloween enthusiasts who enjoy crafting something enjoyably terrifying for the community to enjoy during the Halloween season. And you know what I found? Local haunts are great! They can do things that theme parks aren’t able to do for reasons of liability. They can also do little things that enhance the experience by giving the haunt a more intimate feel. I am certainly not disappointed with my experience; and friends of mine that have supported local haunts this year as well, have commented that the haunted trails and houses offered uniquely fun experiences.

Our first stop is Sir Henry’s Haunted Trail! Located between Tampa and Orlando in Plant City, famous for the annual Strawberry Festival, Sir Henry’s offers two trails and a house. The house was an addition to the annual trails because it was located in Bartow, FL where it suffered major damage from Hurricane Irma. The folks at Sir Henry offered to include the house in order for the owners to recuperate the money it takes to build and support a haunted house AND for additional exposure from people who wouldn’t ordinarily drive the hour from Orlando or Tampa for a local house. Talk about an excellent example of a community uniting after a disaster! I gathered from that story that the owners, designers, and builders of local haunted attractions must be a close-knit community that steps in to help one another out, all while maintaining friendly competition amongst each other.

Parking was free! That was a great start to Sir Henry. You can purchase admission individually for the trails and house (three total attractions), or you can buy a combo ticket. My two friends and I purchased the combo ticket for $30 (saved $6). Individually, the attractions sell for $12/ea. From the moment we walked in, we knew that it would be fun. There were fire pits roaring, people roasting marshmallows, local vendors selling souvenirs and Halloween decorations, and kids whose parents obviously dropped them off for a night of nightmarish experiences. It felt like I stepped into a Halloween event held in one of those towns found in shows on The CW–you know the ones I’m talking about. I was thoroughly impressed by the craftsmanship and simple but effective technologies used in bringing these houses to life. A big difference between the theme park events and these local haunts is the group size. At Sir Henry, groups are broken up into smaller groups of three or four. Furthermore, guests are sent through the trails and house in intervals. This is instrumental in a desire for each guest to experience a scare without seeing it up ahead with other group. The trails and house were definitely maze-like in the design, because we took a few wrong turns and had to backtrack–only to find our pathway blocked by scareactors.

One of my favorite effects that I saw at Sir Henry’s was the fog and green laser that made it look like a swamp. Come to find out, that effect is achieved by cooling the fog to a temperature that causes it to remain condensed and about 3-4 feet above the ground. The addition of the green laser effect actually made it feel like I was wading through a swamp as my friends and I were navigating the maze. Being out in a field was a lot of fun and much different than being in a theme park setting. I really had no idea where scares were going to be; and therefore, I was always processing from turn to turn with heightened senses. It was a great feeling! Demented colonists, abandoned subdivisions, deadly butchers, chainsaw wielding sociopaths, you’ll find them all at Sir Henry’s Haunted Trail in Plant City, Florida.

Let’s head over to Winter Haven, located between Orlando and Lakeland.

The Shallow Grave has been a staple haunted attraction in Winter Haven, Florida for the last 5 years. I have always heard great things about this haunt and had never taken the time to experience it, but couldn’t pass it up this year, after hearing it will be their last year due to low attendance numbers. Built in a 13,000 square foot warehouse, Shallow Grave offers two haunted mazes giving you two very different experiences. Parking is $5 in the field across the street and as soon as we arrived the atmosphere was electric. They have several different ticket options including General Admission for $25 (includes both houses, one admission per house), Quick Death for $40 (allows you to skip the lines, one admission per house), Feargasm Pass for $35 (unlimited access to both houses), Season Pass for $150 (admission to each house for all 14 nights they are open), and the Combo Pass with Chamber of Terror for $55. They also sell Shallow Grave t-shirts to really support your local haunt. There are a few animatronic figures or statues outside the houses that add to the creepy atmosphere and allow for some great photo ops. Standing in line was where we got our first taste of how this is different than your typical theme park haunt. Scareactors are milling about outside the houses, pushing through the lines and popping up to scare guests before they even make it inside. They then tend to be happy to pose for a photo to show off their costumes and makeup.

Now we get into the houses. Updated for 2017 we first have Betrayal. You find yourselves on the haunted property of Thaddeus Van Buren during a rise of the undead. Shambling zombies and chainsaw wielding hillbillies stalk this maze which includes a rundown house and graveyard. This felt like a pairing of the Texas Chainsaw Massacre with a zombie flick, which are two of my favorite genres. The returning house this year is Pavor Nocturnus (latin for night terror) which delves into the realm of phobias and those subconscious fears you might not realize you have. This house covers spiders, caves, snakes, swamps, voodoo, prison, hospitals, and asylums in all the best and worst ways possible. With sets and props that match Busch Garden’s Howl-O-Scream quality, scareactors grisly costumes and makeup, and not your average animatronics and puppets, you haven’t been through a maze quite like these before. These are the scariest houses I’ve ever been through, which comes from several reasons. They only let groups of 6 through the house at a time and there isn’t always a clear indication of which way you are supposed to go, so it does truly feel like you’re having to find your way through this maze of horrors. The scareactors are also able to touch you and although it’s typically only a light squeeze of your arm, it’s a whole different experience once that barrier of “safety” is shattered. Having been going to haunted events at theme parks for the last 12 years, I can say that this is one of the best experiences I’ve ever had. It’s a real shame that this is their last year and I’ve only gone once. I’m hoping they find a new home or financial backer so we can see The Shallow Grave return in the future.

Now, we head to Downtown Tampa for quite the unique experience!

When buying tickets we went with the Combo Pass so that we could also check out the Chamber of Terror in Tampa, Florida. This haunt is built on the SS American Victory, a WWII-era cargo shipped docked behind the Florida Aquarium in Channelside. Parking is available at the Channelside Parking Garage across the street from the aquarium. Ticket options include General Admission for $25, Immediate Demise for $40 (skip the line pass), and the Combo Pass with The Shallow Grave for $55 (skip the lines pass for both locations). From the moment you walk up to this haunt it feels different than any other because you’re walking up to an actual ship. Walking down the darkened alley to the water for the reveal of a huge ship is pretty spectacular. Scareactors amble around outside ready to scare you in line as a taste of what’s to come. Soon you will find yourself deep in the hold of this haunted ship, inhabited by Captain Berwick and his undead crew, lashing out to terrorize you and hoping to add some new bodies to their hoard.

Our combo pass allowed us to skip the line so we almost immediately were sent up the gangplank onto the deck of the ship. The steel door swings open and a group of 6 are beckoned through by an undead shipmate who leads you to the elevator. Here you are shut into a box where the only light is being shown in your face by a scareactor holding a flashlight and shouting while lowering us down into the depths of the ship. What follows is a twisting, turning maze of narrow corridors and staircases that take you through many different sections of the ship including the main deck, which gives you a nice view of the water. This haunt is interesting because each section of the ship plays out like an interactive scene that plays for your group before being reset for the group following well behind you. The costuming and props are great and the scareactors have no problem invading your personal space, especially in the crew quarters. The different levels of the ship disorient you into not knowing where the next scare is coming from and where the terror will take you next. While I didn’t find this haunt as scary as Shallow Grave, it was still a lot of fun and a different experience than I’ve had before. I definitely plan to check out the Chamber of Terror in the years to come to see what changes are made and for more nautical haunt fun.

The final stop on our tour of Central Florida’s local haunts was Scream-A-Geddon in Dade City. Having only been around for a few years, it’s the newest local haunt in greater Orlampa (Orlando/Tampa). We had such a great time! A fantastic variety of haunts including three houses, one trail, and a hayride! That’s right. A Hayride in Florida! From the moment we entered, we could tell that we were in for a spooktacular time. The theme of the event revolves around a classic carnival setup. The ticket windows, entrances, and midway resemble a classic carnival or traveling circus. The scareactors are not confined to the houses, but there are roaming sociopaths and ghastly hillbillies throughout the midway. In addition to the official haunts, Scream-A-Geddon also offers a gift shop, carnival food, and even games. If you’re feeling a big cold, there are two giant fire pits as well. With the night being unseasonably cold for Florida, the climate added to the experience because it felt like how Halloween is supposed to feel in the air.

Blackpool Prison is where the worst of the worst criminals are sent and during a blackout the inmates take control. This was our first house of the night and it was probably the best place to start. Here we were introduced to an element that makes Scream-A-Geddon different than most other haunts, the interactive glow stick necklace. Before you go inside the house, those who are 18 or older are given the option to either go in as a spectator or to where a glow stick necklace to become part of the horror, which allows the scareactors to interact with you. We’re sent into the prison in a group of 6, with 2 in our party wearing necklaces, and I took point. I was almost immediately grabbed by an inmate, taken into a cell, and shoved up against a wall where the inmate screamed in my face that I was going to die in this prison. I was then sent back out of the cell and, having been separated from my group, had to walk alone through the house for a while. Our friend Dani was also grabbed several times and between us we were yelled at, shoved against walls, locked into jail cells, threatened with bodily harm, and in Dani’s case with having her teeth pulled out. The house was very dark and smoky to simulate a rioting prison during a blackout, with threatening inmates and the few prison guards still left alive begging for our help. The set pieces weren’t as spectacular as other haunts, but the atmosphere coupled with walking through sections of this house alone makes that forgivable. This was a great introduction of the best parts of Scream-A-Geddon and got us ready for what was to come in our second house.

We then headed over to check out Infected: Ground Zero, the new house for 2017. Following a meteorite crashing near a rural campsite, a viral infection rapidly spreads, leading to a military quarantine of the area. Before heading out into the chaos we are again asked if we wanted to spectate or take part, Dani and I opted in again and were sent in as a group of 6. Dani was almost immediately grabbed and pulled away from our group and we didn’t see her again until we made it out of the house. This haunt is a maze through quarantine tents, dilapidated cars, and a house of cannibalistic horror. I was eventually grabbed and stuck in an X-ray room where I was hit with a bright light and blast of air and toward the end of the haunt I was pulled into a tent off the main path where the scareactor began shaving my hair to help stave off the infection. The end section was a squared off maze of lit tents, a central tower that spewed fire out the top every 60 seconds or so, and a chainsaw wielding madman chasing you through to the exit. After we made it out we were reunited with Dani where she told us of her experiences inside, which included: being zipped in a body bag and left alone for a few minutes, being forced onto a table where a buzz saw was ran across her forehead, and nearly being grabbed by another scareactor to be given a shot with the antidote. The frantic nature of this haunt was incredible and never knowing what the next section might hold made it the best experience Scream-A-Geddon has to offer and an experience that should not be missed.

The next two haunts on our tour placed us in the middle of the woods–Dead Woods to be precise. At this offering, you are sent on a deathly journey through the woods surrounding a nearly abandoned settlement with only a few cabins remaining. Lurking within the walls of these cabins in the woods, are deadly settlers who refused to leave when the rest of the village took to the city. While the haunts of this attraction were spread a little too thin for my taste–lots of “dead” space–the design of the cabins was great! Derek, Dani, and I really enjoyed the concept and layout. In the future, Scream-A-Geddon may want to consider making each cabin a different theme or including a greater variety of scares. This was also the longest wait, and over all woods did not justify the wait time. Don’t get me wrong, it was fun. But I think this attraction could use a little more “haunt” to compensate for the longer than average wait. Having to use a light stick to find our way was a lot of fun and added to the experience of being lost in the woods. Although using a faceod of a cabin would have sufficed for some haunts, this offering boasted five full cabins that we walked through and encountered the locals who were not happy that we were uninvited house guests. Probably because we witnessed all the sinister things they were up to. Walking through the haunted woods on our self-guided tour, was a great experience!

From walking through haunted woods to riding on a tractor-drawn hay wagon, we headed over to Cursed Hayride. This was my favorite experience at the carnival of terrors because it offers a unique experience. Unique for this part of Florida because hay isn’t something that you see in numerous quantities around the area, especially if you live in an urban core. I hadn’t been on a hayride in more than a decade. Although the ride load, unload and guest circulation could be improved a little, the wait wasn’t terrible. And certainly worth the experience. The theme was two part haunted farm and one part Old Western ghost town. The ride was filled with several pyro effects and scareactors to terrify you on your journey. A small group of girls on our hay wagon were particularly terrified and were all over the wagon. Along your ride, you will encounter farm equipment the has a mind of its own and will try to bail you will the hay. Watch out for a giant man-eating gator too. My favorite part was going through the ghost town. Reminded me a lot of the Western scene in the late Great Movie Ride at Disney’s Hollywood Studios. In fact, I remarked “what is this, Joisey???” An homage to the gangster on GMR. The tour through the ghost town was complete with a bank robbery, shoot out between the law and outlaws, and a terrifying priest. Such a unique experience that ranks highly for me this season.

Our last experience of the night was Bedlam 3D, which is a trip through a carnival madhouse gone mad. No interactive glow stick necklaces here, everyone gets the same experience. Taking some cues from Circus of Superstition 3D that ran at Busch Garden’s Howl-O-Scream for many years, we are sent through a glow in the dark, neon colored, clown invested, insane asylum. The 3D used here is similar to what you’ll see at other haunted theme park attractions, but is different than what you see in the theater. ChromaDepth 3D relies on the color spectrum where red appears to pop out at you, and blue appears to recede, with differing levels of depth effect for colors that fall in between. This was not the scariest house, but it was incredibly fun. The 3D effects, paint, and laser lights made the house very disorienting. The whole house is lit by black lights, so everything glowed, and it gave a really unsettling effect on the clowns’ makeup and costumes. Some good uses of drop doors, moving props, and a bungie scare really gave this house a zany feel and the scareactors were having a great time confusing guests on which way they needed to go through the maze. This was honestly one of the best 3D haunts I’ve ever been through and a really fun way to end our night.

Well, there you have folks! We’ve explored some excellent haunts outside the world of the theme parks, and hope we have encouraged you to support your local haunts (those that are open on Halloween and the remainder of the week). It really is so important to support your local haunted attractions because they have some great ideas and love to scare you! Whether the local haunt is someone’s sole livelihood or a glorified hobby, they should be encouraged to keep going and developing ideas because this is a way to support your local artistic community. As much fun as you have being scared, those who direct, act in, or build these community offerings love to see you having fun. And in order for these haunts remain around for you to enjoy, it’s important to spend the time and money at them so they can keep growing! This Halloween, remember to support local!

Of Mice and Movies

Twitter is a’buzz with the latest from the 2017 D23 Expo. Not to be outdone, Facebook, Instagram, and the theme park blogosphere are all but fully consumed with the big announcements for Walt Disney World out of D23 in Anaheim. BIG changes are coming, and will radically modify the existing attraction offerings at Epcot and Disney’s Hollywood Studios (DHS). While there were many announcements, the biggest ones are arguably the detailed look at the new Star Wars Land, the update on Toy Story Land (opening next summer), Ellen’s Energy Adventure (Epcot) getting replaced by Guardians of the Galaxy. Lastly, the final big announcement that will really hit close to home for many who have been going to DHS for a large portion of his or her life–the announcement of the closure of The Great Movie Ride (GMR) to make way for Mickey and Minnie’s first [dark] ride at Walt Disney World. And it’s that last announcement that speaks volumes regarding the direction that the Walt Disney Company is moving.

Although it’s been fairly common knowledge that the Ellen attraction was going to be replaced with something more contemporary and relevant, the announcement of the closure of GMR came as a shock to many (note: this change WAS hinted at within the last few months). Fortunately, the Grauman’s Chinese Theatre facade is slated to be largely untouched, so it will remain the icon of the park; however, GMR will go by way of The Streets of America. On the plus side, this change paves the way for Mickey and Minnie’s first [dark] ride in the parks period. That’s right. Neither Mickey nor Minnie had a ride based off their respective characters. Strange, right? Since “it all started with a Mouse.” Yes, Mickey has been included in other attractions (i.e. Philharmagic, Fantasmic, etc), but this presents the first time that he will have an actual ride in the parks. Of all the changes coming to Walt Disney World, this represents the most symbolic, and some might argue, the most significant. In order to understand just why this particular change is so important, and to many controversial, we have to look back at a brief history of The Great Movie Ride and by extension DHS itself. If you have read my article entitled A Theme Park in Flux, published back in September 2016, you may be familiar with the following. For all others, let’s hop in the wayback machine!

It’s the mid 1980s. And Disney Imagineers are pictching the idea to add an attraction that explores iconic films to Epcot’s Wonders of Life pavilion. The name of that attraction: The Great Movie Ride. At the same time, Disney is working with MGM/UA to build movie and television production facilities to be the Florida counterparts to the California operations. Concurrent to Disney, Universal Studios and Nickelodeon are doing the same thing just up the road from Disney. Anyway. Led by Michael Eisner at the time, he made the executive decision to–instead of adding a movie-based attraction to Epcot–to build an entire theme park with a filmmaking or film industry theme. Long story short, in 1989 then Disney-MGM Studios opened up with facility tours and two attractions: GMR and the former Studio Backlot Tour inclusive of Streets of America and Residential Street. After the licensing deal with MGM was ended, the park changed its name to Disney’s Hollywood Studios in 2008 and removed all the MGM branding. Shortly thereafter, Residential Street was removed and Lights Motors Action was added. Since that time, all attractions in that area of the park have been closed to make way for Star Wars and Toy Story Lands.

Speeding up to present day. The decision to remove GMR from DHS represents the end of an era. With the closure of that iconic attraction, the park’s original concept, original idea, the very soul of the park is being rewritten. What was once material for waxing nostalgic at the parks–nostalgia being a significant draw to theme parks–will now merely be a distant memory. It’s not that theme parks should avoid evolving to remain relevant–quite the contrary. They need to! But to remove an attraction that represents the original identity of the park, stirs up quite a lot of emotions. Many might argue that this is the equivalent of closing Epcot’s iconic Spaceship Earth because Epcot’s direction has shifted from an educational component to food and thrills. More than riding the movies, DHS (much like Universal Studios) was a park that immersed park guests into filmmaking itself. Granted, the filmmaking process is not as magical as it once was, given that most of the magic exists within a computer and is comprised of 0s and 1s; still, there was a magic to the whole thing that park guests found fascinating, and enjoyed approaching films from a different perspective. If GMR isn’t safe, if the tides of time wash this park-opener attraction off the maps, then is any attraction safe???

Keeping roots in the original concept of a park is truly important, but it seems the powers that be do not feel that any connection to the soul of the park, the history of the park, is important. Not that I don’t think Mickey and Minnie deserve a ride. Of course they do! And there are likely other places where their new attraction could have gone. Take One Man’s Dream for instance. If you’ve been to DHS, you know this as the Walt Disney museum with a focus his early filmmaking days as well as the plans for Disneyland and Walt Disney World. It’s a biographical museum, of sorts. Great attraction. Does it need to be at DHS? No. It’s an example of an attraction that can be moved to another location without a negative impact left by its absence. Disney Springs would be a great location for the museum, and would probably see more guests than it does now. The present One Man’s Dream location could be retrofitted and remodeled for a new attraction. In fact, that area of the park is referred to as the Animation Courtyard. Therefore, it’s best suited for a new attraction where Mickey and Minnie are the stars! For years, I’ve thought that GMR needed to be refurbished. So, I am fully aware that many of the scenes lack sufficient relevance to the kids and teens today–even some young adults. But, because the attraction needed a massive refurbishment does not mean that it should be removed altogether.

It is clear from the announcements at D23 that Disney’s Hollywood Studios will see a complete departure from its founding theme and concept–old Hollywood and the magic of the movies–and move to a sort of diegetic immersion. Instead of learning about the movies, the guests will feel as if they are IN the movies. Instead of celebrating movies, Star Wars and Toy Story will provide guests with a complete escape from the outside world and into the world of these popular franchises. The addition of these properties and lands is exciting! They look beautiful and will offer some fascinating attractions; but, I wish it had not come at the expense of losing the very foundational idea that inspired Disney’s Hollywood Studios.

The best laid plans…

Review of “Turn it Up: the Hottest Show on Ice” at Busch Gardens Tampa

Stunning. Absolutely incredible. That pretty much sums up the experience at the new ice show in the Moroccan Palace Theatre at Busch Gardens Tampa Bay. Since the late 1980s, the Moroccan Palace has been home to some great daily and seasonal shows. From Hollywood to ecology to Christmas, it’s covered it all. Although the shows have been great, one of the most noticeable elements that dates the venue is the set design. Not anymore. The stage has been completely remodeled and LED walls, map projection, and intelligent lighting are now included. In addition to the vast improvements in the production design, the costumes have turned the sexy factor way up! That music, though. The selection of songs is both strategic and emotional. Even the arrangement of the songs is on point. There is a little of everything for the audience. Whether you appreciate a 50s rock style or the music of Lady Gaga, you will find songs to dance to in your seat. Personally, I was moving to the beat of every single song during the show. When you see the show, be sure to arrive early because the house was completely packed!

Busch Gardens is unique in that it is among very few theme parks around the world that offers a daily operating ice-skating show in a theme park setting. In fact, it is the only major theme park in the United States to offer an ice show as part of its daily operations. And with good reason, running an ice show is an incredibly expensive endeavor, especially on a daily basis. Like with any show, the ice shows in the Moroccan Palace Theatre get reworked every 4-5yrs. When it was announced that Iceploration was ending, I was saddened because I typically caught that show every time I visited the park. But as much as I enjoyed Iceploration, Turn it Up blew my mind and instantly left me with wanting to see it again. At the end of the show, the entire house erupted in applause and even received a standing ovation from myself and others. I couldn’t be more pleased with the new show. Each set piece was brilliantly designed to complement the music, costumes, and respective performers.

Typically, I can be a little harsh on shows that rely upon map projections as a chief component to the show. The long and short of that point of view is that I feel that far too often, the map projection becomes the focus of the show instead of the projections complementing or enhancing the experience. Turn it Up struck the perfect balance between the mapped projections, LED walls, and the ice stage performance. The focus of the show IS the excellently choreographed ice-skating performance by the talented skaters; but, the respective performances are accompanied by popular music and advanced show systems technologies. The talent on stage is the focus. Not that the engineers, editors, and technicians that created the video projection content aren’t important. Both are important parts and contribute to the success of the show. Instead of showing off what technology can do to, this show incorporates the advanced show technology with incredible live performances, creating an immersive experience for the eyes, ears, and mind.

Although it is not entirely fair to compare this show to other more conventional theme park shows, because this one is on ice whereas most others are not, the experience of Turn it Up was unparalleled to any other daily operating show that I have had the opportunity to watch. Honestly, it’s the opinion of this critic that this is the BEST theme park show, bar none. I cannot wait to see how the Christmas shows are going to change in the future as a result of the remodel and re-imagination of the ice show and venue. If you have plans to visit central Florida for the theme parks this summer, you do not want to miss Turn it Up: the Hottest Show on Ice at Busch Gardens Tampa Bay.