Tag Archives: Dallas Jenkins

THE BEST CHRISTMAS PAGEANT EVER movie review

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A heartwarming reminder of the importance of community. The movie also delivers a thoughtful critique of misplaced values. Based on the beloved 1971 children’s novel by Barbara Robinson, this big screen adaptation is a solid way to kick off the holiday season with a Christmas movie that is sure to fall into the annual movie rotations for many. Although the screenwriting demonstrably lacks refinement, there is still much to like about the movie. After a rocky first act, the movie finds its tone, despite the rough dialogue and poor pacing. Over all, it is an enjoyable movie that I will likely watch again before the Christmas season is over.

The Herdmans are six siblings who have a reputation for being the worst kids in the world. However, when they take over the local church Christmas pageant, they just might teach a shocked community the true meaning of Christmas.

Tonally, this movie falls somewhere between A Charlie Brown Christmas and A Christmas Story. While this movie may not have the same degree of memorable scenes that will find their way into the cultural zeitgeist, there are moments of hilarity and thoughtful poignancy. The movie shies not away from spotlighting the various prejudices and classism that permeate every town, particularly small towns and even amongst the imperfect people that makeup a church, but also uses the various social dynamics, at play, in the film to show how we can change for the better–after all, this is a redemption story. But it’s not a redemption story in the way we have seen in the past, with characters like Scrooge; rather, this is a redemption story about characters that talk the talk, but struggle to walk the walk. Moreover, this redemption story also follows those that are angry with the world and take out that anger and resentment on those around them. All around, this movie is full of imperfect people across the spectrum that need a wakeup call.

The movie works best when it leans into naturalism, but occasionally falters or feels uneven when it tries to strike a balance between typical faith-based movies and more mainstream ones. Some of the characters and conflicts feel like relatable albeit exaggerated versions of real life, while others feel incredibly forced and unnatural. From what I can remember, the Herdmans are more–how shall I say–earthy and raw in the book than in this film adaptation. And while we get glimpses of this, it would’ve been nice to have witnessed more of their behavioral aberrations to drive home how different they were perceived to be from their community. It’s here where we witness that Dallas Jenkins may be a better producer than director.

Bringing her trademark blend of strength, vulnerability, and sense of humor is Judy Greer as Grace, our house mom that unwittingly takes on the biggest event in her small town. All around, the principle cast is solid with a few standout performances. Some of those standout performances are from Knylee Heiman as the manic and terrifying Gladys, Beatrice Schneider as the crass Imogene, and Lorelei Olivia Mote as the self-centered diva Alice. The characters that work best are those that demonstrate stylistic differences compared to the rest of the cast. In other words, it’s the character actors that stand out in this film–and for good reason–they are both funny and act as an exaggerated reflection of real life people. We each know of people in our own lives that feel like these move people. I feel that if more characters were given something to do by the screenplay or director, that the performative dimension would’ve been above average.

Thematically, the movie reminds us that family and community traditions (particularly at Christmastime) are an important part of the human experience; however, the movie continues the conversation by its provocative reminder that traditions devoid of love and flexibility can become a trap or even a monster. It’s not the tradition itself that is important; it’s the love and community building that is most important. The tradition is merely a vessel through which we can extend love to one another. Just like Charlie Brown and his friends are reminded that Christmas is about the birth of baby King in a nondescript manger in a lowly town and, by extension, the radical changes He will bring to the world through His birth, life, death, and resurrection, the townsfolk in Emmanuel (the town in the movie) are reminded that Jesus was born for everyone, including the Herdmans, “the worst kids in the world.” And that we should care more about one another than we do keeping traditions the same simply for the sake of tradition.

After watching the movie, I am inspired to go back a reread the book. I remember reading it as a kid, and I imagine perhaps other kids of the 70s, 80s, and 90s remember reading the book as well.

Ryan taught Film Studies and Screenwriting at the University of Tampa for over eight years and has a book releasing next year titled Monsters, Madness, and Mayhem: Why People Love Horror. Recently, he has taken over 90.7 WKGC NPR in Panama City, and will be launching a film talk show soon. Additionally, he is a member of the Critics Association of Central Florida and Indie Film Critics of America. If you like this article, check out the others and FOLLOW this blog! Follow him on Twitter: RLTerry1 and LetterBoxd: RLTerry

ChosenCon 2024 Review

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by Jennifer Wead

“Have you seen The Chosen?” is not a question you would have had to ask the more than five thousand people who arrived at the Orlando World Center Marriott last weekend for ChosenCon 2024. The hotel/conference center was fully dec’d out in teal and black (the official colors of The Chosen). Actors and crewmembers wandered about the concourses interacting with fans. Various panels entitled “Gates of Hell: The Devil’s in the Details” and “Welcome to Bethany” drew long lines of fans waiting to enter the conference rooms to hear behind-the-scenes stories.

This is the second year for ChosenCon, and based on the fan response and slate of upcoming projects announced by Dallas Jenkins during the convention, the studio does not appear to be easing up on the pedal any time soon. 

The first season of The Chosen debuted in 2019 and has been steadily growing in resources and fans since then. It is notable for being mainly crowdfunded. The studio is continually raising the qualitative bar on the landmark series, and has witnessed tremendous growth amongst fans and production resources over the last year. Contrary to how one may think a Biblically-inspired show may be received by mainstream Hollywood, it is continually receiving accolades from those in and, perhaps more surprisingly, outside of the faith. More and more celebrities and influencers are commenting favorably about the show, such as superstar Blake Shelton and even the hosts of The View.

My first experience with The Chosen goes back to its first season. I had seen some of the advertisements on Facebook but just thought it was probably another sub-par faith-based project. It wasn’t until my cousin and author told me I should take some time to actually sit down and watch it that I relented. I have been a believer for many years, but I generally had two expectations when it came to this kind of media, either (1) it would be, as stated earlier, sub-par and cheesy or (2) it would be a complete misunderstanding or misrepresentation of Scripture and Christianity. 

Needless to say, I spent the entire first episode waiting for something to disappoint me. Nothing really did. In fact, it touched me. So, I gave the next episode a chance. And the next. And the next. Each episode not only faithfully recreated iconic moments in the Bible but also did it in a way that defied expectations. The characters seem like real people and not just stained-glass window paintings. In general, The Chosen gives backstories to many of the characters. While we may not know the actual true-life activities of all the people written about in the Bible, The Chosen tries to fill in plausible stories. This is all done in an effort to make the well-known stories in the New Testament hit harder. Furthermore, they will often tie in flashbacks to the Old Testament. The stories also seem to surprise me. You may wonder: How can a Bible show be surprising? There shouldn’t be any spoiler alerts! It is not always what is happening but more of how it happens that can surprise you. 

However, while the show did assuage my initial misgivings, it was really the people involved that converted me into an actual fan. I try not to mindlessly accept everything that people write about the Bible or other faith-based media, so I felt that I would need to discover the motivations of this group of creators before I gave it my allegiance. What I found was authenticity. The creator of the show, Dallas Jenkins, was honest and humble about the writing process and always answered questions about why he and his co-writers (Tyler Thompson and Ryan Swanson) adapted stories in a certain way. He didn’t shy away from hard questions but he was also not the sort of person who would be blown about by every opinion. Dallas sees his job as pleasing God first. He also was clear from the beginning—in fact it is stated in the very first episode of the show—that this is not the Bible, nor is it meant to be a replacement of the Bible. 

I have been to two ChosenCons, participated in the filming of the Feeding of the 5,000 and nothing I have seen has made me think otherwise. Every actor, crewmember, and writer are passionate about the project, even though many of them come from different faith backgrounds. They tear up in gratefulness when speaking about the project and try to make genuine connections with the fans. Every actor I spoke with was thoughtful and passionate about portraying their character in the right way. They spoke of finding purpose and fulfillment in their part. Some of the crewmembers are getting to be just as famous as the actors themselves (at least among the fans who came to ChosenCon).  

The producers of The Chosen are just as passionate about sending their show out to fans around the world too! The Come and See Foundation is dedicated to funding the show as well as getting it translated into 600 languages (they have around fifty to sixty now, which makes it the most translated show of all time, surpassing Baywatch, the previous record-holder).  Outside of the US, some of their biggest markets are Brazil and Latin America. 

The Chosen is four seasons into their planned seven season run. Season five has already been filmed and is in post-production. Season five centers on Holy Week with Season six dealing with the crucifixion and season seven the resurrection. On Friday night, Dallas announced a rebranding of their studios as 5 & 2 Studios with plans to create more relevant faith-based content, which include a children’s animated show (The Chosen Adventures), a Bear Grylls adventure show (The Chosen in the Wild with Bear Grylls), shows about Moses and Joseph, and, finally, the much-anticipated show about the Acts of the Apostles (The Way of the Chosen). Of course, with the Bible being as lengthy as it is, there is no shortage of material from which they can pull in the future. 

As someone who grew up with a dearth of well-written faith-based material but who always appreciated a TV show that could pull you in, it is exciting. If the quality remains the same, they will be able to continue growing as they have. I have enjoyed every episode I have watched, and it is truly hard to pick a favorite. So, my final question for you is: “Have you seen The Chosen?”