“The Boy” movie review

TheBoyBoy, was that scary! Quite possibly among the scariest movies in recent years; that is until The Boy drops the ball in the last few minutes of the movie. Within the first few minutes of the film, there is already an overwhelming sense of dread and an anticipation of what horror lies in store for our protagonist. This is one of the films where the plot was nearly perfect and even scarily close to real horrific circumstances. Quite interestingly and uncharacteristic of this sub genre of horror, the previews do not give away all the scares nor do they lend to revealing the shocking turning point during the climax of the story. In many ways, the plot is a tribute to a more classic way of building a horror movie and I can appreciate the effort to channel the Master of Suspense.

The Boy is about an American nanny who takes a unique position with an old-money family in the British countryside to look after the couple’s son while they are on a long awaited holiday. Upon meeting the child, Greta (Lauren Cohan) is perplexed as to why mom and dad are treating a porcelain doll as if he was their son. According to the parents, the doll IS their son and Greta must follow a strict set of instructions in order to satisfy the needs of Brahms (the boy). Worried she will be alone in this mansion with only the doll for company, Greta meets the attractive local grocery delivery man Malcolm (Rupert Evans) who informs Greta of the history of Brahms and his parents. Thinking that Brahms is merely a doll with obsessed parents, it isn’t long before Greta begins to feel that something is quite wrong after hearing voices and the doll mysteriously moving from place to place. Join Greta and Malcolm as they come too close to a long-kept secret with a devastating history.

Despite being a January horror movie, The Boy had my attention and respect for a job well done until the end. Often horror movies may not provide us with the ending that we anticipated or were prepared for, but this film really took a turn for the worse when it played out in the manner in which it did. What I find remarkable about this modern old-school tale is the instant feeling of dread or fear of the unknown from the very beginning. From the dialog to the characters, each element of the story helps to continue to reinforce the ominous presence that Greta feels in the house. Unfortunately, there are just way too many unexplained, underdeveloped, and unanswered questions by the end of the movie to give the film the credit that it would have received otherwise. It is possible that the studio is setting up the audience for a prequel or a sequel, but usually these January movies do not see future installments.

I really enjoyed the old-school pacing and feel of the movie, and if you also enjoy truly macabre suspense movies, then you will enjoy it for the most part (until the disappointing end). There was also a Hitchcockian air about the film; although Hitch would have directed a much better (or simply bizarre) ending and provided us with far fewer unexplained plot points. The film is definitely one that is very much enjoyed in a group setting, as is the case for horror in general. So, if you don’t have anything else planned to see this weekend, grab a few friends and head out to see what The Boy has in store for you.

“Magical” Data Collection (part 1 of 3)

MagicBandsFrom watches to shoes, wearable technology is slowly but steadily making its way into the everyday life of consumers. Building upon traditional data collection methods while integrating wearable technology trends, Disney introduced the Magic Band® [from here on out referred to as Magic Band(s) or Bands] in beta testing in 2012 and more widely beginning in 2013. Park guests can use the Bands as their room keys at Disney resorts, book FastPasses®, and as admission into the parks. Connecting your Magic Band to the My Disney Experience mobile application and website allows for the park guest or passholder to do much of what a telephone representative used to do. Even while in the car, a park guest can book FastPasses and once in the park, the Magic Band can be used to access (or validate) the booked FastPasses. The Magic Band is the Disney guest’s key to the kingdom, so to speak. But, beyond the more superficial functionality of the Magic Band, what other data is collected by the media giant? And furthermore, how and does the data affect business decisions in the other investments Disney has in media, technology, and entertainment?

Looking into the data collection methods of the Magic Bands requires looking into a relatively new breed of data and collection methods referred to as smart data. Smart Data can be described as simply as big data with the addition of emotion behind it (Ball, et al, 2015). Smart Data allows companies to understand consumer behavior beyond just a set of numbers or algorithms. Smart Data provides realtime information to the company in order for the company to be preemptive and predictive, knowing where the consumer has been, is currently or will be going by reflecting present decisions on past decisions. This data opens a window into the mind and soul of the customer by tracking behaviors from online buying to peer-to-peer conversations (Ball, et al, 2015).

The brilliance behind the design in the Magic Band is the ability for the Walt Disney Company use smart data as a way to put smiles on the faces of its customers—well, most of the time anyway. But does this brilliant design come at a cost of privacy? Prior to investigating the privacy issues with this smart form of data collection, it is important to look at the design and implementation itself. The goal in the creation of the Magic Band system was to mitigate, with the eventual goal of elimination, the fiddling around with admission tickets/passes, forms of payment, room keys, FastPasses, and dining reservations all the while increasing personal/interpersonal interaction and time with family and friends without the hassle of the aforementioned (Kuang, 2015). All the tasks and elements of a typical Walt Disney World Resort® vacation can be handled and processed by the Magic Bands. Disney Magic Bands look like an unassuming rubber bracelet, and that is part of the magic. “The most remarkable thing about the Magic Bands is the fact that they don’t feel remarkable” (Kuang, 2015). Behind the colorized or photo-covered rubberized band is an RFID (radio frequency identification) chip and GPS tracking system. The bands are constantly connected to a vast system of sensors and transmitters within the boundaries of the park.

Although presently concentrated in parks and resorts, the idea of combining the convenience of a wearable accessory with the efficiency of a mobile application, is a trend that will most likely go beyond the borders of Walt Disney World and spread to other parks, resorts, or even academia. Think of the Magic Band as Disney’s answer to the Apple Watch®. It really is a beautiful concept that has many positive affects. The beauty behind the otherwise nondescript bracelet is the combination of a logical approach to business needs and the creation of a more efficient trip to the “happiest place on earth.” Instead of spending time in lines, behind the computer, at Guest Relations, or at FastPass kiosks, the park guest can spend more time with family and friends while customizing nearly every element of a trip to Disney World.

The Walt Disney Company may seem like its leading the pack with integrating wearable technology that serves as a massive way to collect, organize, and attribute data—and in may respects it is—but for many years now, retailers have recognized this trend for what the customer is looking for—a more experiential and participatory relationship with the vendor or brand. In a published study conducted at the Fashion Institute of Technology (FIT) in New York, researchers uncovered some mega trends that are directly impacting the customer’s experience in brick-and-mortar stores as well as online retailers. Both traditional and non-traditional retailers are recognizing the need for the customer to be digitally linked to the brand or store just as they are digitally linked to social media and other media outlets. Between now and 2020, the digital world is estimated to double in size every year between now and then. And, it is projected that the number of smartphones will surpass 2 billion (US) dollars by 2016 (Bell, et al, 2015). Retailers cannot ignore this, and legacy retailers will have to restructure and adapt to the growing digital media trend or be left behind and face the inevitable.

By retailers and other providers of goods, services, or experiences embracing new media and digital connections via mobile technology, an additional layer in the retail landscape is constructed to further engage the consumer in multiple ways. On the plus side, everyone benefits. Consumers have a quicker and customized access to the goods and services they buy on a regular basis anyway, retailers are able to grow sales at an exponential rate, customers receive items in a fraction of the time it once took, information on both the customer and retailer are just a click away, and you can simply shop on the go—those impulsive buys continue way past the end caps at the supermarket or department store. However, there is a darker side to this symbiotic relationship: loss of privacy. This is not always a malicious action, but by integrating digital media and mobile technology into the retail and hospitality landscape, companies have a copious amount of data that can aid in decision making and provide the company with another revenue source by selling data to the highest bidder, so to speak (Ball, et al, 2015).

In respect to the Disney Magic Bands, which are currently an option in the newly launched MyMagic+® program of vacation/visit management, all the conveniences of the bracelet-like device come with NSA style monitoring by The Mouse (Dockterman, 2014). The constant monitoring and data collection comes in a shiny package. What parent wouldn’t want to set up a child’s visit with a “surprise” visit from his or her favorite Disney character? By signing up for (or you could think of it as signing away of privacy) certain features in MyMagic+, character performers (those employees that are dressed as a face or fur character) in the park can see that a particular child (or even adult for the matter) want to meet them. And by accessing the MagicBand’s GPS tracking system, the character knows where the park guest is and perhaps even where they are heading based upon dining, hotel, or attractions reservations. With the ability for the MagicBand able to track location and serve as a form of payment, post-Snowden, there are worries that a clever hacker can access the band and be able to steal the payment information or be able to be a stalker (Dockterman, 2014).

In the Journal of Electronic Resources in Medical Libraries researcher Eric Schnell explores information sharing and exchanging technologies. One cannot discuss the technology and implications of the Disney Magic Bands without investigating the technology that allows the MyMagic+ system to function. Although his research was conducted to better understand this new technology in how it relates to medical research and libraries of information sharing, this same understanding can, by extension, be applied to the Magic Bands. As RFID, GPS, and Bluetooth technologies continually innovate and develop into smaller, faster methods of communicating over short distances, companies and organizations will integrate, adapt, and change to meet the needs and desires of consumers to have more participatory experiences with favorite brands and these same companies will have a prolific amount of date on each consumer that can be used to target particular goods and services and will have data that can be sold off to other companies

(Continue to Part 2)

Liebster Award

liebster

To my surprise, I was nominated by REMCO of the blog The Silver Screen Savant for the Liebster Award! Thank you very much 🙂

The Liebster Award is an award for bloggers. It helps to discover new blogs and to build a sense of community in the blogging world!

Okay, So Here are the Rules:

  • Thank the blogger(s) who nominated you
  • Answer the 11 questions the blogger gives you
  • Nominate 11 bloggers that you think are deserving of the award
  • Let the bloggers know you nominated them
  • Give them 11 questions of your own

QUESTIONS from REMCO

– If you could only read one genre for the rest of your life, what genre would you choose? Ashamedly, I don’t read books for pleasure. I do, however, have a great deal of books. But, I look at them as furniture. In order to satisfy the inquiry, I could enjoy reading mysteries for the rest of my life.
– What is your favourite book and why?
My favorite book is easily Charles Dickens’ A Christmas Carol because the writing is excellent, the characters are each unique and strong, and the message is timeless. It will forever be a testament to not allowing the commercialism of Christmas overshadow the magic of the season.
– Which writer inspires you the most?
That is a close call because there are two writers that have always been inspirational to me: Charles Dickens and Dr. Seuss (Theodore Geisel).
– What was the first book you ever read?
I am unsure. However, if I was to make an educated guess, I would say How the Grinch Stole Christmas.
– Who is your favourite character from any book, movie, tv show etc. and why?
Quite the broad question. Hmm… My favorite character amongst all formal storytelling methods would be Scrooge because he is each and every one of us at some point in our lives in a given situation. He also established a character arc that is used as a barometer to this very day. He shows how even the hardest of hearts can be turned around–if given the right motivation.
– What is your favourite literary/poetic quote?
Not literary or from a poem, but my favorite quote is from Cecil B. DeMille, “the greatest art is the art of storytelling.”
– What’s your favourite movie?
Easy. Jurassic Park (1993).
– What is your favourite place in the entire world? And why?
As I have not traveled abroad, despite the fact that I now have a passport, my favorite place is Biltmore Estate (Asheville, NC).
– What place have you not visited but would you like to visit the most? And why?
Rome. Because it was the turning point in modern Western civilization and was years ahead of its time in technology, arts, and education. The crossroads of the world, so to speak.
– What is your favourite time in history?
Honestly, I like present day. However, I know that is not the intent of the question. So, looking through the past, I think I like the height of the Roman Republic/Empire.
– Tell me a random fact about you!
I’m over 30 and single, and often think about taking my dating experiences (or lack thereof) and working them into a stand-up comedy routine because audiences love self-deprecating humor.

MY NOMINEES

Vinnieh of Vinnieh

Heinrich Domingo of Cinetactic

Lukeluna of Geeky Cheeky Always Sneaky

Austin Wiggins of Writings by Ender

Hammy Reviews of Hammy Reviews

Remo of the Silver Screen Savant

ReviewsWithB of ReviewsWithB

Danielle Ogo of It’s a Great Blog After All

Clarke Ellis of By Clark Ellis

The Brooklyn Hallowss of The Brooklyn Hallowss

Gareth Rhodes of Gareth Rhodes Film Reviews

MY QUESTIONS to MY NOMINEES

  1. What are your top five favorite movies?
  2. Select your top two favorite movies; why are they so special to you?
  3. Why did you start blogging?
  4. What is your favorite theme park and/or attraction, and why?
  5. What are your top five favorite television (or the equivalent) shows?
  6. If money were no object, where would you like to go on your next vacation?
  7. What is your spirit animal, and why do you identify with that one?
  8. Which Golden Girl are you, and why?
  9. Who is your favorite vocal artist and why?
  10. What is your favorite Broadway musical?
  11. What is your dream car?

“The 5th Wave” movie review

FifthWaveAnother cliche wave of ‘only attractive young people can save the world because they are special’ movies. Really??? Do we really need another one of these films with an overly used and tired plot? I suppose so–or at least that is what Sony Pictures is hoping for. Once again, the world is at the brink of destruction by an alien race that has taken over most adults. It is up to a small band of rebel young people to save the world by overcoming the impossible. Only this time, the dialog and plot are so incredibly blasé that you may likely find yourself often glancing at your watch to see when this painful movie will be over. Can we survive the fifth wave??? That question is all too apropos. From the unimpressive digital effects to the crazy quilt consisting of pieces and patches from every other  YA fantasy action thriller, hopefully this movie signifies the last wave of boring and predictable franchises that try to compete with The Hunger Games but fail miserably.

I normally summarize the plot here, but I am pretty well sure that you already know all that you need to know, given the repetition of such films in this sub-genre of young adult movies.

If you simply enjoy mild, mindless, cliche young adult (trying so hard to appeal to teens and adults) entertainment, then this film is for you. On the other hand, if you are tired of this same vapid plot that we have been accosted with for the last several years, then this is not the way to spend the weekend. Haha. I wanted to see The Boy instead last night; but unfortunately, it was not getting a Thursday night release. I think distribution companies and theatre chains should have released it instead last night, and saved this travesty for today.

“Anomalisa” movie review

AnomolisaAn anomaly of a movie. Okay, so my first line seems a little redundant given the title of the movie, but I honestly could not think of a more appropriate opening. Watch as the classic look and feel of claymation is pushed to new limits. However, a rather curt summary of this movie would be an avant-garde interpretive film that is overly abstract and subjective. Very much art house cinema material, this animated film has no clear message and provides the audience much to think about. However, due to the lack of coherency, it is difficult to apply a common theme or interpretive message throughout the narrative in its entirety. Despite the utter weirdness of the film, you will undoubtedly find yourself identifying with or interpreting various scenes in different ways; although, you may also ask yourself “what the???” after you leave the auditorium. It is definitely an animated film that is extremely artistic and serves as evidence that animation for adults can break from the confines of the living room or computer and find a place amongst other live-action avant-garde films. For fans of Cyndi Lauper, you will get a kick out of one of the scenes in particular, and also notice an analogy in the writing that goes along with her timeless hit “Girls Just Wanna Have Fun.”

Michael Stone is a successful businessman and author who is spending the weekend in Cincinnati to talk about his book on improving customer service in stores and other businesses. Along the way, he finds himself meeting many people who adore him and his work–an all too familiar encounter. Upon a chance meeting in the hallway of his hotel, he meets Lisa who captures his attention in a way that no-one has in a long time. Unfortunately, he must deal with personal and interpersonal conflict throughout his business trip and must decide how to handle and move-on with life.

Well, that is pretty much it. There really isn’t much more to say because of the very nature of this film. Much of what you may find enjoyable is the awkward romantic claymation scenes and the ability to gleam from the film whatever you may. One thing is for sure, whereas I find the film to be entirely too abstract and subjective, I can definitely appreciate it for pushing the boundaries of how one typically views or experiences claymation films.