Netflix’s Stranger Things Season Three represents a return to form! Much like Apocalypse did for American Horror Story, this season of Stranger Things took what worked in Season One and delivered an outstanding third season that has–what could possibly be–my favorite scene in the entire series. Even more than the previous two seasons, this one takes 80s culture and style to the max, complete with a nostalgic shopping mall and carnival. More so than any of the previous seasons, this one is the most roller coater yet. More monsters, more conflict, more horror. It’s also only eight episodes; and to that point, this season is tight, precise, and never leaves you in a lull. Whether you were a kid or teenager in the 80s or not, this season does what Stranger Things does best–connect you with your childhood. Whereas the series has been more science-fiction than horror in the previous two seasons, season three skews much closer to horror giving audiences some nightmarish imagery that echoes sci-fi horror staples such as Invasion of the Body Snatchers, The Blob, and The Thing.
Instead of playing on the mystery or fear of the unknown, season three is aware that the spider-like mind flayer and demogorgon aren’t as scary as they were in the first two seasons. So it delivers a new character of opposition that is terrifying in both mind and body. This parallels the changes that the central characters are going through during this time of encroaching upon adolescence. The boys have deeper voices and the hormones are raging. In addition to navigating the horrors that are befalling Hawkins, our central characters are forced to navigate relationships, sexuality, growing up, and loss. And this exploration of relationships is not limited to the kids, but the adults of Hawkins find themselves forced to face true feelings as well. It’s the added intellectual dimension of the human condition that makes this such a strong season for me. In fact, the more I think about it, the more that this might just be my favorite season, with Season One being a close second. What makes some of the greatest horror films of all time stick with us is the social commentary and thematic depth. Stranger Things season three dives deep by consistently keeping the focus on the character conflict and not simply the other-worldly entities.
One of the most relatable avenues through which to connect with characters is the avenue of relationship dynamics. And there are a plethora of relationships on display in this season. Early on, we have the incessant making out of El and Mike, the sexually frustrated relationship between Joyce Byers and Hopper, the friendship of Steve and Robin, later on we have the breaking up of El and Mike, followed by the blooming friendship between Max and El. We witness the strained relationship between Will and his childhood guy friends as his friends begin dating and leave him to play D&D alone. Then there is the seemingly made-up girlfriend of Dustin’s that he cannot connect with via his powerful radio. Add a coming-out story to this mix, and we have many different personal and interpersonal relationship dynamics with which to connect. Relationships provide conflict, and that conflict directly impacts the drama. And we have lots of drama this season. Each of the aforementioned relationships provides the means for the characters to experience his or her own arc and grow positively or negatively. On a lighter note, there is an uplifting message of embracing your inner nerd that is evident in the drama that unfolds between Dustin, Robin, Steve, and Erica at the ice cream shop; and further evidence for this message is in my favorite scene in the entire series, The Neverending Story theme song singalong between Dustin and Suzzie. It doesn’t get much nerdier than that.
Skewing closer to horror than science-fiction, season three’s monster is right out of The Blob. There are also elements of Invasion of the Body Snatchers and The Thing. I absolutely love the idea of this monster because attacks its victims in two different ways (1) the blob will absorb the bodies of the victims and (2) the mindflayer takes control of the minds and bodies of those it deems are worthy vessels. There is a two-fold nature to this monster that makes it more terrifying than the previous iterations, because it attacks the mind and body. Much like William Friedkin’s The Exorcist took the home invasion horror concept to the next level by a demon invading the house and bodily home of an innocent little girl, the mindflayer, in a similar fashion, takes on many of the characteristics of the demon Pazuzu in Friedkin’s horror masterpiece. Characteristics of the alien entity in The Thing are also included in the actions of the mindflayer, specifically how it takes host of a body and can remain undetected. It’s this multidimensional component in the design of the monster that makes it the most terrifying creature we have encountered in Hawkins, IN.
So much fun! Season three of Stranger Things provides us with a fantastic character-driven plot that deviates from the action-driven plot in season two by returning to form. By the Duffer Brothers going back to what made the first season such a hit, this third season keeps the show going strong. Furthermore, the story is a lot tighter in this shortened season. Just goes to show that even when you have fewer episodes, the quality of the show doesn’t have to suffer. In this case, the quality went up from the previous season. Everything in this season works so very well, from the tight screenwriting to the nostalgic production design. After a mediocre second season, I was anticipating much the same for the tertiary season. Thankfully I was pleasantly surprised by how much I enjoyed season three, and feel confident that you will too!
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