A HAUNTING IN VENICE murder-mystery movie mini review

Starts well, but finishes sloppily. The creepy atmosphere and surprisingly good scares aren’t enough to save A Haunting in Venice from mediocrity. I applaud and even praise Kenneth Branagh for attempting to revive the classic Hollywood murder-mystery movie, but perhaps Christie’s works have been adapted and served as inspiration so many times, that it is nearly impossible to adapt them for the screen–and hope to deliver something new or refreshing. Compared to Branagh’s two previous Christie adaptations, this one excels in atmosphere and character, but the story is underwhelming. Moreover, most of the clues are for the audience and not for Poirot. There is little earned by Poirot in this movie; and what he does discover, often makes little sense logically. At the end of the movie, the audience is left wondering how and why what Poirot learned actually led him to the big reveal.

Probably the shortest review I have ever written. But with this past week being a combination of my birthday and dealing with a personal matter, I am unable to focus intently on this movie. Of course, it doesn’t help that it was neither good nor bad enough to be truly memorable.

Ryan teaches Film Studies and Screenwriting at the University of Tampa and is a member of the Critics Association of Central Florida and Indie Film Critics of America. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter. If you’re ever in Tampa or Orlando, feel free to catch a movie with him.

Follow him on Twitter: RLTerry1 and LetterBoxd: RLTerry

DEATH ON THE NILE whodunit film review

You’ll want to watch it again! Kenneth Branagh’s adaptation of Agatha Christie’s Death on the Nile takes everything you enjoyed about Murder on the Orient Express, and builds upon it to deliver a film that further proves that the subgenre whodunit remains timeless! Of course, much like with any murder-mystery or whodunit, it’s difficult to review without getting into spoilers. What I can tell you is that Death on the Nile boasts a stellar cast, exotic setting, and all the love and deception you want in a whodunit. Unlike the previous chapter in Branagh’s Agatha Christie adapted films, the Poirot we encounter feels more human. Contrary to previous TV and film adaptations, we witness the cracks in Poirot’s veneer, revealing his vulnerable side. Perhaps this may be another story with one of the best worst-kept secrets in literary history, but through Branagh’s direction and Michael Green’s screenplay, diegetic elements are added in order to entertain audiences with a fresh interpretation of the iconic literary work. Even after you learn who committed the murders aboard the luxury river cruise ship, you will instantly desire to watch again in order to find the clues that you missed.

Belgian sleuth Hercule Poirot’s Egyptian vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple’s idyllic honeymoon is tragically cut short.

There may be some naysayers out there that are unfairly negatively criticizing the (and I’ll be honest, somewhat predictable) solution to the mystery, you have to remember that this literary work and previous film/TV adaptations have been around for a very long time, and have served as significant influencers for all whodunits to come thereafter. Naturally, fans of the whudunit genre may be able to completely or partially guess the who, why, and how. The best way to enjoy this film is to go in as a fan of classical whodunits; if you do that, I am confident that you will thoroughly enjoy your time at the cinema!

Ryan teaches Film Studies and Digital Citizenship at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! If you’re ever in Tampa or Orlando, feel free to catch a movie with him.

Follow him on Twitter: RLTerry1