Another reboot to add to the barrage of reboots/origin stories in the last several years. Although never before had the character of Jack Ryan been considered a franchise, in the same way that Batman, Bourne, or Mission Impossible is, it is safe to assume now that this is the new direction for Paramount in the wake of the recent passing of Tom Clancy. In short, this movie is about Jack Ryan, a young former marine turned covert CIA analyst, who uncovers a Russian plot to crash the U.S. economy with a terrorist attack on New York City and the stock market to create a second great depression. First off, let’s take a look at the release date. This action-packed espionage movie was released in January, a traditional burial ground for major studio releases. Prior to “Wolf of Wall Street” moving from a 2014 release date to the coveted Christmas time slot(s), “Jack Ryan” was slated to have a Christmas release date all of its own. Is this an example of a Park Avenue movie slumming in the Bronx? Or, a ‘tastes great, less filling’ “Bourne”? You be the judge. Clearly, Paramout is grooming Chris Pine to be the actor to whom the torch of Jack Ryan is being passed. Kevin Coster’s character got it right when he asked Pine’s Ryan if he was going to keep that “boy scout on a field trip” look on his face. All-in-all, Pine’s acting is acceptable for a role such as this–nothing remarkable. The plug for Manhattan’s Film Forum was nicely woven into the film’s plot. With the Russians being the bad guys again, and in light of recent events in the news, are we returning to Cold War era movies? Although the cinematography is well executed, the editing often times included too many quick cuts which became more of a distraction than helpful in advancing the plot. At the end of the day, the first two acts are weak, followed by a decent third act. For purposes of an entertaining action film, it does its job.

“The Secret Life of Walter Mitty” is an excellent film for the whole family. Whether you want a love story, mystery, or high-flying adventure, you will find it in this movie. Unknown to many, this is a remake of a 1947 film starring Danny Kaye, but the new version goes in a different direction. Ben Stiller’s performance as the lead actor is one of his best, and his direction is even better. One aspect of a film that is particularly important, and is often overlooked, is character development; and the writers did a fantastic job with the character of Walter Mitty. Probably the most impressive part of this film was the cinematography. Easily a candidate for Best Cinematography this year. The combination and variety of shots, including still photography, was captivating. The film also showcases a wonderful symphonic score, which matches perfectly with the film. Outside of a few plot holes, which are essentially minor in nature, the plot was well written and executed. If you have yet to see it, this is one not to miss, and be on the lookout for when the Oscar Nominations are released.

A refreshing return to classic Disney animated musicals that are both heartwarming and entertaining. There is a little something for everyone. However, the movie relies upon excellent lyrics and commanding score to help support an otherwise weak and predictable plot that suffers from a lack of exposition and character development. By the end of the movie, there are many unanswered questions which, if answered, could help the audience to better understand the backstory and plot. Sadly, if one were to take away the amazing songs from the movie, there would be little left to enjoy. But, it is exciting to see that Disney can still produce a movie with memorable music that could easily join the ranks of “A Whole New World,” “Can You Feel the Love Tonight,” “Reflections,” “Colors of the Wind,” and others.

An excellent biographical drama featuring the origin of the American Beat Poets: Allen Ginsberg, William Burroughs and Jack Kerouac. Although previous movies had been made about them, this one may be better received by audiences because it stars Daniel Radcliffe; however, it’s his co-star Dane DeHaan who deserves top billing for his performance. First-time director John Krokidas’ camera seems to go on drug-binges, along with his characters, which often led to distraction instead of being used to advance the plot. The flashback/rewind sequences seemed to be used too much and often assisted the camera in confusing the audience. The writing is gripping and the character development is exceptional. The movie offers a glimpse into history, along with the love, murder, and deceit that goes along with it. Over all, very well done.

This film is a perfectly delightful experience. Wonderful casting and cinematography play a huge role in the film’s delivery and success. Tom Hanks portrays Walt Disney as well as is normally expected by a two-time Academy Award winning actor; and two-time Academy Award winning Emma Thompson does an excellent job portraying the complicated P.L. Travers. Certainly a great movie for the holiday season–one that highlights the 50th anniversary of a beloved classic. However, the movie makes the mistake of minimizing, as opposed to illuminating, the creative process; as well as containing some basic narrative and structural problems that hold the film back. Over all, the characters were quite static; but P.L. Travers is both dynamic and an excellent example of character development. Possible noms for Best Picture and Cinematography.