“Southpaw” movie review

SouthpawA ‘champion’ of a movie! Move over Cinderella Man, and make way for an incredible story of prestige, loss, overcoming challenges, and triumph. Southpaw is a surprisingly fantastic movie with dynamic characters and an incredible story. Follow one man from being on top of the world to self-destructive behavior that costs him nearly everything. Ordinarily, I do not give sports-related movies a second thought because I don’t follow any particular sporting event; however, had I let this one pass me by, I would not have had such a great cinematic experience. To be honest, it’s not screaming ‘early Oscar nom contender,’ but there is the off chance it could get the recognition. Never having attended a boxing match before, I am unsure of the adrenaline that rushes through the bodies of the audience. But, if it is anything like what I experienced during the third act of the movie, then I can totally understand why sporting events, such as boxing, can be quite the visceral thrill.

Southpaw is about champion boxer Billy “The Great” Hope (Jake Gyllenhaal) and his triumphs and tragedies. Holding the Light Heavyweight title, he is on top of the world in his professional boxing career. Furthermore, he has a beautiful and loving wife Maurine (Rachel McAdams) and an adoring daughter Leila (Oona Lawrence). After he decides–well, after being urged–to take time off from the boxing circuit, his agent is hell-bent on getting him back in the ring and sign a contract with HBO. Finding it difficult to ignore the fame and emotional high of the eyes of the world being on him, Billy turns down the opportunity to focus on his family. Following a speaking engagement at a New York City children’s home (the home both he and his wife grew up in), a brawl breaks out in the lobby and Maurine is shot. Devastated, Billy takes out his anger on nearly everyone except Leila. But, one drunken night, after he crashes his car in the front yard of his palatial estate, the court finds him unfit to be a parent and sentences him to rehab. Having lost his wife, and now his daughter, and all of his possessions, he must rebuild his name and career in order to win back his daughter despite the odds being against him.

The movie opens on a gritty scene during the championship for the boxing light heavyweight title. This intense opening is quite indicative of the entire movie. This is the type of movie that will rock you down to the very core. In many ways, the story is told through various perspectives. Believe me, it’s mostly objectively shot; but, there are definitely times that the camera gives us a subjective or point-of-view perspectives and other times the subjectivity is implied. This is an important element to the narrative because, from what little I know about boxing, it is a sport that is personally intense and highly affects the boxer physically, mentally, and emotionally. Unlike other sports which are not nearly as violating or invasive, the boxing ring is one that requires amazing stamina, discipline, and courage. Unfortunately, throughout his career, Billy was never one to focus on his defense. And this is a character flaw that transcends the ring into his life. On the subject of the coverage of the boxing matches, the cinematography is crafted so that it truly feels like you have been transported from the cinema into a great ring-side seat. This greatly increases the realism of the movie and grittiness of the plot.

Not surprising, the main focus of the plot is on Billy’s character development. But, not unlike Billy, both his daughter and his new trainer Titus “Tick” Wills (Forest Whitaker) also go through their own respective developments. In many ways, Leila and Titus embody some of the very same struggles and challenges that Billy is going through. Although Billy made decisions that lead to his fall from fame and glory, the tragic death of his wife affected him in ways in which no one is ever prepared emotionally. The writers and director of this movie were very successful is transferring the pain of Billy, Leila, and Titus from the screen into the minds of the audience. However, despite the fact that there are many elements that I appreciate about the movie, I do feel the Billy’s recovery time should have been a little bit longer and taken him to darker places in order to truly get to the very core of what his character must have been feeling and to better support the more inspirational aspects to the narrative. He went from rock bottom back to the top a little too quickly.

One of the refreshing parts to the movie was the inclusion of humor here and there. Due to the dark nature of the subject and the mental anguish experienced by Billy, it would have been all too easy to allow the low places of the film to be filled with utter despair and anger, but I was quite pleased that the writers included a little bit of humor sprinkled throughout the narrative. Wasn’t over the top, or tasteless, or thrown in there, it felt very natural and added to the believability of the story. In fact, the dialog as a whole, was well-crafted and allowed the characters to become real for the audience.

If you enjoy movies about overcoming obstacles, metaphorically returning from the dead, and the feeling of being on the edge of your seat, then you should definitely check out Southpaw. Even if you’re like me, in that you don’t typically watch sports-related movies, you should still see this fantastic story with excellent acting and character development.

Self/less movie review

Self LessBrilliant plot that suffers from traditional shoot-em-up tropes. Self/less promotes itself as a psychological thriller but pulls the ol’ bait ‘n switch by giving the audience a generic semi-thriller with a lot of superficial gun battles. This is one of those films that there was so much potential with moral/ethical dilemmas baked into the plot; but instead of delivering a well-crafted dynamic movie, the audience is left wanting so much more than was served. Ideally, casting British film royalty like Ben Kingsley should increase the appeal and class of a film; but it turns out that any generic older and distinguishing-looking actor could have been cast. Ryan Reynolds proves to live up to his reputation for playing similar roles, and you get lots of shots of his gorgeous face and body; however, his looks just aren’t enough to cary this weak film. Although this movie has been out for a little while, I decided to watch it because of the plot. I probably would have been better off watching Minions.

Self/less is about a well-respected and enormously successful developer in New York City named Damian Hale (Kingsley) who is struggling with rapidly growing cancer. He and his partner Martin (Victor Garber) go to lunch in New Orleans one afternoon, and Damian has a severe allergic reaction to something in the food or coffee and falls over dead–or so we think. Turns out that it was all a setup to get him to the secret neurological research lab of Dr. Albright (Matthew Goode) in order to take part in a new method called “shedding.” This is the process by which the mind of the living is transferred to the brain of another body. Not long after the successful procedure, Damian, now known as Edward (Reynolds), begins to receive flashes of a not-so-distant past that cause him mental pain. Thanks to drugs prescribed by Dr. Albright, the visions are supposed to slowly mitigate. Unknown to Albright, Edward begins to suspect there is something wrong and will stop at nothing to solve the mystery of the distant, vague memories.

Movies about man’s lust for immortality are nearly as old as the medium of cinema itself. But, there are definitely far superior examples of this plot. When the previews first came out for this movie, I was definitely intrigued to see it. I should have known something was up when the movie has been out and I heard no one talking about it. Between Inside Out and The Gallows I totally missed the release date of Self/lessThis should have been my canary in the coal mine sign. Prior to watching the movie, I wasn’t expecting a dynamic riveting experience, because this similar plot was used in the film The Island (2005) directed by Michael Bay–perhaps our film in question would have benefitted from his skill for superficial visual storytelling–after all, that is pretty well what we got anyway. The Island is about wealthy or desperate donors who sponsor clones of themselves in order to harvest parts as theirs breakdown. Some of the same ethical and moral dilemmas exist in both films. However, Self/less has a much better platform for really diving into these topics and exploring all the possibilities. Unfortunately, it is basically a popcorn movie.

If you haven’t seen the movie yet….just wait for it to come out on Netflix. I am sure it won’t be too long before that happens. In the event you just like Ryan Reynolds, you may find enjoyment in this film, but all the acting is quite sub-par for even this hybrid sub-genre of action/psychological/thriller.

The Gallows movie review

The GallowsA new twist on the found footage genre. Blumhouse’s The Gallows is the movie adaptation of the urban legend that sprung out of the real accidental death of Charlie Grimille at Beatrice High School in Nebraska during a play. This is the type of movie that you already know is going to be built upon the concept of the jump-scare, but it takes the often overly employed plot device and actually couples it with sub-plots and proper pacing. Even for the avid horror film fan, this movie will definitely curdle your blood and send your anxiety level through the roof. Surprisingly, this found footage horror film deviates from some of the most common tropes appropriately associated with this horror sub-genre. Although any substantial narrative and dynamic plot lacks from the film, it still provides thrills, chills, and gasps. You may even find yourself resisting closing your eyes to avoid the horror on screen. Be sure to bring a friend or significant other along if you dare to watch!

The Gallows takes place during the final rehearsals for Beatrice High School’s production of the play The Gallows. Back in 1993, the school produced The Gallows but due to a prop malfunction, the character of August was actually hanged. Ever since then, the school until today, never produced the play again. Despite rumors and alleged sightings of paranormal activity in the school’s theatre, Pheifer (Pfeifer Brown) has decided to spearhead a revival of the cursed show. On the evening prior to the show’s opening, Pfeifer catches her co-star Reese (Reese Mishler), his douchey best friend Ryan (Ryan Shoos), and Ryan’s cheerleader girlfriend Cassidy (Cassidy Erin Gifford) dismantling the set. Unfortunately, this chance encounter inside the theatre, is the beginning of a night of terror and mystery.

Due to the very nature of the essence of a found footage movie, it is the type of movie that should be appreciated for what is it–some good scares for an hour or so. This movie genre is not produced to typify the art of filmmaking; but it’s produced for pure unpleasureable pleasure. So, given the goal of the movie, it was very successful in producing frightening imagery for the eyes and embedding terrifying thoughts in the minds of the audience whilst sticking to a coherent plot. I especially liked how the writers included subplots that underscored the more superficial narrative. This is something that is usually left out of found footage movies. Furthermore, the ending is definitely unique to what is typically expected in this sub-genre.

If you’re a fan of horror films, this is definitely one to check out! Even if you are not fond of found footage movies (as is the case with yours truly), you will still find a great deal of enjoyment in being scared for a short while. For further reading, check out the true story and urban legend that serves as the inspiration for this film. http://www.hauntedhovel.com/beatice-high-school-beatrice-nebraska.html and/or https://supernaturalinvestigations.wordpress.com/2008/11/16/the-charlie-grimille-case-beatrice-nebraska/

 

“Inside Out” movie review

InsideOutThis is what we get from the creators of the beloved Disney-Pixar masterpiece Up? Prepare for a journey that not even Ms. Frizzle and the Magic School Bus could take you on. Finally get up close and personal with those little voices in your head. Only, despite the prolific amount of “joy” in the movie, you will likely exhibit a moderate ‘meh’ following the close at the denouement when all is better for Riley. Unlike the emotional rollercoaster in Up, this is a pretty well a straight forward ticking-time-bomb structured movie. Fairly predictable and lacks the magic of past Disney-Pixar films. Think Cars 2. The only redeeming quality of the movie is Amy Poehler’s character of Joy. If you loved Parks and Recreation, then you will love the character of Joy because she is pretty much the effervescent Leslie Knope. There are no extreme highs nor extreme lows…the movie fails to arouse a great deal of emotion from the audience. You will definitely not find yourself crying like you did in Up, and the characters of Joy, Sadness, Fear, Anger, and Disgust won’t find a place in your heart like the cast from Toy Story. 

Inside Out is the latest movie from Disney-Pixar and is about Riley, an 11 year-old, girl from Minnesota who moves with her family to San Francisco in order for her dad to pursue a career with a startup company. Deep inside the conscious of Riley, the personified and anthropomorphic voices in her head are busy managing her emotions during this dynamic transition in Riley’s life. Joy (Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Disgust (Mindy Kaling), and Anger (Lewis Black) all work together to see that Riley is feeling the way she needs to at any given moment while she is awake–or at least try to. Joy is the leader and attempts to see to it that Riley is joyous all the time. During a rough transitional period, emotions run haywire and Joy is unable to manage Riley’s feelings. Not meaning any harm, Sadness touches an otherwise happy core memory and the domino effect that leads to the destruction of feelings, memories, and emotions begins. After getting sucked from Headquarters into Riley’s longterm memory, Joy and Sadness must retrieve all the core memories and get them back to Headquarters before Riley retreats into a dark place and never returns.

This is Pixar’s big summer movie, but it feels more like a movie that should’ve been released during the spring or fall. It lacks that uniquely Pixar quality that we have come to love and expect from such masters of animated storytelling. The narrative struck me as something much closer to a DreamWorks film than a Pixar. Not that DreamWorks hasn’t had some hits–quite the contrary–they produced the Golden Globe winning film How to Train Your Dragon 2 last year and certainly had a major hit with Shrek and the first How to Train Your Dragon. But, typically Pixar movies stand as the epitome of the best in compelling animated storytelling. Visually, the film is quite colorful and personifies the voices in our head quite well. Unfortunately, the movie suffers from an inability to inspire the audience to fall in love with any of the respective characters; but the opposite is also true because there is not a deep dislike for the antagonist (which is essentially ‘time’) or opposition either. As most screenwriters will tell you, movies–even if time is truly the opposition or enemy–need the antagonist to have some type of physical representation. Simply stated, a movie needs a clearly defined external goal, and this film concentrates mostly on the internal goals.

Although not exemplary, we do have sufficient character development in Joy. She truly shows a great character arc that goes from someone who thinks she knows everything and how to keep Riley’s mind under control to knowing that all the various emotions need to work together in order to provide Riley with a healthy state of mind. The movie is definitely cute, and it has some great humor here and there. There are also many Easter Eggs from other Pixar movies as well. One of the funniest parts that most children will miss is the cliche imaginary boyfriend from Canada. In many ways, this movie feels like a filler movie to bridge the gap between movies until the highly anticipated Finding Dory and Toy Story 4. For those of you who really enjoy the Disney and Pixar shorts prior to the feature presentations, you will get a cute short film about two volcanos who fall in ‘lava.’ Although moderately entertaining, it was a cute way to begin Inside Out. The moderate cuteness and entertainment value in the short film is definitely indicative of the storytelling quality in the feature. It was a foreshadow of what was to be expected in Inside Out.

If you’re the parents of kids or you just love Disney-Pixar films, no matter the storytelling or entertainment value, then you will likely enjoy watching this movie. If you are looking for another Disney-Pixar movie to generate strong emotions and maybe even “joyous” tears, then this is may not be it. However, it has received high praise from other critics so far, so maybe there is something in this movie that I may have missed.

If you liked this review or others, please remember to FOLLOW or SUBSCRIBE to my blog. And, feel free to SHARE the link.

Review of “Jurassic World”

JurassicWorldBack with a roar! The Jurassic Park franchise returns from the dead with a vengeance in the newest and highly anticipated installment since the original back in 1993, and certainly since The Lost World in 1997 and Jurassic Park 3 in 2001. Jurassic World will take you back to the island that started it all and deliver the same WOW factor as the original beloved favorite. Return to Isla Nublar to experience the park John Hammond envisioned but could never have dreamed would become a reality. “The park is open!” Enjoy the adventure, pseudo-science, character development, plot, the acting, and the music that you loved about Jurassic Park (1993) in a film that holds true to the very essence of what made the original such a great film but adds in the visual storytelling technology we enjoy today. For lovers of the ride at Universal Studios (FL/CA), you will enjoy experiencing the park in ways you may have only dreamed of, and for lovers of the franchise, despite the poorly produced past sequels (even though they are still fun to watch), prepare for your expectations to be greatly surpassed as you return to your childhood and experience Jurassic World.

Jurassic World takes us back to Isla Nublar off the coast of Costa Rica. Just south of the original park, a new theme park has been opened and is bustling with park guests and dinosaurs alike. The luxury theme park and resort is jointly ran by Claire (Bryce Dallas Howard) and of course the once chapter 11 InGen BioEngineering company founded by John Hammond (the late Richard Attenborough). For the last few years, the guest satisfaction ratings have plateaued at Jurassic World and Claire has worked with InGen’s Dr. Henry Wu (B.D. Wong) to develop a genetically modified hybrid to wow the guests and increase profits. But as Ian Malcolm once so eloquently put it “life will find a way,” the attempts to control the park’s “assets,” will not go as planned. After the newly minted genetically modified hybrid Indominous Rex cleverly escapes the paddock, it is up to Claire and her unconventional Navy veteran turned dinosaur control/safety expert Owen (Chris Pratt) to save Claire’s nephews Zach (Nick Robinson) and Gray (Ty Simpkins) as well as the over 20K park guests from the jaws of history’s top notch predators.

Where to begin? It seems so much easier to write a critique for movies that are just okay or even terrible. When working with such an incredible movie, it’s sometimes difficult to know where to begin and even harder to know when to stop. Going into the movie, I had my reservations-especially after seeing what I thought was a ridiculous scene from the trailer of Owen facing off and talking with the raptors–but I can honestly say that is this movie that I, as well as millions of others in their mid-to-late 20s and early 30s, have been waiting for since we saw the original as kids in theaters. It truly embodies everything that made the original great and capitalizes on it by adding in the digital effects and visual storytelling techniques we enjoy as part of modern cinema. The best movies are those that simultaneously embrace current technologies whilst remaining grounded in the very essence of what a movie should be: exceptional visual storytelling in terms of the art and science of filmmaking. This truly is the sequel we have been waiting for since the helicopter left Nublar 22 years ago.

I was watching Jurassic Park 3 with a friend in order to finish the first three movies prior to seeing Jurassic World last night, and I asked him and myself  “what was it about the first one that makes it such a great film and in the top 20 grossing movies of all time (and that’s even when adjusted for inflation)? We talked a little, and both decided that is was the dynamic plot, clever writing, memorable characters, and that wow factor of seeing dinosaurs like never before on the big screen that made the first movie not just a successful movie but a GREAT movie. That same dynamic plot filled with subplots and subtext, memorable characters, and more is captured by the current installment. Yes, this movie is high concept as summer blockbusters usually are; but just because it’s high concept doesn’t mean that we cannot experience character development, subtext, exceptional writing, and great visual storytelling. From the moment that I heard the all-too-familiar music and returned to Isla Nublar, I knew then that this was going to be one of the most exciting and phenomenal movie-going experiences of my life. And you know what? It was as exciting as seeing the original for the first time. Universal Pictures, Amblin Entertainment, and Legendary Pictures harnessed the power of what made the first movie great and brought a nearly extinct franchise back from the dead.

Just like the characters from Jurassic Park (1993) helped to make the movie what it was, so do the characters of Jurassic World. You have Claire who, much like Hammond, is a dreamer. Although, she is definitely more concerned with money than Hammond ever was. Witness as she goes from a cold shrew business woman to a courageous and loving aunt to her two nephews. Speaking of whom, witness the transition of Zach as the older mean brother who couldn’t be bothered with his sibling to risking his life to save his brother Gray’s. Dr. Henry Wu reprises his role as the genius behind the science that made Jurassic Park and now Jurassic World work. Every movie needs that hero who is unconventional and has subtle sexual tension with the strong female lead, and we get that, in spades, with Owen. There is the chief financier Simon Masrani (Irrfan Khan) who is concurrently overly concerned with making a profit but still genuinely concerned that his park guests are having fun. And finally, we have Lowery (Jake M. Johnson) who sports an original Jurassic Park t-shirt and has rubber dinosaurs on his desk because he loves the original park and is thrilled to work at the new one. Each of the characters has very unique personalities and traits that are meticulously woven into the plot in order to continually advance the story.

I also wanted to touch on the references to the previous films in the franchise. Early on, it was made known that the old Visitors Center would make a cameo appearance, but I did not expect the extent to which the old compound plays an intricate part in Jurassic World‘s diegesis (narrative). Claire is even dressed in all white like Hammond. Not only is the music powerful–almost to the point of tears–and harkens back to the first time you heard it, but the movie helps to make Jurassic Park feel like a real place because of Lowery’s t-shirt he bought off eBay and the banner of “when dinosaurs ruled the earth” now covered in dirt and mold that fell from the ceiling at the close of the first movie. Although not formerly acknowledged, there are many references to not only the first movie but also 2 and 3, and even the Jurassic Park Ride. From lines of dialog to easter egg camera shots and even to the Jurassic Park 1992 Jeep Wrangler, Jurassic World uses material from its storied past to support the current narrative and evoke fond memories. Interestingly, the movie also deals with the element of third party companies grossly sponsoring attractions and exhibits in theme parks. Just like even Disney’s Magic Kingdom is now sporting a Starbucks on Main Street, the same can be seen in many theme parks. Sometimes it seems like theme parks are sacrificing storytelling and creative theming for the almighty dollar. Perhaps this movie shows us what happens when greed overpowers creativity.

I feel that Universal Pictures (a Comcast Company) has been searching for its cash cow franchise like Disney’s Pirates, Avengers, and now Star Wars or like Warner Bros. Harry Potter (even though Universal rakes in the dough from the Wizarding World of Harry Potter at it’s Florida and soon California parks), like MGM’s James Bond, or 20th Century Fox’s Avatar or X-Men, but after the two failed sequels to Jurassic Park, all seemed lost. Until now. This installment in the 22 year-old franchise has been successfully resurrected and could quite possibly be a contender and a worthy opponent in the franchise competition. The way the final shots of the island were in the movie, I have a feeling that this was the official goodbye to this chapter in the Jurassic Park novel and the opening of the floodgates for followups to this movie that will hopefully continue the embrace of the essence of the original whilst continuing to advance the story of what happens when man creates and manipulates dinosaurs.

I don’t know what you have planned this weekend, but you NEED to get to the theatre to see this movie. I am even planning to see it again this weekend myself. But, I need to find an IMAX that is showing it in 2D (yes, that is correct 2D). Prepare to be taken back to your childhood and relive the experience all over again in the newest chapter of Jurassic Park.

As always, if you liked this review, please follow or subscribe or at least share the link on social media.

For my review of Jurassic World: Fallen Kingdom click here.

Ryan is a screenwriting professor at the University of Tampa. If you like this article, check out the others and FOLLOW this blog!

Follow him!

Twitter: RLTerry1

Instagram: RL_Terry

Thrillz (theme parks): Thrillz.co