Friday the 13th meets Freaky Friday in the no-holds-barred, feel good horror movie of the year! Universal Pictures has certainly gone back to its horror roots in 2020. In February, it gave us The Invisible Man and on Friday the 13th of November, it gives us FREAKY. Writer-director Christopher Landon, who gave us many horror movies including Happy Death Day and Disturbia, delivers a refreshing horror movie filled with inventive kills, a fun plot, and frisky characters. Everything that you love about 80s slashers is here in this love letter to the horror subgenre that still brings friends together today. Funny how horror movies–movies filled with that which would repulse us in real life–have the opposite effect of promoting inclusiveness and community. And it’s that sense of community that separates horror, specifically the slasher, from other film genres. There was a magic in the decade of 80s horror that continues to greatly influence content creators and fans today. Landon knew this, and channeled so much of what made the slasher take the world by storm into this movie. While FREAKY is an entertaining movie regardless, it will be the nods to movies such as Friday the 13th, Halloween, A Nightmare on Elm Street, and Child’s Play that will inevitably bring about the nostalgic thrill ride that Landon carefully crafted! Starting out as a masked killer, Vince Vaughn soon delivers the laughs as he captures every nuance of a mousey, bullied teenage girl trapped in a middle-aged man’s body. Likewise, Kathryn Newton perfectly captures a notorious slasher trapped inside a teenage girl’s body. Perhaps FREAKY is a little lite on the lessons learned from the body swap achieved through a Child’s Play-like mystic ritual, but Newton’s Millie does learn confidence. From the opening, that’s clearly an homage to the shock of SCREAM, through the hijinks and antics to the climactic ending, there is something for everyone in this movie–especially for geeky horror fiends like myself!
A mystical, ancient dagger causes a notorious serial killer to magically switch bodies with a 17-year-old girl. (IMDb)
That’s it. Simple, right? Some of the best movies of all time have simple plots and complex characters. Okay, so FREAKY may not have incredibly complex characters, but what it lacks in dimension, it makes up in a diverse cast plus doubling down on its identity as a genre film. Horror movies have long since been the most progressive of all the genres, and Landon keeps this value alive in his latest movie. Even before mainstream movies began including strong female characters, critiquing toxic jock culture, and including non-parodied LGBT+ characters, horror was a leader in inclusion and diversity. Has it too evolved over the years, of course; but my point is that it’s always been the leader. Using a reimagination of Freaky Friday as a slasher as the foundation, the movie is able to get incredibly creative with the conflict, character dynamics, and the kills! It is unlikely that any of these kills will make Top 10 lists one day, but they are mostly homages to past kills from tentpole horror movies. Is the plot predictable? Yes. But does that take away from the entertaining factor? Definitely not. This movie knows what it is, and delivers the laughs and squeamish winces in spades! Predictable as the plot may be, it is not without its unique twists and turns. I appreciate how those that are killed by either THE Blissfield Butcher or Murder Barbie are bullies in one way or another. Perhaps this movie doesn’t go very deep, but it’s certainly a cautionary tale on the deadly consequences of direct and indirect bullying and assault.
If you go into this movie wanting something completely new, then you’re going in with the wrong attitude. If you want to see a new twist on a foundational part of horror cinema, then you’ve come to the right movie! It’s been quite a while since there has been such an unapologetically fun movie in cinemas, and this is precisely the antidote to uplift the geeky horror spirit!
PS. Can we please stop using the Mystic Falls (Covington, GA) town square from Vampire Diaries in every movie that needs a small town? At least this time, I couldn’t make out the Mystic Grill in the background like I could in Doctor Sleep.
Ryan teaches screenwriting and American cinema at the University of Tampa. If you like this article, check out the others and FOLLOW this blog! Interested in Ryan making a guest appearance on your podcast or contributing to your website? Send him a DM on Twitter or email him at RLTerry1@gmail.com! If you’re ever in Tampa or Orlando, feel free to catch a movie with or meet him in the theme parks!
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